CRACKS (& LACERATIONS): THE “ACTIVE AESTHETICAL APPRECIATION” OF THE SO-CALLED “DISTURBING ELEMENTS” / IMAGE #7

CRACKS  © ROBERTO ALBORGHETTI - IMAGE # 7

CRACKS © ROBERTO ALBORGHETTI – IMAGE # 7

THE CRACKS WEEK: THE 7th IMAGE

Cracks is part of my Lacer/actions Project, about  the decomposition of torn publicity posters on outside advertisings (my realistic and not manipulated images are transferred on canvases, lithographic prints or textiles).

Since 2009 I’ve been also workin’ on another matter. Not paper but metal, plastic or stony surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks… We are surrounded by cracks. We live in a planet of cracks. And cracks may be considered as a life’s metaphor. Yes, cracks as “an active aesthetical appreciation” of what we call the disturbing elements of imperfection.

My eyes and cameras discovered, in cracks magnifications, another astonishing textures in what we usually consider waste materials. Also my Cracks are realistic, natural, random and not enhanced images, as you see in this picture. More Cracks will be on line soon in a special gallery… 

MY CRACKS AS “WABI-SABI”, THE JAPANESE ART OF CELEBRATING CREVICES AND TIME MARKS…

 

 

CRACKS  © ROBERTO ALBORGHETTI - IMAGE # 6

CRACKS © ROBERTO ALBORGHETTI – IMAGE # 6

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THE CRACKS WEEK: THE 6th IMAGE

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Some friends of mine who work in arts told me that CRACKS – and all my LACER/ACTIONS researches about torn and decomposed publicity posters – are a sort of European example of “Wabi-sabi” which is the Japanese art of finding beauty in imperfection and profundity in nature, of accepting the natural cycle of growth and decay…

Yes, I’m glad for this matching. In fact, “Wabi-sabi” celebrates cracks and crevices and all the other marks that time, weather, and loving use leave behind. Architect Tadao Ando says: “Wabi-sabi reminds us that we are all but transient beings on this planet-that our bodies as well as the material world around us are in the process of returning to the dust from which we came. Through wabi-sabi, we learn to embrace liver spots, rust, and frayed edges, and the march of time they represent.” (Read more at What Is Wabi-Sabi)

Cracks is part of my Lacer/actions Project, about  the decomposition of torn publicity posters on outside advertisings (my realistic and not manipulated images are transferred on canvases, lithographic prints or textiles). Since 2009 I’ve been also workin’ on another matter. Not paper but metal and plastic surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks… We are surrounded by cracks. We live in a planet of cracks. And cracks may be considered as a life’s metaphor. My eyes and cameras discovered, in cracks magnifications, another astonishing textures in what we usually consider waste materials. Also my Cracks are realistic, natural, random and not enhanced images, as you see in this picture.

Related articles

THEY’RE ONLY ORDINARY TEXTURES IN A CRACKS MAGNIFICATION…

CRACKS  © ROBERTO ALBORGHETTI - IMAGE # 4

CRACKS © ROBERTO ALBORGHETTI – IMAGE # 4

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THE CRACKS WEEK: THE 4th IMAGE

Cracks is part of my Lacer/actions Project, about  the decomposition of torn publicity posters on outside advertisings (my realistic and not manipulated images are transferred on canvases, lithographic prints or textiles). Since 2009 I’ve been also workin’ on another matter. Not paper but metal and plastic surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks… We are surrounded by cracks. We live in a planet of cracks. My eyes and cameras discovered, in cracks magnifications, another astonishing textures in what we usually consider waste materials. Also my Cracks are realistic, natural, random and not enhanced images, as you se in this picture.

THE CRACKS WEEK / IMAGE # 3: COLORS AND SHAPES ON A METAL SURFACE…

CRACKS  © ROBERTO ALBORGHETTI  - IMAGE #3

CRACKS © ROBERTO ALBORGHETTI – IMAGE #3

Cracks is part of my Lacer/actions Project, about  the decomposition of torn publicity posters on outside advertisings (my realistic and not manipulated images are transferred on canvases, lithographic prints or textiles). Since 2009 I’ve been also workin’ on another matter. Not paper but metal and plastic surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks… We are surrounded by cracks. We live in a planet of cracks. My eyes and cameras discovered, in cracks magnifications, another astonishing textures in what we usually consider waste materials. Also my Cracks are realistic, natural, random and not enhanced images, as you se in this picture.

WELCOME TO THE WORLD OF “CRACKS”, WHERE MATTER IS BROKEN BUT NOT SPLIT… IMAGE # 2

CRACKS  © ROBERTO ALBORGHETTI - IMAGE #2

CRACKS © ROBERTO ALBORGHETTI – IMAGE #2

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THE “CRACKS WEEK”:

2nd PICTURE OF SEVEN

Cracks is part of my Lacer/actions Project but it moves in another direction. Through Lacer/actions I have been investigating and exploring the incredible dimension of the decomposition of torn publicity posters we usually see on outside advertisings. My eyes and my cameras tried to reveal the colors and the shapes of ripped paper. All my images (transferred on canvases, lithographic prints or textiles) are the reproduction of real and not manipulated scenes.            

Since 2009 I’ve been workin’ on another matter. Not paper but metal and plastic surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks… We are surrounded by cracks. We live in a planet of cracks (yes, cracks are maybe another metaphore of Life, as well as the waste-paper…) I began taking and storing lot of images about cracks, specially the ones I see on particular metallic surfaces… My eyes and cameras discovered, in cracks magnifications, other astonishing textures . I like to repeat that all my Cracks are realistic, natural, random and not enhanced images.    

NEW: THEY ARE “CRACKS”! (AND NOT PAINTINGS) / EXPLORING METAL AND PLASTIC SURFACES…

CRACKS  © ROBERTO ALBORGHETTI  - REALISTIC IMAGE - # 1

CRACKS © ROBERTO ALBORGHETTI – REALISTIC IMAGE – # 1

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WELCOME TO THE WORLD OF “CRACKS”, WHERE MATTER IS BROKEN BUT NOT SPLIT…

Cracks is part of my Lacer/actions Project but it moves in another direction. Through Lacer/actions I have been investigating and exploring the incredible dimension of the decomposition of torn publicity posters we usually see on outside advertisings.

My eyes and my cameras tried to reveal the colors and the shapes of ripped paper. All my images (transferred on canvases, lithographic prints or textiles) are the reproduction of real and not manipulated scenes.            

Since 2009 I’ve been workin’ on another matter. Not paper but metal and plastic surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks…

We are surrounded by cracks. We live in a planet of cracks (yes, cracks are maybe another metaphor of Life, as well as the waste-paper…)

I began taking and storing lot of images about cracks, specially the ones I see on particular metallic surfaces…

My eyes and cameras discovered, through cracks magnifications, other astonishing textures.

I like to repeat that all my Cracks are realistic, natural, random and not enhanced images.    

Yes, welcome to Cracks world, where  matter is broken but not split…

In this “postcard” the first of seven images I’m gonna post from today to next saturday. Enjoy them! 

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RELATED POSTS

http://robertoalborghetti.wordpress.com/2013/05/15/cracks-comin-soon-2/

http://robertoalborghetti.wordpress.com/2013/05/10/cracks-comin-soon/

   

PHOTOGALLERY / IN THE MAGICAL UNDERGROUNDS OF THE NEW PERMANENT COLLECTION OF CONTEMPORARY ART (MARCHE, ITALY) DISPLAYING A “LACER/ACTIONS” PIECE…

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Guest writer: Nicola Rossi

It’s not so usual today to open a great public space for art. But this incredible challenge has been won by Italian artist and curator Pasquale Martini and all his collaborators. The new Permanent Collection of Contemporary Art, located in the enchanting undergrounds of Palazzo Gasparini (a XVII Century palace), officially opened in Mercatello sul Metauro, a fascinating medieval and Renaissance town in Marche region (Pesaro Urbino, Italy). The Permanet Collection – displayed in a beautiful and magical space which was completely restored – opened as a completion of St. Francis Museum of Ancient Art.

The permanent exhibition presents 158 works including 32 sculptures and 126 paintings by established national and international artists. All this  was made possible thanks to enthusiasm, passion and tenacity of artist and sculptor Pasquale Martini who has involved in the ambitious and prestigious project, the mayor of Mercatello, Giovanni Pistola, with the Municipal Administration, the local tourism association (Pro Loco) and the whole community. The official catalogue has been entirely published with the contribution and sponsorship of Banca dell’Adriatico.

In a really special room – as you may see in this photo-gallery – has been also displayed the work created by Roberto Alborghetti for his “Lacer/actions” project concerning the research about images of torn and decomposed publicity posters and urban tokens. The piece is titled “There ‘s some chaos, with a focal point” (canvas, 63 x 43). The realistic and not manipulated image was “captured” in Milan during a cloudy day on December 2010.

PHOTOS: COURTESY OF BARBARA SCHLICHTE

"THERE'S SOME CHAOS, WITH A FOCAL POINT", ROBERTO ALBORGHETTI, 2010, REALISTIC IMAGE ON PICTORIAL CANVAS, 63X43, OWNED BY PERMANENT COLLECTION OF CONTEMPORARY ART, MERCATELLO S/M, MARCHE, ITALY

“THERE’S SOME CHAOS, WITH A FOCAL POINT”, ROBERTO ALBORGHETTI, 2010, REALISTIC IMAGE ON PICTORIAL CANVAS, 63X43, OWNED BY PERMANENT COLLECTION OF CONTEMPORARY ART, MERCATELLO S/M, MARCHE, ITALY

CRACKS…COMIN’ SOON…

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2nd Anniversary with WordPress

2nd Anniversary with WordPress

SIGNS OF A CITY / MORE INDECIPHERABLE CODES FROM AMSTERDAM WALLS…#2

 

RA logo LACER-AZIONI - Copia (2)

Amsterdam city (The Netherlands) reveals itself also through random images of ripped and decomposed publicity poster we may see along the streets and canals. During my last  visit I gathered interesting and capturing images which are really part of colors, shapes and moods of the so called “Venice of Northern Europe”. Rugs, papers, glue, dust, spray colors residuals and other materials mixed with torn posters gave origin to some fascinating and even disquieting scenes, where light and dark seem to create an obscure dimension or some indecipherable codes… It’s just the world of Lacer/actions…

SIGNS OF A CITY / SOME INDECIPHERABLE CODES FROM AMSTERDAM WALLS…#1

 RA logo LACER-AZIONI - Copia (2)

I think Amsterdam city (The Netherlands) reveals itself also through random images of ripped and decomposed publicity poster we may see along the streets and canals. During my last  visit I gathered interesting and capturing images which are really part of colors, shapes and moods of the so called “Venice of Northern Europe”. Rugs, papers, glue, dust, spray colors residuals and other materials mixed with torn posters gave origin to some fascinating and even disquieting scenes, where light and dark seem to create an obscure dimension or some indecipherable codes… It’s just the world of Lacer/actions…

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RELATED ARTICLE:

http://robertoalborghetti.wordpress.com/2013/02/01/signs-of-a-city-an-unusual-and-public-art-installation-in-the-very-heart-of-amsterdam/