I ‘M GRATEFUL TO FELLOW BLOGGER MEREDITH DEERHEART WHO DEDICATED THIS BEAUTIFUL “TRIBUTE” TO MY ART. THIS SPECIAL “HAIGA-CARD” SHOWS ONE OF THE POEMS SHE CREATED FOR MY ARTPIECE. I’M VERY PLEASED TO REBLOG HER POST. IT’S A GIFT FOR ME, BUT ALSO FOR WHO WANT “TO VIEW AND CONTEMPLATE”…

IN THE GREAT CLEAR SKY: REMEMBERING ARCHITECT GIAN PAOLO BIFFI / LACER/ACTIONS POSTCARDS # 8

IN THE GREAT CLEAR SKY: REMEMBERING ARCHITECT GIAN PAOLO BIFFI / LACER/ACTIONS POSTCARDS # 8

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IN THE GREAT CLEAR SKY: REMEMBERING ARCHITECT GIAN PAOLO BIFFI 

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Lithograph, 2009, 50×70 (framed, not available)

Realistic and not manipulated image

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This artpiece is dedicated to architect and friend Gian Paolo Biffi, who passed away in these days. I’m grateful to him for his passionate profession, his enthusiasm and his personal support to my art. He was one of the first who pushed me to develop and promote my art research and activities. He curated my “ The Four Elements” Exhibition in 2009 and his installation – a particular  scaffolding used in building yards – was really something innovative and intriguing for modern art shows. He was also pleased to give me some suggestions for my next exhibition in the great Medieval Tuscany Fortress. But a desease caught him too early. Now he’s in the Great Clear Sky, as suggested by this artpiece which was owned by him…

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Roberto Alborghetti ‘s LaceR/Actions is a multidisciplinary project and research about the apparent chaos of ripped and decomposed posters and urban/street signs.

Transferred on canvas, reproduced on lithographs or textiles (as pure silk), or scanned in videoclips, the details of torn posters give new life to paper lacerations and decomposition, as you may see in this “postcard” reproducing one of the 40.000 images captured by Roberto Alborghetti during his research all around the world.

His next big show (“Colors of an Apocalypse: An Intrigue for the Eyes and Mind from the Decomposed Publicity Posters”) will take place at Aldobrandesca Fortress (XIII Century) in Tuscany, from September 27 to November 4, 2012 .

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NEL GRANDE CIELO CHIARO: RICORDANDO L’ARCHITETTO GIAN PAOLO BIFFI – LE CARTOLINE DI LACER /AZIONI # 8

Litografia, 2009, 50 × 70 (con cornice, non disponibile)

Immagine realistica e non manipolata

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Questa composizione  è dedicata all’architetto ed amico Gian Paolo Biffi, scomparso in questi giorni. Gli sono grato per la sua professione appassionata, il suo entusiasmo e il suo sostegno personale alla mia arte. Fu uno dei primi che mi ha spinto a sviluppare e promuovere la mia ricerca e le attività artistiche. Ha curato la mia mostra “I quattro elementi” (2009) e la sua installazione – un ponteggio particolare utilizzato nei cantieri edili – è stato davvero qualcosa di innovativo e intrigante per le mostre di arte moderna. Era anche felice di darmi qualche suggerimento per la mia prossima mostra nella grande fortezza medievale in Toscana. Ma una malattia lo ha preso prematuramente. Ora è nel grande cielo chiaro, come suggerito da questa composizione che era di sua  proprietà

Roberto Alborghetti  Lacer / Azioni è un progetto multidisciplinare e di ricerca sull’apparente caos dei manifesti pubblicitari strappati e decomposti e dei segni di strada.

 Transferite su tela, litografie o riprodotti su tessuti (come seta pura), o acquisiti in videoclips, i dettagli dei manifesti strappati danno nuova vita alla carta lacerata e decomposta, come si può vedere in questa “cartolina” che riproduce una delle 40.000 immagini catturate da Roberto Alborghetti durante la sua ricerca in tutto il mondo.

La sua prossima mostra ( “Colori di un’ Apocalisse / I manifesti pubblicitari decomposti: una provocazione per gli occhi e la mente” ) si svolgerà presso la Rocca Aldobrandesca (XIII secolo, Paincastagnaio, Siena) in Toscana, dal 27 settembre al 4 novembre 2012.

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 Related articles

ART GOES TO THE PUBLIC BEACH: THE INCREDIBLE “TENTS AT THE SEA” IN CESENATICO (ITALY)

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© Photos by ROBERTO ALBORGHETTI

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Before the introduction of sun umbrellas, big rectangular tents were hung on wooden poles stuck in the sand, in order to give shelter to tourists on the beach. Thanks to the intuition of Nobel Prize winner Dario Fo, in Cesenatico (Riviera Adriatica, Italy) these sunshelters have become big canvases for painting on, giving life to a real open air art exhibition in an unusual and at the same time enchanting scenery.

Each year, the open-air exhibition of sunshades is dedicated to the works of a different artist: the first was Dario Fo (1998), followed by Tono Zancanaro (2000), Emanuele Luzzati (2001), Bruno Munari (2003), Federico Fellini (2006). Last year the exhibition was dedicated to the 150th anniversary of the Unity of Italy, with works created by poet, author and screenwriter Tonino Guerra – who passed away some months ago – and produced by the craft’s workshop “Bottega Pascucci” in Gambettola.

CESENATICO 2012, ITALY / TENTS AT THE SEA – PHOTOS BY ROBERTO ALBORGHETTI

This year the tents at the sea are dedicated to another grandmaster who recently passed away, artist Ilario Fioravanti from Cesena. The printing house Pascucci has interpreted the late master’s coloured sketches having a circus theme. The twenty beautiful tents are waving under the sun on the public beach (in Andrea Costa square) next to Cesenatico ‘s skyscraper. The exhibition will be open till September 9, 2012.    

The sunshades in the past were the typical furniture on the whole beach of Cesenatico. Visitors and tourists have now the way to relax themselves under the pleasant shadow admiring fascinating pieces of art. 

For informations and hotel reservations:

CESENATICO TURISMO

Viale Roma 112, 47042 Cesenatico (FC), Italy

Tel. + 39 0547/673287 , 800 556 900, fax + 39 0547/673288

www.cesenatico.it

https://www.facebook.com/infocesenatico

IT’S RAINING OLYMPIC COLORS! DID SOMEONE SHATTER THE 5 CIRCLES? DON’T BOTHER ABOUT IT: IT’S JUST AN ARTPIECE FROM TORN POSTERS…

IT’S RAINING OLYMPIC COLORS! ROBERTO ALBORGHETTI LACER-ACTIONS FOR 2012 LONDON OLYMPIC GAMES

Blue, Black, Red, Yellow and Green: five colors representing our Continents. Five colors we find in the five circles of the historic Olympiad logo. The 2012 London Olympic Games suggested me to toy with my “Lacer/actions” artpieces, realistic and not manipulated images of torn and decomposed posters. In my collection  – more than 40.000 images – I found interesting and particular works, as the piece I show here…

There’re no circles and no official logo, but the 5 colors movement is so funny and amazing… Yes, it’s raining Olympic Games colors! Someone shattered the circles and the colors are now able to move everywhere, to fall and to go up… A metaphore about humanity profound hopes and desires of freedom?          

ABOUT 2012 OLYMPIC GAMES

The 2012 Olympic Games will take place in a host of new venues as well as using existing and historic facilities. Many of the new facilities will be reused and the plans are part of the regeneration of Stratford and Lower Lea Valley in East London.

The 2012 Summer Olympic Games will be held in London from tomorrow, July 27, to August 12, followed by the 2012 Para Olympic Games from August 29 to September 9. At the opening Ceremony around 100.000 people will be working on the Games – including 3.000 staff, up to 70.000 volunteers and a large number of contractors. The London 2012 Olympic logo has created considerable controversy and the spiralling cost of the Games is likely to be an ongoing problem…

London has hosted the Olympic Games on other two past occasions, in 1908 and 1948. The 2012 Olympics will make London the first city to have hosted the modern Games of three Olimpiads.

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SOS StopOilSpill / MY VIDEO AND ART PIECES SUPPORTING FUERTEVENTURA (CANARY ISLANDS) CAMPAIGN AGAINST OIL EXPLORATION IN THE SEA

ROBERTO ALBORGHETTI LACER/ACTIONS ART – IMAGES OF TORN AND DECOMPOSED POSTERS – FROM “SOS StopOilSpill” VIDEOCLIP

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CLIP SOS StopOilSpill / ANIMOTO

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My “Lacer/Actions” images against oil spill disasters: “And the sea waters rose and screamed all their fury”. This clip was created with my art pieces  – realistic and not manipulated images of torn and decomposed posters – and it supports Fuerteventura campaign against the central government’s decision (Spain) to allow oil exploration in Canary Islands (Biosphere Reserve). 

I been in the beautiful and wild Fuerteventura last june. And I approached its problem. Local people and associations are raising protests. Greenpeace told that the planned oil spill – located in deep waters, at 3000 meters – would required 500 boats to act immediately in order to contain it. Fuerteventura doesn’t have the structure to be able to defend itself immediately against such a disaster…   

Natalia Evora, Environment and Trasports Councillor in Fuerteventura, said to “Fuerteventura Magazine Hoy” : “First of all we must remember that in 21st Century we must speak of energies that do not pollute and we therefore think oil has become an obsolete industry… We must take into account the great damage and risks that this would create in our marine element, for biodiversity and for tourism…The Islands that are Biosphere Reserves, such as Fuerteventura, are creating another energy model and not one that is already being eliminated in many countries because of the problems it has created… An oil spill would immediately close the desalination plants that provide the water we consume”.

“SUCH A BEAUTIFUL MESS” IN THIS DECOMPOSED POSTER – LACER/ACTIONS POSTCARDS # 7

“SUCH A BEAUTIFUL MESS IN MY STRAY HEART” – ROBERTO ALBORGHETTI ART – LACER/ACTIONS PROJECT

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SUCH A BEAUTIFUL MESS IN MY STRAY HEART

Lithograph, 2009, 50×70 (framed, available)

Realistic and not manipulated image

*

Roberto Alborghetti ‘s LaceR/Actions is a multidisciplinary project and research about the apparent chaos of ripped and decomposed posters and urban/street signs.

Transferred on canvas, reproduced on lithographs or textiles (as pure silk), or scanned in videoclips, the details of torn posters give new life to paper lacerations and decomposition, as you may see in this “postcard” reproducing one of the 40.000 images captured by Roberto Alborghetti during his research all around the world.

His next big show (“Colors of an Apocalypse: An Intrigue for the Eyes and Mind from the Decomposed Publicity Posters”) will take place at Aldobrandesca Fortress (XIII Century) in Tuscany, from September 27 to November 4, 2012 .

WE NEED A FLOWER / SPECIAL PREVIEW: COMPELLING TEXTILE DESIGNS FOR SUMMER FASHION 2013-2014

 

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Summer means colors. Summer means flowers. Flowers and colors are one of the dominant fashion trends for the coming seasons 2013-2014. Bruno Boggia Disegni Studio in Como (Italy) – where they have also created the 3 silk scarves series based on my “Laceractions” images – has seized on all floral suggestions in order to create a kind of coloristic great fresco for his textile design patterns. 

Next summer seasons trends (2013-2014) will give preference to colors and shapes drawn by following flowers and leaves shapes. This photo gallery is a special preview of the new fabrics designs which will be shown by Bruno Boggia during the forthcoming editions of the famous Salon Indigo in Paris (September 19-20, 2012) and of ComoCrea (October 29 and 30, 2012).

SPECIAL PREVIEW, BRUNO BOGGIA DISEGNI COMO, PHOTO BY ROBERTO ALBORGHETTI

COLORS FOR MARILYN MONROE / GRAPHIC RE-ELABORATIONS BASED ON HER HISTORIC ”RED VELVET” PHOTOGRAPHIC COLOR SEPARATIONS NOW OFFERED FOR SALE

COLORS FOR MARILYN MONROE / ROBERTO ALBORGHETTI’S GRAPHIC RE-ELABORATIONS – BASED ON MARILYN’S HISTORIC ”RED VELVET” PHOTOGRAPHIC COLOR SEPARATIONS NOW OFFERED FOR SALE

A Las Vegas art collector and owner of the original, one-of-a-kind color separations used to produce the iconic “Golden Dreams” calendars from the famous 1949 Marilyn Monroe “Red Velvet” photo shoot, is offering them for sale. These color separations were originally created and owned by the John Baumgarth Company and were discovered as part of a corporate art collection in 2010. The collection is in pristine condition and archivally preserved and presented. It’s a great opportunity for art collectors.

The most glamorous icon of the 20th Century was captured for all time in a moment of youthful, exuberant sensuality – an unforgettable image that, more than 60 years later, communicates freshness. To reproduce the refined features, supple texture and luxurious tones that were so totally Marilyn, print artisans painstakingly created and corrected the many layers of film needed for the full color printing process to make the original Chromalin color proof – a masterpiece of printer’s art.

The Kodachrome photograph and twenty-one large format color separations (16” x 33”) offered for sale were used by Baumgarth to create the iconic image of Marilyn Monroe – she passed away 50 years ago, August 5, 1962 – featured in the first “Golden Dreams” calendar produced in 1951, before the identity of the blonde bombshell posing for the photos was known (the model wasn’t identified as Marilyn until 1952), and which went on to sell over eight million copies worldwide, making Marilyn the best-selling calendar girl of all time.

COLORS FOR MARILYN MONROE / ROBERTO ALBORGHETTI’S GRAPHIC RE-ELABORATIONS – BASED ON MARILYN’S HISTORIC ”RED VELVET” PHOTOGRAPHIC COLOR SEPARATIONS NOW OFFERED FOR SALE

The collection also includes the “Lure of Lace” and “Entrancing” images that featured Marilyn wearing negligees in order to comply with U.S. postal regulations banning the transport of nude images.

The Kodachrome photograph is framed and the color separations are mounted and protected in OP3 museum-quality acrylic frames so that they may be appreciated, when artfully suspended, from both sides. These are the original separations used to produce the large format calendars and the only known surviving examples, which are documented to have changed hands through a series of corporate acquisitions spanning several decades.

When Marilyn showed up to do the calendar shoot at Tom Kelley‘s studio on Friday, May 27, 1949, her need was dire and immediate; her contracts with 20th Century Fox and Columbia had not been renewed and she was out of work.  The photo shoot was commissioned by Baumgarth, who paid Kelley $500 for the publication rights. It has been reported that Marilyn received $50, which was exactly what she needed to get back her car that had been impounded. Marilyn only agreed to do the shoot if Kelley’s wife Natalie was present.

COLORS FOR MARILYN MONROE / ROBERTO ALBORGHETTI’S GRAPHIC RE-ELABORATIONS – BASED ON MARILYN’S HISTORIC ”RED VELVET” PHOTOGRAPHIC COLOR SEPARATIONS NOW OFFERED FOR SALE

Only two of the 24 images taken during the shoot, entitled by Baumgarth “A New Wrinkle” and “Golden Dreams,” survived and made it to print, with the others mysteriously stolen from Kelley’s studio. “A New Wrinkle” graced one Baumgarth calendar, but the picture that captured a nation’s imagination was “Golden Dreams.”

Neither the photographer nor the 22-year-old blonde actress and model could have realized what an historic moment they were creating. In her contract with Kelley, the starlet signed under the pseudonym Mona Monroe (right). When her movie studio, 20th Century-Fox, first learned that the nude pinup hanging in gas stations from coast to coast was none other than its rising star, it was something of a scandal. The press assailed her with questions. Was it true she had posed with “nothing on”?

The studio’s initial reaction was to deny everything.  Studios such as 20th Century-Fox had stringent moral clauses in their contracts that were designed to intimidate actors and actresses. No celebrity had ever posed nude and then had the pictures distributed to a startled nation. Biographers agree that Marilyn was instrumental in persuading the studio that their natural inclination to deny the whole thing was the wrong way to go. Instead, Marilyn used an upcoming interview with Aline Mosby, a reporter with United Press International, to break the story on March 13, 1952:

COLORS FOR MARILYN MONROE / ROBERTO ALBORGHETTI’S GRAPHIC RE-ELABORATIONS – BASED ON MARILYN’S HISTORIC ”RED VELVET” PHOTOGRAPHIC COLOR SEPARATIONS NOW OFFERED FOR SALE

“A photograph of a beautiful nude blonde on a 1952 calendar is hanging in garages and barbershops all over the nation today.  Marilyn Monroe admitted today that the beauty is she. She posed, stretched out on rumpled red velvet for the artistic photo 3 years ago because “I was broke and needed the money. Oh, the calendar’s hanging in garages all over town,” said Marilyn.  “Why deny it? You can get one any place.  Besides, I’m not ashamed of it.  I’ve done nothing wrong.”

The story ended up being picked up by every wire service and circulated around the world. The reaction was swift and immediate national forgiveness. Not only that, but the sensation of the pictures, her interview and all of the related controversy made Marilyn an even bigger star.

In December 1953, an astute young publisher named Hugh Hefner bought the rights from Baumgarth to reproduce the “Golden Dreams” image as the first “Sweetheart of the Month,” in the now historic inaugural issue of Playboy magazine. The success of that first issue enabled Hefner to continue producing the magazine and ultimately build his Playboy Empire.

In addition to the Red Velvet Collection, many of the original paintings in the Messenger Art Collection are being offered for sale.

Visit the website www.messengerartcollection.com and click on Masterpieces for Sale.

For contacts: ro.alb@alice.it

HEC PARIS EXTENDS ITS DEVELOPMENT AND OPENS NEW STATE-OF-THE-ART ACADEMIC BUILDING / AN INNOVATIVE DESIGN

HEC PARIS EXTENDS ITS DEVELOPMENT AND OPENS NEW STATE-OF-THE-ART ACADEMIC BUILDING / AN INNOVATIVE DESIGN ©-Ute-Zscharnt-for-David-Chipperfield-Architects

On June 2012 alumni, journalists, faculty, staff and students participated in an inauguration ceremony celebrating the opening of a new academic building on the campus in Jouy-en-Josas. The ceremony was chaired by Pierre-Antoine Gailly – President of the Paris Chamber of Commerce and Industry, Henri Proglio – President of the HEC Paris Board, Chairman and CEO of EDF and Bernard Ramanantsoa- Dean of HEC Paris, in the presence of Jean d’Arthuys – President of the HEC Alumni Association and Daniel Bernard – Chairman of the HEC Foundation.

The innovative design of the new HEC Paris building was crafted by David Chipperfield Architects. The buildings give a strong visual identity to HEC, creating a new entrance for the campus that is in harmony with the existing structures. A golden gleam of anodised aluminium ‘fins’ adds a rhythm to the façade, which stretches 126 metres long. This new, elegant building extends the educational and administrative space by 9,500m². Several lecture theatres and class rooms will be inaugurated in the name of generous donors from the HEC Foundation, many of whom will be present at the ceremony today.

Worldwide competition between business schools has come to a new level’, comments Pierre-Antoine Gailly – President of the Paris Chamber of Commerce and Industry. ‘Work spaces equipped with state-of-the-art technology today constitute a must-have that both the students and the professors consider when selecting a school. The Paris Chamber of Commerce and Industry is proud to support HEC Paris’ expansion plans for the future.’

The shape of the building, with its shifted blocks, aims to create a more intimate environment for people to experience on arrival on the campus. The multi-faceted blocks naturally integrate with the surrounding buildings, and provide a series of sheltered semi-courtyards along the length of the site. By staggering the structural volumes in this way, David Chipperfield Architects has created a distinctive, human-scale feel to the space, while providing ample facilities for students and academics. Informal study areas and teaching spaces revolve around a large common hall, which serves as a ‘social collector’ and links the building with other facilities. Additionally, the impressive auditorium and other common spaces have high-specification technical treatments, to ensure excellent quality presentation facilities.

The new building is a stimulating open learning environment that encourages interpersonal interaction. Advanced information technology and telecommunications solutions facilitate the exchange of ideas among participants in different locations around the world. It provides a shimmering new façade for HEC facing the existing main campus entrance and the future expansion.

About HEC Paris

Leader in Europe, specialized in education and research in management, HEC Paris offers a complete and unique range of educational programs for the leaders of tomorrow: Masters Programs, MBA (full-time and part-time), PhD, HEC Executive MBA and TRIUM Global Executive MBA. Founded in 1881 by the Paris Chamber of Commerce and Industry, HEC Paris has a permanent faculty of 110 professors, more than 4, 000 students (37% of whom are non French) and more than 8, 500 managers and executives in training every year. HEC Paris has been ranked #1 Business School in Europe by the Financial Times since 2006.

www.hec.edu

About David Chipperfield Architects

David Chipperfield Architects was founded in 1985 and has offices in London, Berlin, Milan and Shanghai. The practice works internationally on cultural, residential and commercial projects providing full architectural and interior design, master planning, product and furniture design services for both public and private sectors. Our diverse built portfolio includes museums and galleries,

libraries, apartments, private houses, hotels, offices, master plans, and retail facilities. David Chipperfield Architects has won more than fifty national and international competitions and many international awards and citations for design excellence, including RIBA, RFAC and AIA awards, as well as the RIBA Stirling Prize in 2007, and the European Union Prize for Contemporary Architecture – Mies van der Rohe Award in 2011.

www.davidchipperfield.co.uk

(WE’RE ALWAYS) BLOWIN’ IN THE WIND / 50 YEARS AGO BOB DYLAN PREMIERED HIS SONG – LACER/ACTIONS POSTCARDS # 6

(WE’RE ALWAYS) BLOWIN’ IN THE WIND / 50 YEARS AGO BOB DYLAN PREMIERED HIS SONG – ROBERTO ALBORGHETTI LACER/ACTIONS POSTCARDS # 6

Images of Torn (publi)City

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Lithograph, 2009, 50×70 (not available)

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Roberto Alborghetti ‘s LaceR/Actions is a multidisciplinary project and research about urban signs, especially concerning the apparent chaos of ripped and decomposed posters and street signs.

Transferred on canvas, reproduced on lithographs or textiles (as pure silk), or scanned in videoclips, the details of torn posters give new life to paper lacerations, as you may see in this “postcard” reproducing one of the 40.000 images captured by Roberto Alborghetti during his research.

His next big show will take place at Aldobrandesca Fortress in Tuscany, from September to November 2012 (“Colors of an Apocalypse: An Intrigue for the Eyes and Mind from the Decomposed Publicity Posters”)

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This “Lacer/actions” postcard is dedicated to the 50th Anniversary of Bob Dylan ‘s “Blowin’ in the wind”. A song  which continues to be a sort of “manifesto” for all the generations. “How many roads must a man walk down before you call him a man?…”