THE MAGICAL WOOD SCULPTURES CREATED BY PIERO MARCHESINI… SCENES AND CHARACTERS FROM MITHOLOGY, NATURE AND FAIRY TALES

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Photos: Roberto Alborghetti    

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In recent weeks I had the pleasure of visiting an exhibition at the medieval Baptistery in Lenno on Lake Como. Piero Marchesini – a distinguished gentleman and artist – exhibited his beautiful art pieces. Marchesini carves wood, carrying out really lovely works. He lives in Lipomo, Como City, and sculpture is his passion. He has already showed his creations around the world raising lot of attention. Marchesini loves to work on subjects recalling mythology, nature, characters from fairy tales and legends and biblical scenes.

He carves wood – walnut, lime, ash, hornbeam, boxwood, maple, olive, cherry-wood and so on – with great mastery and skill and he is able to create works of singular fascination and charm. More than words, count the pictures, just from the exhibition of Lenno. His next show is planned in Menaggio, on Lake Como, from 30 July to 5 August, 2013 at the Art Gallery (Garibaldi square) overlooking the lake. It’s another opportunity to see its stunning creations.

IT’S NOT A PENCIL DRAWING. IT’S JUST ONE OF MY REALISTIC IMAGES ABOUT CRACKS…

CRACKS  © ROBERTO ALBORGHETTI  - LACER/ACTIONS PROJECT

CRACKS © ROBERTO ALBORGHETTI – LACER/ACTIONS PROJECT

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Cracks is part of my Lacer/actions Project, about  the decomposition of torn publicity posters on outside advertisings (my realistic and not manipulated images are transferred on canvases, lithographic prints or textiles). Since 2009 I’ve been also workin’ on metal, plastic or stony surfaces, or metal and plastic platings. So, I entered the wonderful world of Cracks… We are surrounded by cracks. We live in a planet of cracks. And cracks may be considered “an active aesthetical appreciation” of what we call the disturbing elements of imperfection. My eyes and cameras discovered, in cracks magnifications, other amazing textures in what we usually consider waste materials. Also my Cracks are realistic, natural, random and not enhanced images, as you see in this picture.

More Cracks  in this special gallery… 

THE CRACKS GALLERY – robertoalborghetti.wordpress.com

NEW YORK CITY: LAST WEEK FOR “LAUGHTER”, A CONTAGIOUS, PARADOXICAL, DESTABILIZING AND CORPORAL LANGUAGE…

Last week for “Laughter”, on view in New York City  through July 27 organized by Kari Cwynar. The exhibition is featuring works by Christian Boltanski, Jacqueline Hoang Nguyen, Yoshua Okón, Stuart Ringholt, Althea Thauberger.

                              

In January 1962, an unexplained laughter epidemic began in the town of Kashasha in Tanganyika (now Tanzania) in Central Africa, spanning six months, spreading through the region, and affecting hundreds. The epidemic began with three schoolgirls in a classroom, possibly the result of a joke, and quickly spiraled out of control. The year 1962 marked Tanganyika’s independence, and citizens were facing significant change. In this context, the epidemic appears to have been an outbreak of mass hysteria – a Mass Psychogenic Illness, a blanket term for the spread of symptoms of illness among a cohesive group in which the cause is psychological rather than organic. The story prompts consideration of the nature of the laughter, this ubiquitous and seemingly banal action.

http://www.apexart.org/exhibitions/cwynar.php presents, with the works of five artists, laughing as an ambiguous and involuntary mode of communication: a contagious, paradoxical, destabilizing, and corporal language. It is considered here apart from the joke and instead as an action or object itself; a passionate response with the ability to unsettle (ourselves, others, social order).                        

ABOUT THE CURATOR     

Kari Cwynar (1985) is a Canadian curator and writer currently based in Amsterdam. With a background in Art History and an interest in language, Cwynar has written about art for numerous magazines and exhibition catalogues, and has held curatorial positions at The Banff Centre and the National Gallery of Canada. She is a participant in the 2012-2013 de Appel Curatorial Programme, and recently co-curated the group exhibition Bourgeois Leftovers at deAppel arts centre, Amsterdam.

APEXART

291 Church St.

New York City

http://www.apexart.org

SIENA (ITALY) / : VISITING “THE GATE OF HEAVEN” AND CARAVAGGIO MASTERPIECE: ST. JOHN THE BAPTIST, “THE DIVINE BEAUTY”

Caravaggio, San Giovanni Battista, St. John The Baptist

Photos: Courtesy of Opera Duomo, Siena – Press Office

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Guest Writer: Carmelina Rotundo

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 A gently sloping green landscape where olive trees enrich the sscenery, isolated hamlets: in the tangle of branches the buds and flowers in soft clusters along with leavesare reawakening. Here and there, the cypresses, some young, others ancient; the bare geometric vines delineate spaces to then leave room for a forest; the shining yellow; I love this interplay of intertwining branches;more cypress trees in corona, others solitary in the foreground next to glimpses of churches.
How the vineyards climb, and even more bunches of small yellow small flowers glow. Now the landscape is dotted with buildings, factories, now crowded with houses, steeples; the big glass building of Montepaschi Siena stands out.
It is beautiful, this letting go into the weight of a Firenze-Siena journey, united towards the goal: Caravaggio, the painter of the brush of light, that artist that remained in my vision, in my heart when, in the Basilica of Santa Maria del Popolo in Rome, unforgettable, the conversion of Saint Paul appeared to me: a moment of light in time and space; the conversion had so touched Caravaggio.
I continue the climb, up, up to the “Gate of Heaven” where one gaze embraces little Siena from the North, South, East and West, and the tiles as they let themselves be caressed by the Sun; each ray today made luminous the Torre del Mangia; the only one so close to heaven, celestial blue now, the gaze now flies across rooftops of Siena Convent of San Domenico, the Apuan Alps. I cannot be still and I move on the terraces and into the attics that conserve old machines, tools that, used by the hands of skilled stonemasons, managed to obtain miracles from matter.
The gaze returns to inside the Cathedral; the stained glass windows arelight and color;  the arches, marble columns are elegance; statues I now face, at the same height, and from the rooftops, with the gaze and heart that flies from roofs, in the sky we descend into the cave of the heart of the Duomo di Siena, in the crypt where, in silence and in meditation, he appears to me, by Caravaggio: St. John the Baptist.
That brush of light once again sculpts the form: idea-imagination-creation of a work of art that, launched into time, has been enriched by the looks of the citizens of the world who have admired it, always discovering something new and old, strong and sweet, and that light that was caressing therooftops of Siena. Caravaggio imprisoned and “carved” it into his St. John the Baptist.

http://www.operaduomo.siena.it/

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SIENA CATHEDRAL, APRIL17-AUGUST 18, 2013 

Caravaggio (Michelangelo Merisi, Milano 1571 – Porto Ercole 1610)

San Giovanni Battista, 1602-1603,olio su tela, cm 129 x 95

Roma, Pinacoteca Capitolina.

 

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Le immagini sono state fornite  dagli Organizzatori dell’evento, ad esclusivo utilizzo collegato alle esigenze di Ufficio Stampa dell’iniziativa medesima. La possibilità di utilizzare questa immagine è riservata unicamente al fine di corredare con la stessa servizi, articoli, segnalazioni inerenti la mostra cui si riferiscono. Qualunque diverso utilizzo è perseguibile ai sensi di Legge ad iniziativa di ogni avente diritto.

 

 

STAKEHOLDERS BRINGING IN THE 5TH EDITION PMBOK / “THE CHEETAH KNOW HOW” SERIES

Guest Writers: Michelle LaBrosse, PMP®, Chief Cheetah and Founder of Cheetah Learning, and Kristen Medina, CAPM®, Co-Author

 CRACKS  © ROBERTO ALBORGHETTI

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Read the new article by Michelle LaBrosse

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Choose your favorite format:

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http://www.cheetahlearning.com/KHN_2013/July/index2.asp

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ABOUT THE AUTHOR:

Michelle LaBrosse, PMP, is an entrepreneurial powerhouse with a penchant for making success easy, fun, and fast. She is the founder of Cheetah Learning, the author of the Cheetah Success Series, and a prolific blogger whose mission is to bring Project Management to the masses.

Cheetah Learning is a virtual company with 100 employees, contractors, and licensees worldwide. To date, more than 50,000 people have become “Cheetahs” using Cheetah Learning’s innovative Project Management and accelerated learning techniques.

Recently honored by the Project Management Institute (PMI®), Cheetah Learning was named Professional Development Provider of the Year at the 2008 PMI® Global Congress. A dynamic keynote speaker and industry thought leader, Michelle was previously recognized by PMI as one of the 25 Most Influential Women in Project Management in the world.

Michelle’s articles have appeared in more than 100 publications and websites around the world. Her monthly column, the Know How Network, is carried by over 400 publications.

She is a graduate of the Harvard Business School’s Owner President Manager’s (OPM) program and also holds engineering degrees from Syracuse University and the University of Dayton.

FOOD EXCELLENCES, IRISH MUSIC AND MY SOLO ART EXHIBITION: A VERY SPECIAL EVENT WITH THREE HISTORICAL PLACES…

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERAEnjoy this photo-gallery about the special night-event which took place on Sunday, July 14, in the historic heart of Ambivere, Bergamo country, not so far from Milan (this place is quoted in scripts dating back to year 923!). Food excellences, Irish music and a taste of my art (a surprise public exhibition of my Lacer/actions works) drew a lot of people.  

In a picturesque setting between ancient walls, medieval towers and the “Countess Palace”, with a concert performed by “Fuich Irish Music” band, three Historical Places proposed delicious menus representing Antica Osteria dei Cameli (founded in 1856), Trattoria Visconti (founded in 1932) and Caffè del Fiola (founded in 1887), Historical Places which has been highlighted and recognized in national and international publications, as Michelin Guide (Antica Osteria dei Cameli). Really good wines were served by “Azienda Agricola Sant’Egidio” from Fontanella di Sotto il Monte (Bg).   

My solo show displayed in an “open-air space” 20 works from “Lacer/actions” Project about torn and decomposed publicity posters and urban tokens. My art usually comes from the streets and through this surprise public exhibition it went back to the streets…  This special event – which had a charity purpose for “Ponte di Stelle” Association – was promoted by Ambivere Council and the three Historical Places.

MY SURPRISE PUBLIC EXHIBITION IN A BEAUTIFUL MEDIEVAL SQUARE WITH THE PARTICIPATION OF 3 HISTORICAL PLACES AND THEIR FOOD EXCELLENCES…

A surprise public exhibition dedicated to my works… It will happen on Sunday, July 14, during an evening event with food excellences, good Irish music and a special performance with my “Lacer/actions” artworks. The venue is an ancient and fascinating place: a beautiful square in the historic heart of Ambivere, “The Countess Palace”, Bergamo country, not so far from Milan; this place is  documented and quoted in scripts dating back to year 923!

In this picturesque setting between ancient walls and medieval towers, three Historical Places will present some delicious menus: this is “GustAmbivere”. Master chefs and barmen will represent Antica Osteria dei Cameli (founded in 1856), Trattoria Visconti (founded in 1932) and Caffè del Fiola (founded in 1887). These Historical Places has been highlighted and  recognized in national and international publications, as Michelin Guide (Antica Osteria dei Cameli). A special selection of wines will be served by Azienda Agricola S.Egidio from  Fontanella-Sotto il Monte. 

I was invited to have a “solo show” focusing on some of my works from “Lacer/actions” Project about torn and decomposed publicity posters and urban tokens. I think these historic square and places, evoking the passage of times, are an ideal space to enhance the contrasting language of colors and shapes of my compositions. My art comes from the streets and now it goes back to the streets, along these ancient streets… This special event – which has a charity purpose for “Ponte di Stelle”Association – is promoted by Ambivere Council and the three Historical Places.