THE LIFE BECOMES ART: WELCOME TO PARALLAX AF IN LONDON!

I was there showing my “LACER/ACTIONS” project. I met fellow artists and I had the way to know something about their art. Here are some stories…

 By ROBERTO ALBORGHETTI

  

I may say that art world met at Parallax AF in London (La Galleria, Royal Opera Arcade, Pall Mall, October 13-16, 2011). I was there, showing my “LACER/ACTIONS” project (images from torn posters and city walls). With me, almost 200 artists coming from Australia, Japan, Italy, Israel, Chile, Canada, Denmark, Georgia, France, Germany, India, Finland, Czech Republic, Greece, Poland, UK, USA, Sudan, Spain, Sweden, Switzerland, Sicily, UAE (Dubai), Lebanon, Netherlands, Belgium. It was a great opportunity to share experiences and ideas. And to plan the future… I met fellow artists and I had the way to approach different expressions of their art. And to know something more about their life. Here are some stories…

The first artist I had the pleasure to meet at Parallax AF was MIIKA NYYSSÖNEN from Helsinki, Finland. We hanged artworks at the wall at the same time, in the afternoon. Miika brought to London three works, three delicious paintings-mosaics. But those artworks were only a little part of his huge artistic activity.

Miika is an installation artist. As he showed me through his tablet, his works are often hybrids of several ways to do art, in his recent works he’s been interested in combining visual decisions made by computer programs to the handwork and painting done by himself. Nyyssönen often builds the situation or the structure which determines what his work’s appearance will be. Miika Nyyssonen used cardboard as the main component in his interactive Olin Hall Gallery installation ‘M the Machine’. 700 cardboard boxes were cut according to ten different models, each surface containing between one and ten square holes that provide partial views of other interior spaces and of three sets of home movies from three decades as the viewer moves within the work, simulating the workings of memory. He has his own page on ArtSlant.com network. As me.

 Just in front of me, AMY MCDONALD exhibited her beautiful artwork communicating poetry and smooth emotions. She loves doing screenprint using graphite, ink drawing, pencil drawing, collage. The effects are really awsome. Amy has recently Graduated in Fine Arts from the University of Northampton, specialising in Printmaking and Drawing. In her works, she is particularly interested in the way in which imagery can be manipulated and represented in an abstract form as an artistic expression. Her recent Exhibitions included Free Range (London – July 2011) and University of Northampton degree show (June 2011). She says: “My artwork is about imaging my world around me. The styles vary, depending on the landscapes and influences I experience.”

Other my “wall neighbour” was NICHOLA DOHERTY, who showed at Parallax her brilliant works. She started out painting the Australian landscape, focusing on the outback, and the work was quite abstract. As her art evolved and she moved into the more urban influence of Paris, her work became more realistic. However, it remains stylised and focused on capturing the essence of Paris rather than a photo realistic portrayal. This style remained when she moved back to Australia and once more began painting country landscapes and also again when she returned to France and Paris. Nichola is currently drawing on inspiration from his life in France and also a recent trip to the Scottish Highlands. She says: “I am continuing to explore the essence of the landscape and world around me and to draw on my personal experiences in different landscapes and countries.”

I knew another Australian artist: DEBORAH ALEXANDER. Behind her art there is the inner world of a woman who really suffered in the first years of the life. She wrote about herself: “My father had no concept of family and my mother very few boundaries… home life was often unsetting and disturbing”. Deborah found in art a new life, a new reason to hope. She has engaged in painting most of her life, but it wasn’t until she was in her forties and her children old enough that she managed to study Fine Art to Honours Degree Level at Suffolk College (2005) and MA Fine Art at Norwich School of Art and Design (2007). Her paintings are a sort a trip on the dreams. They seemed to me as nice caresses for heart and soul. Deborah Alexander is working out of Newbourne Studios (Woodbridge, Suffolk, England) where a gallery showcases contemporary paintings for interiors. Deborah Alexander was Artist in Residence in Ipswich Hospital‘s Diagnostic Imaging Department (2006) and has created Artwork for both Ipswich Hospital and East Suffolk MIND.

 

During Parallax AF days we had the way “to be on stage” with Berlin-based artist MIRIAM WUTTKE. She presented an interesting performance: “Embracing the Animal Mind” from the series “Dress to Kill-The end of Post Colonialism”. The piece revolved around anxiety and existential fears in post-colonialist societies and systems; the notion of losing control over a well constructed and preserved individualised life, as well as the need to regain a lost simplicity and innocence in the face of global discomfort on a per diem basis. “The embracement of the animal mind,” explains Wuttke, “is a poetic metaphor for the satisfaction of an elementary need. The performance reflects a process of retreat in order to overcome archaic, magical and cognitive thinking to find relief in a faunal counterpart…” The performance taked place all along the gallery of the Royal Opera Arcade.

Miriam lives and works in Berlin and New York where she worked on paintings, performances and installations. The pictorial research of Miriam Wuttke is developed from figurative wood and paper (1992-1997), painting of abstract expressionism (1997-2009). Miriam Wuttke performs mostly in performance within its own facilities “site specific”. Her installations too are “site-specific”. They consist of objects, collages, fragile, objets trouvés, ready-mades, manuscripts, paintings, drawings and video installations.

 Another performance showed BETH JERVIS creativity and artistic expression. Beth – Paris-based artist – performed “A Banal Poem about a Man”, consisting of four poems and audio recordings woven together in relation to her two-dimensional work exhibited in Parallax AF, “Business Plan to End Capitalism”. She describes one of her numerous costumes during the performance as: “a projection of our idea that there is a beautiful other, trying to embody the beauty through norms rather than asking ourselves what makes us truly happy. Exuberance, success, drawn back through the vulnerability of the alternate other. We see the character and see something in the other and we see it in them but we realise we are as foolish as the character not to see it in our selves, just because the character is painted as a fool to have been all those things at once and not realised there is very little importance in the difference between those things, when it is a simple human being that is portraying them.”

 Impossible not to see, at Parallax AF, the incredible cracked paintings by JEAN MARC ISERE, from Asnière sur Seine (France). His work does not arise from an intellectual stand but from a confrontation with the erosion of matter as such. Jean Marc says: “The cracked paintings allow the gaze, beyond the figurative proposition barely outlined in the foreground, to be freed from rational given and handed over the luminescence of the background”. As Jean Marc says, the spectator become s the agent of the work and ties up once more with his vital force”.

 I had the opportunity to admire SAM PEACOCK works. He uses a mix of recycled metals and industrial paints to create landscape pieces. He gorges on the speed and power of mark making, the rawness and the ferocity of paint; how brush marks shift, scrape and overlap to build up structures and forms which compel him to paint. He looks incisively for the conversation within the form to build this up on the canvass as the work evolves. Sam ‘s painting is rooted in the abstract but links to landscape and architecture within the built environment. Colours become forged from the dilapidated wastelands of the industrial North and regenerated urbanized sprawls, right through the space of farmlands in Australia and the hectic communities within Thailand. The surfaces are constructed using a variety of rollers and industrial paints, the underlying textures show forms and motifs where the ideas all began.

At Parallax AF, just in front on my wall, on the right, AMY WRIGHT has presented her beautiful and fascinating works, that tell us some fragments of her path in the artistic life. Amy studied Arts Therapy at the University of Derby where she first began to really explore the use of oil paints. After a short hiatus starting in 1999, Amy returned to painting in 2003, inspired by living in Greenwich, London. She joined a network of artists at the Cor Blimey Art Studios in Deptford in 2005 and further continued her explorations into colour and texture. In 2006 Amy moved to San Francisco. She had a studio in Russian Hill and became a part of the Artist Community, participating in a number of exhibitions. Since moving back to the UK in 2008, Amy found new inspiration in the vibrancy and chaoticness of the London (Space Studios) until recently moving to the Kent Countryside, enjoying the more tranquil and breathtaking influence that has to offer.

Working in the Abstract Expressionistic style, Amy is influenced by emotions, people, surroundings as well as artists such as Hans Hoffman, Mark Rothko, and Philip Guston. As seen at Parallax, Amy explores the use of colour and texture. Her work is emotive and reflective, and allows the viewer to interpret through their own experiences, memories and feelings. She works in oils, the ideal medium to create the impasto texture that gives depth to her Art. Her favourite colour? Blue.

 

I was really ashtonished by DAPHNE HUGHES Art, for certain aspects so close to my kind of artworks. Daphne is working in the South East of England in Leighton Buzzard,Bedfordshire. She is a Contemporary Artist creating large Abstract paintings based on her Photography. She loves to exploring the minute details of surfaces inherent in objects that surround us. She captures images and exposes their complex surface textures, observing and translating these qualities into paintings. She uses to create large scale fabrications of texture or movement. Each painting is unique and original with strong visual qualities, and by their nature create a tactile response by the use of mixed and diverse mediums.

Daphne worked on a series of large paintings inspired by the discarded object and corroded materials in the environment. She interprets and captures the spirit of their unconventional displacement and existence into paintings in her own unique style. Her works reflect an enhanced physical version intensifying the original qualities. Daphne Hughes says: “As a passionate Artist I am focused on my forthcoming project which will be a series of individual original Abstract paintings of the surface qualities of ancient fishing boats of Bali,Indonesia and the centuries of worn paint.” “Regenerations” was the title of the works showed at Parallax AF. Daphne published a book in which she tells her incredibile journey trough Art.

 I was also captured by MARTINA KOLLE paintings. Martina – who divides her time between Italy and Germany, exhibiting in both countries as well as Turkey and the United States – works between the regions of the abstract and the representational where only myths and symbols reside. Having practiced homeopathic therapy for over 15 years, Kolle draws upon her own inner resources to give life and vitality to an art that, in the end, is always her own. Her signs and symbols sit outside of our regional languages to form a universal, pictorial grammar only accessible through intuition. Some works pay homage to Georgia O’Keefe’s quivering slips of line that flatten out into organic symmetries. We also see the muscular and assertive hard-line geometries of Joseph Stella’s late paintings. Moving past the feminine and masculine, Kolle’s pictures evade category while offering enough familiarity to be arresting. Her intensely saturated yellows, reds, and blues swirl into vortices, drip with gravity, and expand into an ethereal openness like light reflecting off mist.

Martina Kolle says: “During my long-lived therapeutical experiences as a homeopath, balance has always been my main topic, especially its effects on the human spirit, body and soul. My oil on canvas paintings are compensators. Every topic, the colours and composition of each single painting, are given to me in quiescence and are then transferred onto canvas.”

 Parallax AF gave me the pleasure to meet Czech born artist DAGMAR DOST-NOLDEN, who participated at the Biennale di Venezia “Creative Room” (2009) and Third International Forum in Bolognano, at Casa dell’Arte founded by Lucrezia De Domizio Durini. International artist-painter, sculptor and performer, Dagmar Dost-Nolden – who lives in Cologne, Germany – is fascinated by different forms of energy. Nearly all her paintings, sculptures, objects, installations and performances relate to this subject. Energy is streaming and changing, and art follows the same principle. She considers that art is not a static subject, but interacts with its surroundings. Architecture, nature, people, everything is influencing each other, changing not only the view, but also thoughts and thinking processes.

Not belonging in any of the strong art opinions she has developed her own art. It arisese out of an idea as well as an inspiration during the painting process. Both, the idea, spirit and the energy are being included. She says: “Human being, so as everything others too, is only a small part of free streaming energy that is forming all the universe”. Dagmar has been acknowledged in plenty of exhibitions in many countries. This year she participated at Art Fair Shanghai and Art Fair Beijing.

 I like also to mention artworks by DAVID ABSE, KIMBAL QUIST BUMSTEAD, MATTJ FLETCHER, KIMBERLY JEAN WEBB, SOREN MAYES, SUE SKITT, COLIN PEARCE, and the four Polish Artists MARLENA PROMNA, TOMASZ PIETREK, HANNA SLIWINSKA, ANDREI RAFALOWICZ.

 

 By Roberto Alborghetti

(reporter, author, visual artist, photographer)

 

Advertisements

THE PARALLAX AF DAYS IN LONDON: SHARIN’ IDEAS WITH ARTISTS FROM ALL OVER THE WORLD

 

The Parallax AF days are over. The art show at La Galleria (Royal Opera Arcade, Pall Mall) in London was surely a good occasion to meet artists and people. During the three days exhibition and the two private views, I had the way to approach arts from different parts of the world. It was really fascinating to contact art experiences and extremely various ways to express creativity.

There will be the time, in the next days, to write something about artists who participated to the event held in the very heart of London. For now, I want to thank all the Parallax team and the colleagues with whom I have established friendship, talking about arts and future and sharing ideas and experiences.

So, thanks to: Miika Nyyssonen, Daphne Hughes, Martina Kolle, Amy McDonald, Nichola Doherty, Dagmar Dost-Nolden, Samuel Peacock, Miriam Wuttke, Beth Jervis (Miss Peacock), Deborah Alexander, Amy Wright, David Abse, Jean Marc ISERE, Kimbal Quist Bumstead.

 

 LONDRA, LE GIORNATE DI PARALLAX AF:
A CONTATTO CON ARTISTI DA TUTTO IL MONDO

Le giornate della mostra Parallax AF sono finite. La mostra d’arte presso La Galleria (Royal Opera Arcade, Pall Mall) di Londra è stata sicuramente una buona occasione per incontrare artisti e persone. Durante la mostra (13-16 ottobre) – dove sono stato invitato a proporre le mie opere “Lacer/Azioni” – ho avuto il modo di avvicinare espressioni artistiche provenienti da diverse parti
del mondo. E’ stato davvero affascinante mettersi in contatto con esperienze
e modi estremamente diversi di esprimere la creatività.
Ci sarà il tempo, nei prossimi giorni, di scrivere qualcosa su artisti che hanno
partecipato alla manifestazione tenutasi nel cuore di Londra. Per ora, voglio
ringraziare tutto il team Parallax ed i colleghi con i quali ho stabilito
amicizia, parlando di arte e futuro, condividendo idee ed esperienze.
Grazie a: Miika Nyyssonen, Daphne Hughes, Martina Kolle, Amy McDonald,
Nicola Doherty, Dagmar Dost-Nolden, Samuel Peacock, Miriam Wuttke, Beth Jervis, Deborah Alexander, Amy Wright, David Abse, Jean Marc ISERE ,
Kimbal Quist Bumstead.
 

 

MY LACER/ACTIONS ON SHOW AT “PARALLAX AF” IN LONDON

They are on show at “Parallax AF” at La Galleria, Royal Opera Arcade, Pall Mall (October 14,15,16, ’11). Exhibition conceived and curated by the art historian Dr Chris Barlow.

 My “lacer/actions” artworks will be on show in London, at “Parallax AF” (Wall 12, La Galleria, Royal Opera Arcade, Pall Mall) from 14 to 16 October, 2011). The exhibition ‘s curator, the art historian dr. Chris Barlow, selected three works:

  •  “Nine Eleven, New York 2001, Victims & Martyrs, The Blood Tracks #2”, Canvas, 47×70, 2011
  • As running fast water…”, Canvas, 62×42, 2010
  • I don’t like to stand still”, Canvas, 62×42, 2010
  • I think that they may represent and show something about my research about the incredible world of “street signs”: the mysterious dimension of torn posters. I’ve collected more than 30.000 images. The three ones I present at “Parallax” are only a small indication about my art, that people like to call “psycho-artworks” or images that seem to come from Nowhere… During the show – private view included – I’ll be very glad to meet people and tell them something about my art.

ABOUT PARALLAX AF

http://www.barlowfinedrawings.com/robertoalborghetti.html

Parallax AF is the first art fair of its kind to use new theories from art history in its approach. It showcases established and emerging international contemporary artists.

Parallax AF grew out of an international exhibition that was conceived and curated by the art historian Dr Chris Barlow. It is different from other artists fairs in that it is like a specialised exhibition. It is a serious platform for international and national artists to present their work to national and international dealers, art industry people, collectors, critics and buyers in an exhibition format underpinned with critical theory.

This also provides artists with the benefit, if they wish, to present non-commercial work, or to try out new commercial ideas, without high overhead risks often associated with other fairs.

Parallax AF held in a professional gallery space in central London. The shows are curated by a professional guest curator, having the feel of an organised exhibition, and catalogue essays are written by academics. Parallax AF aims to provide a key service in helping artists to promote and sell their work, as well as providing a platform for developing their careers and practice.

 It is loosely divided into two exhibition showcases presenting abstraction/conceptual and figurative/conceptual art. The Parallax AF takes place at La Galleria, Royal Opera Arcade, Pall Mall and is curated by Dr Chris Barlow.

Abstract/conceptual show: 14th – 16th October (Friday-Saturday 10am-6pm, Sunday 10am-5pm)

Figurative/conceptual show: 21st – 23rd October (Friday-Saturday 10am-6pm, Sunday 10am-5pm)

 VENUE

La Galleria is the most prestigious contemporary art space in central London and well known in the St. James’s and Mayfair arts and fashion business communities for hosting important cultural events. It is situated in the Royal Opera Arcade on Pall Mall and is opposite the Institute of Directors and Athenaeum Club. It is two minutes from the National Gallery and Trafalgar Square. The nearest tube stations are Charing Cross or Piccadilly.

 DATES

Thursday 13th October: 10 am – 7pm (“private view” no. 1, 7pm – 9pm)

Friday 14th October: 10am – 6pm, open to public

Saturday 15th October: 10am – 6pm, open to the public (“private view” no 2, 7pm – 9pm)

Sunday 16th October: 10am – 5pm, open to the public

 TICKETS

There is no door charge and entry is free for the public.

LACER/ACTIONS :  MORE AT…

http://robertoalborghetti.wordress.com/

http://assets2.artslant.com/global/artists/show/134694-roberto-alborghetti

www.youtube.com/user/lacerazioni

  www.myspace.com/lacer-azioni

http://it-it.facebook.com/people/Roberto-Alborghetti-Lacer-azioni

 LE MIE “LACER/AZIONI” NEL CUORE DI LONDRA

Le mie “lacer/azioni” saranno in mostra a Londra, alla “Parallax AF” (“La Galleria, Royal Opera Arcade, Pall Mall) dal 14 al 16 ottobre 2011. Il curatore dell’evento, lo storico dell’arte dr. Chris Barlow, ha selezionato tre opere:

  •  “Nine Eleven, New York 2001, Victims & Martyrs, The Blood Tracks #2” (Undici Settembre, New York 2001, Vittime & Martiri, Le Tracce del Sangue #2, Tela, 47×70, 2011)
  • As running fast water…” (“Come acqua che corre veloce…”, Tela, 62×42, 2010
  • I don’t like to stand still” (“Non mi piace stare fermo”, Tela, 62×42, 2010

Penso che questi artworks possano raprresentare e mostrare qualcosa della mia ricerca nell’incredibile mondo dei “segni di strada”: la misteriosa dimensione dei manifesti strappati. Ho finora collezionato più di 30.000 immagini. Le tre che presento alla “Parallax” sono solo un piccolissimo indizio della mia attività nel campo dell’arte visuale, che la gente già chiama “psico-immagini” o scene che sembrano arrivare da Nessunposto… Durante la mostra sarò lieto di incontrare il pubblico per uno scambio di idee sulla mia attività artistica.

A PROPOSITO DI “PARALLAX AF”…

http://www.barlowfinedrawings.com/robertoalborghetti.html

Parallax AF è nata da una mostra internazionale chiamata “Parallax” che fu concepita e allestita dallo storico dell’arte Dr Chris Barlow. Parallax AF è la prima fiera dell’arte ad usare nuove tecniche d’approccio all’espressione artistica. Le sue “vetrine” annuali consentono agli artisti internazionali di emergere, offrendo una grande visibilità.

Parallax AF è diversa dalle altre mostre perchè è specializzata: è una vera e propria piattaforma per gli artisti nazionali ed internazionali che permette loro di presentare i propri lavori ai galleristi nazionali ed internazionali, agli industriali, ai collezionisti, ai critici e ai compratori. La mostra offre agli artisti il vantaggio di presentare opere non commerciali o di provare nuove idee senza rischi globali che spesso si verificano durante analoghe manifestazioni.

Parallax AF è situata in una galleria professionale nel centro di Londra: le mostre sono curate da un sovrintendente professionista in grado di realizzare eventi ben organizzati, con saggi su cataloghi redatti da accademici. Lo scopo di Parallax AF é quello di fornire un servizio per aiutare gli artisti a promuovere e vendere le loro opere e provvedere ad uno spazio per sviluppare la loro pratica e la loro carriera.

Parallax è divisa in due mostre-evento dedicate rispettivamente all’arte astratta/concettuale (dal 14 al 16 ottobre) ed all’arte figurativa/concettuale (dal 21 al 23 ottobre ).

SEDE DELLA MOSTRA

La Galleria” è il luogo più prestigioso dedicato all’arte contemporanea nel centro di Londra: è conosciuto dagli artisti in St.James e Mayfair e dalle fashion-communities per ospitare eventi culturali. È situata nella Royal Opera Arcade sul Pall Mall ed è di fronte all’ Institute of Directors e all’ Athenaeum Club. Dista due minuti dalla National Gallery e da Trafalgar Square. La stazione metropolitana più vicina è Charing Cross o Piccadilly. Parallax AF è curata dal Dottor Chris Barlow.

DATE ED ORARI

Govedì 13 ottobre: mostra riservata su inviti, dalle 19 alle 21)

Venerdì 14 ottobre: dalle 10 alle 18 aperta al pubblico

Sabato 15 ottobre: dalle 10 alle 18 aperta al pubblico (mostra riservata su inviti dalle 19 alle 21)

Domenica 16 ottobre: dalle 10 alle 17 aperta al pubblico

BIGLIETTI

Non c’è alcun prezzo d’entrata e l’ingresso è gratuito per il Pubblico. Previste due “private views” strettamente su invito. 

 Lacer/azioni su web:

 https://robertoalborghetti.wordpress.com/

http://assets2.artslant.com/global/artists/show/134694-roberto-alborghetti

www.youtube.com/user/lacerazioni

www.myspace.com/lacer-azioni

http://it-it.facebook.com/people/Roberto-Alborghetti-Lacer-azioni

ROBERTO ALBORGHETTI’S LACER/ACTIONS AT PARALLAX AF, LONDON (OCTOBER 14-15-16, 2011)

GRAPHIC LAY-OUT BASED ON “NINE ELEVEN – NEW YORK 2001” ARTWORK, CANVAS, 47X70, ON SHOW AT PARALLAX AF, LONDON (LA GALLERIA, ROYAL OPERA ARCADE, PALL MALL), OCTOBER 14-15-16, 2011.

A RARE MEDIEVAL MONUMENT ON THE LAKE COMO SHORES

I been in Gravedona, nice village on the Lake Como  (Italy). There, I had the way to continue my journey through Italian medieval monuments. An incredible sign of medieval times is found along the banks, a few meters from lake waters. It’s a rare church, Santa Maria del Tiglio, Saint Mary of the Lime-tree. In fact, behind the monument, close to the lake ‘s shore, you may see some of this beautiful trees.

Its architectural design was made by the famous “Maestri Comacini”. It is an example of the roman period around Como dated around the second half of XII century. It is built over a former baptistry (V century) dedicated to St. John the Baptist.

Unique in its kind, it was built with black and white stones on which raised symbols can be read. Pilasters, vaulted arches, arrow slits, embrasures, profiles and string courses on the windows, columns, arcades, apses and oculi express “Maestri Comacini” inspiration and creativity.

Inside the church – where you breath an enchanting  atmosfere – some of the grey stones bring frescos (made between XIV and XV century) as “St. John the Baptist”, “The Wise Men”, an “Holy Trinity”, “The Adoption of the Wise Men”, an episode of the “Life of St. Julian”. Also of great iconographic interest is the fresco of “The Day of Judgement”, with Giottesque traces to be seen.

Beside the church, you have to visit the beautiful crypt, with an extraordinary serie of columns, dated from XII century and built on a pre-existing Palaeo-Christian basilica.