“THE ROLLING STONES – 50 YEARS”: MONSTER-MEGA 2000 PAGES+EBOOK / A VERY SPECIAL PREVIEW: AN UNFORGETTABLE INTERVIEW WITH MICK JAGGER

“THE ROLLING STONES – 50 YEARS”: MONSTER-MEGA 2000 PAGES+EBOOK – The Early Stones

The German start-up The eBook People GmbH, a spin-off of the publishing house The Interview People GmbH (www.theinterviewpeople.com), is going to release its first comprehensive eBook in July which will feature the 50th stage anniversary of the band The Rolling Stones. Title: “The Rolling Stones – 50 Years”, Subtitle: “Views From The Inside – Views From The Outside”.

The eBook will be released in two parts. It will contain archive material from newspapers: old (partially not yet digitalized and inaccessible) articles, interviews, audios and images and put them all together in a two part ebook containing more than 2,000 pages! Part one will feature the first 25 years in 25 single chapters. Same with the second 25 years.

All of this is going to be edited and introduced by a great music journalist who is also working for the biggest national daily newspaper in Switzerland. His name is Hanspeter Künzler and among others he also works for Germany’s biggest music magazine “Musikexpress.”

The eBook is available at amazon.com, iTunes and selected publishing houses cooperating with The eBook People GmbH. Vogue Magazine is already covering it:
http://www.vogue.de/kultur/kultur-blog/total-stoned-ein-mega-e-book-zu-den-rolling-stones-ist-in-planung


* * *

MICK JAGGER: “YOU DON´T WANT TO PARTY EVERY NIGHT WITH THE DRUGS AND THE GIRLS AND THE ROCK’N’ROLL BUT SOME NIGHTS YOU MIGHT”

An unforgettable interview (2003) from The eBook “The Rolling Stones – 50 years”

Credit: Patrik Mallberg / The Interview People

“THE ROLLING STONES – 50 YEARS”: MONSTER-MEGA 2000 PAGES+EBOOK – The Early Stones

Paris in spring 2003, several weeks before the Stones kicked off their 2003 world tour. There is music coming out of the lobby bar at one of the most famous hotels in Paris. One sign that we’ve popped into a very special place is the pricing of two long drinks and a club sandwich. You can almost afford an inner European flight for that money – and I’m not talking economy class. Three other German journalists have the pleasure to talk to Mick before I get to do it. And you never know: do they ask questions that will make him upset? Is he not going to be in the mood for any further conversation with a journalist? But it doesn’t seem so. Mick’s publicist, a very kind , friendly and funny guy takes me up the stairs to the first floor. “Don’t you wanna look into my bag in terms of security,” I ask the gentleman. Walking half a meter before me he turns his head around, smiles and says: “Nope, we are not Madonna.”

Entering the room Mick appears to be so much smaller than you know him from TV appearances. Smiling, he welcomes me with a hand-shake and is ready to talk right away…

Hi Mick, what have been your career highlights?

Mick Jagger: It was great to getting the band going the very first time because you start to be successful for the first year or first couple of years and you´re like: All your little teenage dreams are, so to speak, coming true and you feel young and very ambitious and you’re starting to be successful – that feels really good, like getting your first job, doesn’t it?

What about the bad times?

Mick Jagger: Bad times. There’re lots of bad times in a career, you know. The Rolling Stones have had a pretty long career and always there´s been good things and bad things. People die, you know. But I mean I guess most of the times it´s been pretty positive.

What would you do if you had the chance to use a time  machine?

Mick Jagger: It´s quite interesting, you know. Do you ever read history books about “What if?”. What if Napoleon had conquered Russia and then it wouldn´t be like … and so it´s interesting if you follow these books through to their logical conclusions but it´s not really interesting unless you can do that. You know it is easy for me to say: Would have been nice if I had been a film director or a ballet dancer or an accountant. What would have happened? But you don’t know the answer.

Do believe in fate?

Mick Jagger: I don´t. But the problem is that your not completely in control of your life when you´re young. 

Have you ever told your children to do or not to do  something because of your experience?

Mick Jagger: You´re always telling and that’s what it is to do, it’s parenthood. What you do is giving parts of your experience to them. I mean, you don´t always save them from real life. Or you can use examples. That´s what you do with children all the time. 

Someone once said: If you don´t advance, you´re dead. So:  How far can you still advance after your big success?

Mick Jagger: You have to keep yourself from just repeating yourself. It´s very difficult to do in anything. Wether you´re a writer or a journalist or a painter. Especially the rock business is very narrow. It´s like a very narrow political party with very few views in it. And as soon as you´re striving it goes: “Oh no, wait a minute!” If you do a rock show with 25 half naked dancers, everyone goes: “Oh no but it´s awful, you can´t do that!” So the confines of it are very narrow and it´s very hard to keep anything interesting going within the narrow confines. So there are many, many conventions that you have to keep up.

Do you think that bands these days also have the chance  of becoming as big as the Stones are?

Mick Jagger: I think so. I mean the only thing is it´s been going longer as a musical form. So rock music as defined by, let’s say four blokes playing in a band, was quite new in the early 60ies. But now it´s 40 years old as you put it out. The whole idea and form is older now. So how many generations? Two? Three generations? So it´s like an old thing being handed down now. It´s probably more difficult to make such splash as it was, for that reason.

Do you have to do so much light show and other stuff on  stage?

Mick Jagger: It depends where you´re touring. In the early 60ties where you were playing in theatres, people don´t do a tremendous amount of all that stuff. And it was going on in the sixties. That´s where it all started, I mean there were a lot of that. But we´re going to play a theatre show that is very little, so in the Circus Krone show shouldn’t be much pyrotechnics. But if you´re playing in a bigger stadium, you gotta do something visual. You can´t just go on. That’s like a guitarist view of world.

Doesn’t that keep the attention away from the audience?

Mick Jagger: Yeah, but I think that really when you go to a big stadium show the people that go, “the punters” as we call them, are not really just going to hear some pristine music, it´s just a sort of allround experience. It´s halfway between going to a football match and a music show. You´re really looking forward, you want something to enhance your experience visually. To amplify and enhance the experience you need a bit more than just the music. The thing is that musicians think that´s all the people want, but I don´t share that view. 

Are you very extraordinary when it comes to choose the  hotel room or suite?

Mick Jagger: I don´t know, not really. (laughs) It´s sort of silly. When I´m working I like to have certain things. When I´m not working I do not really care about them very much. But when you´re working you want certain things. I don´t like to have a noisy traffic too much because then I can´t sleep for the show. The problem is: When you´re working you don´t want to sleep late because you want to be ready for a nine o´clock show rather than nine to five job. So I don´t like staying in the hotels that are noisy. 

You are over 60 years of age. Do you still like to party with the girls, drugs and Rock´n´Roll after every show?

Mick Jagger: No, you don´t want to party every night with the drugs and the girls and the Rock’n’Roll but some nights you might … 

Are the hotel-lobbies still as crowded with groupies as they used to be?

Mick Jagger: Well, some places are good. But it is not really where you look for your entertainment, to be honest.

What music are you currently listening to?

Mick Jagger: I don´t know, I listen to a lot of stuff that I bought when I was to see what´s in the store. The other day I bought some new records. I listen to some jazz. I mean I listen to everything to be honest. I´ve been to India, listened to a lot of Hindi-dance-music, it´s like pop here in England. 

Someone said that this tour was announced to be the last …

Mick Jagger: Well, I don´t know. You know, that’s the entertaining thing: You don´t really know what´s gonna happen. I´m planning and trying to work out what´s gonna happen next. So I´ve been working on what´s gonna happen at the next Rolling Stones shows.   

DANCIN’ BEES… IMAGE #6 FROM “THE SPRING WINGS” LACER/ACTIONS SERIES

 

Till tomorrow April 1st, I’m glad to share a special preview of a seven images series that I titled “The Spring Wings”. The whole series will be followed and concluded (on monday April 2) by a videoclip in which I’ll show a “live view” of the incredibile torn poster from which I’ve made my artworks.

I think it’s one of the most astonishing ripped poster I ever seen so far during my long research about torn ads and urban signs. It was located in Lecco, a beautiful town on Como Lake (Italy). The incredible actions and re-actions made by time, weather and environmental conditions (rain, light, smog, humidity…) produced a capturing and harmonious mash-up of colors and shapes. I really had the luck to be in the right time in the right place… (in the following days the billboard was covered with new publicity posters).

The huge and whole torn paper advertising showed me pre-existing images that were crushed and de-structured in thousands of particles which presented fascinating colored streams and waves dancing on a completely white background. The various sections of the torn poster reminded me suggestions about springtime colors…as we may see also in the 6th image of the series.

UNIDENTIFIED FLYING OBJECTS? NO, IT’S IMAGE #3 FROM “THE SPRING WINGS” LACER/ACTIONS SERIES

 

 Till next sunday April 1, I’m glad to share a special preview of a seven images series that I titled “The Spring Wings”. The whole series will be followed and concluded by a videoclip in which I’ll show a “live view” of that incredibile billboard from which I’ve made my artworks.

I think it’s one of the most astonishing torn posters I ever seen so far during my long research about ripped ads and urban signs. It was located in Lecco, a beautiful town on Como Lake (Italy). The incredible actions and re-actions made by time, weather and environmental conditions (rain, light, smog, humidity…) produced a capturing and harmonious mash-up of colors and shapes. I really had the luck to be in the right time in the right place… (in the following days the billboard was covered with new publicity posters).

The huge and whole torn paper advertising showed me pre-existing images that were crushed and de-structured in thousands of particles which presented fascinating colored streams and waves dancing on a completely white background. The various sections of the torn poster reminded me a sort of suggestion about springtime colors…as you may see also in this image, in which I like the movement of several Unidentified Flying Objects…

ABOUT MY “LACER/ACTIONS ART PROJECT”

LaceR/Actions”is a multidisciplinary project and research about urban signs and landscapes, especially concerning the apparent chaos of ripped papers from billboards and advertisings diplays. I have so far collected more than 35.000 images. Impressed by photocamera and transferred on canvas, reproduced on lithographs or textiles (as pure silk), or scanned in a video clip, the details of torn posters give new life to paper lacerations. I think in the lacerated advertisings is recognizable the “unwrapped” city, self-destroying in the messages, self-regenerating and self-reproducing in new visual elements, often contradictory, dissonant, discordant, but still surprisingly vital. 

Some “Lacer/Actions” artworks were published in a booklet-portfolio: Pics of torn (publi)city”.  In July 2010, thirty thousand people visited my show “The Four Elements of LaceR/Actions” during the three days exhibition at Oriocenter (Milano Bergamo Orio Airport, Italy).Myartworks are also taking part of experiences about sensorial and emotional perceptions (sinestesys) concerning kinesiologic tests. In October 2010 I participated to “Parallax AF” in London (La Galleria, Royal Opera Arcade). One of my artwork will be kept at the new Contemporary Art Museum will open next September in Marche region (Italy). The next big Lacer/actions Show will take place in the enchanting XIII Century Rocca Aldobrandesca, an incredibile fortress in Tuscany (Monte Amiata, Piancastagnaio, Siena, Italy) from September 27 to November 4, 2012. An “The End of The World” event…  

R.A.

© Roberto Alborghetti

« LE JET DE MON SANG CLAIR »: PURUSHA HONTOY POEMS AND ROBERTO ALBORGHETTI ART #3

Poème: PURUSHA HONTOY

Artwork: ROBERTO ALBORGHETTI

Lacer/actions – Images Of Torn (publi)City

 ****************************************************************************

 

LE JET DE MON SANG CLAIR

(My Clear Blood’s Jet)

 

 

L’effroyable atteint  l’infortune

La souffrance altère toutes les choses

 

J’ai mal

 

Le cœur se déchire

Le jet de mon sang clair

Nourrit le parchemin de ma mission

 

Vibrez

 

Aurons-nous la chance d’éjaculer

Notre libre arbitre

 

Nos choix 

 

Hommes natures  écoutez- moi

 

Dans la couleur projetée

 

Se tient l’anneau  promesse

D’une vie  nouvelle

 

 

Je l’ai peint  avec amour immense de  toute mon âme  au sang  clair

************************************************************************************

© Poem Copyright Purusha Hontoy

© Artwork Copyright Roberto Alborghetti

************************************************************************************

ABOUT PURUSHA

Purusha Hontoy est une amie des arts de la vie.

Diretrice et Formatrice chez l’Ecole l’Art de Vivre.

GALERIE PURUSHA (QUEBEC, CANADA)

PURUSHA HONTOY (AT LINKEDIN)

“GLAMOUROUS ACCESSORIES FROM WASTE-PAPER ON THE WALLS”: “IL PUNTO” WEEKLY MAGAZINE REPORTS ON ROBERTO ALBORGHETTI LACER/ACTIONS SILK SCARVES

 

The Italian Weekly Magazine “Il Punto”, in his last issue ( March 2, 2012) dedicates text and pic to Roberto Alborghetti ‘s Limited Edition Silk Scarves from his “Lacer/actions” Art Project  about images of torn posters and urban signs. The article – introduced by “Lacer/actions at your neck” headline – is edited by journalist Roberta Maresci for the Fashion section of the review.  

Roberta Maresci writes: “A silk scarf to remember the Fallen of Nine Eleven, although his most famous art images come from trash of the cities walls. Glamorous accessories are borning from waste dirty, ripped, torn and worn paper. It is called “Lacer/actions” the project by which Roberto Alborghetti turns trash into an art subject, or at least into an watchable product as a textile design. It’s an unique experimentation which has become reality thanks to Bruno Boggia who in his Studio in Como for over sixty years has been working on textiles design and with the most famous designers in the world (as Capucci, Lacroix, Valentino, Lancetti, Mila Schön, Chanel, Celine, Dior, Yves Saint Laurent, Etro, Escada, Donna Karan Paul Smith, Rolando Santana).

LACER/AZIONI AL COLLO

Da “Il Punto” – Settimanale / 2 marzo 2012

Pagine Moda – A cura di Roberta Maresci

Una sciarpa in seta per non dimenticare i caduti dell’11 settembre. Anche se le sue più celebri sono ricavate dalle immagini dei muri-trash. Dai rifiuti di carta sporca, strappata, lacerata e usurata nascono accessori glamour. Si chiama Lacer/azioni il progetto di Roberto Alborghetti che trasforma il trash in un soggetto d’arte, o quantomeno in un prodotto guardabile: textile design. Una singolare sperimentazione diventata realtà grazie a Bruno Boggia che nel suo Studio di Como da oltre sessant’anni lavora con i tessuti e i più famosi stilisti del mondo (da Capucci a Lacroix, Valentino, Lancetti, Mila Schön, Chanel, Céline, Dior, Yves Saint Laurent, Etro, Escada, Donna Karan, Paul Smith e Rolando Santana).

HEALING IS AN ART… AND ART IS AN HEALING

Italy, Meeting & Workshop: “Can an artwork play a “therapeutical” function?”

 

I already posted some articles and clips about art and healing themes. And people seemed to appreciate them (and my “Lacer/actions” images too, that art critics love to define a sort of psycho-artworks). So, I want to point out an event about these arguments. “The work of the artist and his mental health” is the title of a workshop will take place in Bologna (Italy) – at Accademia di Belle Arti, Via Belle Arti 54, Department of Communication and Art Education – on February 28, 2012. The event is promoted for the presentation of Roberto Cascone ‘s book ArTherapy. Cured by contemporary art”. The workshop is divided into three parts. In the first one Roberto Cascone will present his artistic career as a result of a mixture of everyday life and psychological problems, cause of difficulty in social relationships and at the same time incentive of creativity and professional ambitions.

The artist, who is also journalist and writer, will focuses on failures and errors, and he will show entirely or partially wrong works and operations. This chronicle of the “negative” aspects has a critical function for the artist status. It is a sort of preparation for the central part of the meeting dedicated to “ArTherapy. Cured by contemporary art” book. It was published at the end of 2007 (now out of print) and  realized since 2001 with the help of Nadia Lenarduzzi, psychologist, and Monika Redin, art director.

The question that underlines this research is concerning the function of art and a reflection on the identity and role of the contemporary artist: can an artwork play a “therapeutical” function in social and politic life?

The workshop will end in early afternoon, when participants will be invited to produce artistic ideas inspired from their psychological and existential problems. Their ideas will be a gift to some artists who have not  been yet successful (if the idea will be trasformated in work, the donor will be thanked with a courtesy formula).

 Workshop and presentation of the book are organized by prof. Maurizio Giuffredi for the teachings of the Psychology of Art and History and models of art therapy, in collaboration with Association ZeroGiKappa for the social art promotion, the International Association for Art and Psychology (Bologna), the Psicoart magazine.

 For more information:

rafirstagency@gmail.com

Related post:

CLIP: ART IS A FORM OF HEALING/PILLAY-ALBORGHETTI

L’ARTE PUO’ AVERE UNA FUNZIONE “TERAPEUTICA”?

Ho già postato clips e note sull’arte come forma di cura. E tanti amici bloggers, tra i visitatori (già a quota 23.000) del mio WordPress, hanno apprezzato e commentato, sollecitati anche dalle immagini del mio progetto “Lacer/azioni”. Segnalo dunque volentieri che presso l’Accademia di Belle Arti di Bologna, via Belle Arti 54, Dipartimento di Comunicazione e Didattica dell’Arte, martedì 28 febbraio 2012 (ore 11 in aula lunga LSI2) è in programma uno workshop e la presentazione del volume di Roberto Cascone, “ArTherapy. Curarsi con l’arte contemporanea”. Workshop e presentazione del volume fanno parte del ciclo di incontri organizzati dal prof. Maurizio Giuffredi per gli insegnamenti di Psicologia dell’arte e Storie e modelli dell’arte terapia, in collaborazione con l’Associazione per la promozione sociale dell’arte ZeroGiKappa, l’International Association for Art and Psychology – sede di Bologna, la rivista Psicoart.

Il workshop, intitolato “Il lavoro dell’artista e la sua igiene mentale”, è articolato in tre parti. Nella prima Roberto Cascone presenterà il proprio percorso artistico, portato di un intreccio tra vita quotidiana e problemi psicologici, causa di difficoltà nelle relazioni sociali, da un lato, dall’altro stimolo di creatività ed ambizioni professionali. L’artista, che è anche giornalista e scrittore, metterà l’accento su fallimenti ed errori, mostrerà opere ed operazioni del tutto o in parte sbagliate. Questa cronaca del “negativo” ha una funzione critica e paradigmatica della condizione dell‘artista, propedeutica per parlare, nella parte centrale dell’incontro, di “ArTherapy. Curarsi con l’arte contemporanea”, libro-manuale pubblicato alla fine del 2007 (oggi esaurito), realizzato con la collaborazione fin dal 2001 della psicologa Nadia Lenarduzzi e dell’art director Monika Redin.

La domanda che sta alla base di questa ricerca riguarda la funzione dell’arte e quindi una riflessione sull’identità e sul ruolo dell’artista contemporaneo: l’opera d’arte può avere una funzione “terapeutica”, sociale e politica? Nel corso della presentazione, inoltre, si parlerà di “Trecentosessantaseigiorni“, opera dell’artista Nello Teodori ispirata all’anno bisestile, quindi verrà mostrata una breve fiction degli attori Pier Paolo Paganelli e Marco Mezzetti, che, autonomamente, hanno interpretato alcuni esercizi del libro trasformandoli in gag comiche. Il workshop si concluderà nel primo pomeriggio, quando i partecipanti saranno invitati a produrre idee artistiche a partire da propri problemi psicologico-esistenziali, con l’obiettivo, tra gli altri, di donarle ad artisti che non hanno ancora avuto successo (nel caso vengano realizzate il donatore sarà ringraziato con la formula del courtesy). L’incontro è inserito in un ciclo di eventi  a tema tra i quali la conferenza di Rebecca Luciana Russo (giovedì 23 febbraio ore 10,30-12,00 in aula magna) intitolata “VideoInsight®. Curare con l’arte contemporanea”.

Per informazioni:

rafirstagency@gmail.com

Tel. 3487231023

Related post

CLIP: ART IS A FORM OF HEALING/PILLAY-ALBORGHETTI

“AMSTERDAM MAGAZINE” FACEBOOK SITE REPORTS ABOUT ….MY ART GALLERY ALONG AMSTERDAM STREETS

Two days ago I posted “My art gallery? It’s along Amsterdam streets”. Thanks to all visitors who send me comments and “I like”! The nice new is that “Amsterdam Magazine” –  the most important monthly review of the city: I recommend you to ask for it when you’re in Amsterdam- put up a link on its Facebook page to my WordPress blog so “our readers can have a look at your beautiful pictures.” (Lea Harbo, Journalist intern at Amsterdam Magazine & Schipol Magazine). “This is cool! – is written on the post – . Italian reporter and visual artist Roberto Alborghetti recently visited Amsterdam where he captured details of torn posters and urban signs. Check out the slides”.

I thank Lea and Bieneke Van der Does (Amsterdam Magazine’s Editor in Chief) for their kind collaboration and appreciation.  

Link to Facebook and Amsterdam Magazine site:

www.facebook.com/amsterdammagazine

www.amsterdam-magazine.com

MY NAME IS A BRAND: STUDENTS PLAY WITH MULTINATIONAL COMPANIES LOGOS

 

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Brands, trademarks and logos surround us. They besiege us. They became part of our lives. Often we identify a brand with our character and our style. And it’s really funny what the Holy Family Institute’s students in Comonte di Seriate  (Italy) did. They enjoyed to play with their names drawing  internationally known brands graphs. Leaded by their  Professor mrs. Falconi, the students have proposed multinational companies whose trademarks are around us (Pizza Hut, Coke, Sprite, Vodafone, McDonald’s, Apple, Google, Telecom Italy, Moncler, Corona, Kung Fu Panda and others). It was an irresistible game that has become a  good exercise in observation too.

 

IL MIO NOME E’ UN MARCHIO

 I marchi ci circondano. Ci assediano. Son entrati a far parte della nostra vita. Spesso, in un marchio ci riconosciamo, con il nostro carattere e con il nostro stile. Ed è simpatico quello che hanno fatto gli studenti dell’Istituto Sacra Famiglia di Comonte di Seriate (Bergamo) che si sono divertiti a rivestire i propri nomi con i tratti grafici di noti marchi di prodotti. Sotto la guida della docente prof.ssa Falconi, gli studenti hanno proposto i loghi di società multinazionali i cui, marchi, sono sotto gli occhi di tutti (Pizza Hut, Coke, Sprite, Vodafone, Mc Donald’s, Apple, Google, Telecom Italia, Moncler, Corona, Kung Fu Panda e altri). Un irresistibile gioco che si è trasformato anche in un bell’esercizio di osservazione.  

20.000: THANK YOU SO MUCH!

 

A few minutes ago my site stats have counted 20.000 views! I have not so much to say. Only some words: thanks for your friendship, appreciation and encouragement. When I started my WordPress blog – a few months ago – I didn’t imagine to meet so many friends and to achieve so much traffic. I entered into a new communication dimension – also respect to my own art activity – sharin’ ideas, experiences and dreams. So, Thanks again for your kind support. And thanks also to my YouTube channel visitors. Yesterday I got over 7.000 channel views and 7.100 upload views.

If you want to glance at it, here’s the link:

http://www.youtube.com/user/lacerazioni

You’ll be the welcome to the wonderful world of “Lacer/actions” videos… A world made of colors, emotions, sounds and sensorial me(a)ssages…

 

20.000: TANTE GRAZIE!

Qualche minuto fa il contatore delle statistiche sugli accessi al mio blog ha segnato la quota dei 20.000 visitatori. Solo poche parole per ringraziarvi per l’amicizia, gli apprezzamenti e l’incoraggiamento. Quando ho iniziato questo blog su WordPress – pochi mesi fa – non immaginavo di potere incontrare qui tanti amici e raggiungere questi livelli di traffico in fatto di visitatori al sito. Sono entrato in una nuova dimensione della comunicazione – anche rispetto al mio genere artistico – scambiando idee, sogni ed esperienze con tantissima gente. Dunque, grazie per tutto questo appoggio. E grazie anche ai miei visitatori sul canale di YouTube. Ieri ho superato i 7.000 visitatori unici e 7.100 downlods dei miei clips. Davvero incredibile, per un canale cosi particolare. Se volete dare un’occhiata, questo è il link: http://www.youtube.com/user/lacerazioni

Sarete i benvenuti nel meraviglioso mondo dei videoclips di “Lacer/azioni”… Un mondo fatto di colori, emozioni, suoni e me(a)ssaggi sensoriali…

 

“LIKE ECHOES” VIDEOCLIP: SUSAN KAHN POEM GOES WITH ROBERTO ALBORGHETTI ART

A sensorial experience with a great soundtrack: “Flying” by pianist and composer Mike Strickland

When I read Susan Kahn “Empty Moon” poem at her  “Emptinesscafe”Blog, I instinctively thought to a recent “Lacer/actions” artwork I’ve created with my torn posters and urban signs images (“Voices and Echoes From The Cities”, 2011, Canvas+ mixed media, 70×50). I told Susan about that and she accepted the challenge to see some of her beautiful verses transferred on a videoclip. So, here’s the result…

Susan Kahn Poem and my artwork were fused in a 30 seconds videoclip. Inspiring words from the world meet an image of ripped ads and urban signs. From Animoto library I chose a capturing soundtrack, “Flying”, by talented composer, pianist and performer Mike Strickland. Welcome to a sensorial experience and to an emotional message-massage. Like echoes…like Lacer/actions.

ROBERTO ALBORGHETTI,  LACER-ACTIONS, CANVASES  (7)

ABOUT SUSAN KAHN

http://emptinesscafe.wordpress.com/

http://www.emptinessteachings.com/Emptiness.html

 Susan says: “I work as a psychotherapist in private practice and as a nondual consultant. Nondual means not two, not separate. My teaching, writings and poetry reflect a way of seeing everything as interrelated, interconnected and as lacking a truly separate essence or nature. In Buddhism, this lack of “own being” is referred to as emptiness. This perspective is reflected in western Postmodern philosophy as well. It is the notion of a fundamentally separate self and all other phenomena that is seen in both traditions as the main cause of human suffering and conflict, and that I find to be an inspirational insight.

ABOUT MIKE STRICKLAND

http://mikestrickland.com/

http://www.youtube.com/user/gretalegs

 Pianist and composer Mike Strickland has been influenced by many styles of music and has evolved into a one-of-a-kind piano artist. Born and raised in Jackson Mississippi, he grew up listening to the great composers. His performance career started at the age of 9 when his father would encourage him to entertain dinner guests. After turning eighteen, he began to frequent the clubs and listened to great local blues talents. Formal music studies at Berklee College of Music in Boston and California State University at Northridge continued to expand his musical talents. Mike built a solid career as a performer, composer and recording artist. His own works were varied – some lush, orchestral and cinematic, some smooth jazz, some blues and boogie flavored and others almost new age. Sales of these CDs climbed to over 350,000 and are distributed throughout the nation and digitally throughout the world. He is known for his exceptional musicianship and arrangements, his virtuosic technique, and his unmatched ability to connect with the audience on a personal level. His daughter Elizabeth, a fine classical pianist, often joins him as a special guest.

In addition to his music airing for 7 seasons on CBS Sports PGA Golf, it has also been heard on the NBC, FOX and ABC networks. Mike’s positive message song/animation “Spread Joy” was also featured on ABC Good Morning America. In March of 2011, Mike debuted several original works as a featured piano soloist with the Salem Pops Orchestra. In the Spring of 2012 he will release his 22nd CD titled “Fantasy”.

ABOUT ROBERTO ALBORGHETTI

Professional reporter, author and visual artist, Roberto Alborghetti has written more than thirty books (biographies, interviews, stories). He worked in magazines and newspapers and produced Tv documentaries. Editor in chief of magazines concerning didactic, education, edutainment and media literacy, he leads workshops and conferences and has won important journalism Prizes. He created “LaceR/Actions”, a multidisciplinary project concerning a research about torn posters and urban “signs”. In 2009, he published “Lacer/actions, Pics of torn (publi)city”, gathering a selection of 40 pictures chosen among 35.000 pics that Roberto took during his research. In July 2010, thirty thousand people visited his show “The Four Elements of LaceR/Actions”. Roberto Alborghetti artworks are also taking part to experiences about sensorial and emotional perception (sinestesys) and kinesiologic tests. In October 2011, he participated at Parallax Art Fair in London (La Galleria, Royal Opera Arcade, Pall Mall). “The Huffington Post” (September 2011) wrote about his artwork devoted to Nine Eleven Fallen; article by dr. Srini Pillay, Psychiatrist, Harvard clinician, brain imaging researcher, executive coach, author. Art critics and experts said that Roberto Alborghetti’s art has an “exceptional and evocative dynamic”, “a strong power of language”; it shows “new points of observation that overwhelm canonical trial systems”, “breaking the current patterns of visual art.” Alborghetti’s Artworks “are explosions of color, passion, joy, sorrow, story, emotion, beauty, love…”, “They touch us on the raw and go straight to the heart”, ” a provocation to our eyes and to our mind”.