WELCOME TO “HAIGA GALLERY”: IMAGES AND WORDS FOR A TRIP THROUGH IMAGINATION

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 Last november I posted a series of “haiga” . Fellow bloggers and lot of friends seemed to like my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA); we had previously collaborated on a music videoclip (“Linger”).

In a different kind of collaboration, fusing Joshua ‘s words with my images – realistic pics of torn posters and urban signs – we have presented four haiga (titles: Moonlit Sky, In a Spider Web, A Jar of Rainwater and No Clouds), a combination of haiku and visual art.

 Now, answering to request, I’d like to present all the haiga series in one post (you can see it on the slideshow). As usual, I took the images from ripped poster sticked on billboards or from cities walls (there are a lot of incredible “signs” to watch…). On occasion I want to thank Joshua Sellers for his beautiful poems. Let your eyes go on a fascinating trip through imagination and states of mind…

in a spider web

ABOUT HAIGA

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

No Clouds

https://robertoalborghetti.wordpress.com/2011/11/28/no-clouds-poetic-verses-by-joshua-sellers-one-of-my-images-from-torn-posters/

A Jar of Rainwater

https://robertoalborghetti.wordpress.com/2011/11/21/haiku-and-visual-art-telling-a-jar-of-rainwater/

In a Spider Web

https://robertoalborghetti.wordpress.com/2011/11/14/in-a-spider-web-words-and-images-for-a-trip-trhough-perception/

Moonlit Sky

https://robertoalborghetti.wordpress.com/2011/11/07/moonlit-skythe-first-haigalaceractions-by-joshua-sellers-and-roberto-alborghetti/

Links to “Linger” videoclip by Joshua Sellers and Roberto Alborghetti

Earscapes Channel

http://youtu.be/iTtli44H66w

Lacer/azioni Channel

http://youtu.be/lOTx5QphUjE

A LOVELY COMMENT FROM FRIEND BLOGGER “LE ARTIST BOOTS”:

http://leartisteboots.wordpress.com/2012/01/20/my-best-wishes-with-this-special-haiga/comment-page-1/#comment-193

ABOUT JOSHUA SELLERS

Joshua Sellers has attended the University of Louisiana at Monroe studying music composition.  Over the years, Joshua has worked as a performer, songwriter, producer, engineer, DJ and musical collaborator in classical, rock, folk, jazz, avant-garde, electronica and ambient music.  As a member of the pop-rock duo Joker, Joshua released the album Homecoming in 2009.

In addition to musical projects, Joshua Sellers has been given an arts grant by the state of Louisiana for a poetry reading at the Masur Museum of Art (1996).  Joshua has also been a co-editor of Hart Beats, a journal of philosophy and spirituality published in Monroe (1996-1998).
Joshua has long been fascinated with the sound textures.  As a child, he would play with tape recorders, altering the tape speed or running the tape in reverse.  Joshua Sellers: “I discovered that you could use a recording device not simply to document sound, but to create unique sounds never heard before.”

Reviving his interest in these childhood experiments, Joshua first began recording ambient music under the pseudonym Murmur in 2003.  Rather than rely on the latest state-of-the-art synthesisers, Joshua uses found sounds, toy keyboards, electric guitars and shakuhachi as sound sources.
Joshua Sellers: “In music, we place traditional musical elements like rhythm, melody and harmony in the foreground and so we tend to not notice the actual texture as much.  In my music, that’s a perception I want to reverse.”
In 2010, Joshua Sellers completed his first full-length album of ambient music, Amniosis.  A new EP, State of Flux, is due to be released later in 2011, followed by a large-scale work, Elemental. Joshua Sellers: “I like to think of my pieces as enigmatic abstract icons, each providing a quiet meditative space and luminous presence of its own.”

Joshua Sellers currently lives in West Memphis, Arkansas, with future plans to emigrate to New Zealand.

www.earscapes.com

ABOUT ROBERTO ALBORGHETTI

Professional reporter, author and visual artist, Roberto Alborghetti has written more than thirty books (biographies, interviews, stories). He worked in magazines and newspapers and produced Tv documentaries. Editor in chief of magazines concerning didactic, education, edutainment and media literacy, he leads workshops and conferences. He has won important journalism Prizes, such as Premio Acqui Terme, Premio Beppe Viola, Premio Anmil Safety in Work. He is the unique Italian reporter who received the European Award for Environmental Reporting, the so called European “Pulitzer” about Environmental Reporting (1992, European Parliament, Strasbourg).

He created “LaceR/Actions”, a multidisciplinary project concerning in a research about torn posters and urban “signs” taken from city walls. Impressed by photocamera and transferred on canvas, reproduced on lithographs or textiles, or scanned in a videoclip, the details of torn advertisings give new life to paper wastes.

In 2009, he published a “booklet-portfolio” – “Lacer/actions, Pics of torn (publi)city – gathering a selection of 40 pictures chosen among 30.000 pics that Roberto Alborghetti took during his research about torn (publi)city. In July 2010, thirty thousand people visited his show “The Four Elements of LaceR/Actions” at Oriocenter (Milano Bergamo Orio International Airport). Roberto Alborghetti’s pics are also taking part of experiences about sensorial and emotional perception (sinestesys) concerning kinesiologic tests. Alborghetti is also invited to lead workshops about his artworks.

In October 2011, he participated at Parallax Art Fair in London (La Galleria, Royal Opera Arcade, Pall Mall). He showed 3 artworks (mixed media/canvas): “Nine Eleven/New York 2001, Victims & Martyrs, The Blood Track #2”, “As fast running water…”, “I don’t like to stand still”. The famous “The Huffington Post” (September 2011) wrote about his artwork devoted to Nine Eleven Fallen; article by dr. Srini Pillay, Psychiatrist, Harvard clinician, brain imaging researcher, executive coach, author (Life Unlocked, The Science behind the Law of Attraction, Your Brain and Business: the Neuroscience of the Great Leaders).

One of his recent works was selected to be part of the new Contemporary Art Museum projected and created in in Italy (Marche region) by the artist Pasquale Martini.

He created more than 40 videoclips posted at his YouTube channel.

 Art critics and experts said that Roberto Alborghetti’s art has an “exceptional and evocative dynamic”, “a strong power of language”; it shows “new points of observation that overwhelm canonical trial systems”, “breaking the current patterns of visual art.” Alborghetti’s Artworks “are explosions of color, passion, joy, sorrow, story, emotion, beauty, love…”, “They touch us on the raw and go straight to the heart”, ” a provocation to our eyes and to our mind”.

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NO CLOUDS: POETIC VERSES BY JOSHUA SELLERS + ONE OF MY IMAGES FROM TORN POSTERS

Joshua Sellers words fused in Roberto Alborghetti’s Lacer/actions artworks: it’s an HAIGA

 

No clouds

the wind revealed

in tall grasses

 

Nessuna nuvola

il vento rivelato

nelle erbe alte

 

Pas des nuages

le vent révélè

dans les hautes herbes

 

Ninguna nube

el viento revelado

en las hierbas altas

 

No clouds” is another result of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). We had previously collaborated on a music video, for “Linger.” Now, in a different kind of collaboration, fusing Joshua ‘s words this time with my images – realistic pics of torn posters and urban signs – , we have presented a series of haiga: a combination of haiku and visual art. Here is the fourth of a series we have created so far. Poetry and my “Lacer/actions” artworks for a fascinating trip through imagination and states of mind… I took this image from a billboard’s ripped poster. Maybe unbelievable, but it’s true. ( 4 )

 

ABOUT HAIGA

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

 

Watch the previous Haiga:

 A Jar of Rainwater: the third Haiga+Lacer/actions art:

https://robertoalborghetti.wordpress.com/2011/11/21/haiku-and-visual-art-telling-a-jar-of-rainwater/

 

 

In a Spider Web: the second Haiga+Lacer/actions art:

https://robertoalborghetti.wordpress.com/2011/11/14/in-a-spider-web-words-and-images-for-a-trip-trhough-perception/

 

 

 

Moonlit Sky: the first Haiga+Lacer/actions art:

https://robertoalborghetti.wordpress.com/2011/11/07/moonlit-skythe-first-haigalaceractions-by-joshua-sellers-and-roberto-alborghetti/

 

 

Links to “Linger” videoclip by Joshua Sellers and Roberto Alborghetti

 

Earscapes Channel

http://youtu.be/iTtli44H66w

 

Lacer/azioni Channel

http://youtu.be/lOTx5QphUjE

 

 

HAIKU AND VISUAL ART TELLING “A JAR OF RAINWATER”

 Joshua Sellers words fused in Roberto Alborghetti’s Lacer/actions artworks: this is an Haiga

 

A jar of rainwater

clouds drifting

two or three

 

Una brocca di pioggia

si lasciano sospingere

due o tre nuvole

 

Une broc de pluie

se laissent pousser

deux ou trois nues

 

Une jarro de lluvia

se dejan transportar

dos o tres nubes

 

This is the third step of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). We had previously collaborated on a music video, for “Linger.” Now, in a different kind of collaboration, fusing Joshua ‘s words this time with my images – realistic pics of torn posters and urban signs – , we are presenting a series of haiga: a combination of haiku and visual art. Here is the third of a series of four we have created so far. Poetry and my “Lacer/actions” artworks for a fascinating trip through imagination and states of mind… I took this image from a ripped poster sticked on the wall. ( 3 – To be continued)

 

ABOUT HAIGA

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

 

 

In a Spider Web: the second Haiga+Lacer/actions art:

https://robertoalborghetti.wordpress.com/2011/11/14/in-a-spider-web-words-and-images-for-a-trip-trhough-perception/

 

 

 

Moonlit Sky: the first Haiga+Lacer/actions art:

https://robertoalborghetti.wordpress.com/2011/11/07/moonlit-skythe-first-haigalaceractions-by-joshua-sellers-and-roberto-alborghetti/

 

 

Links to “Linger” videoclip by Joshua Sellers and Roberto Alborghetti

 

Earscapes Channel

http://youtu.be/iTtli44H66w

 

Lacer/azioni Channel

http://youtu.be/lOTx5QphUjE

 

 

IN A SPIDER WEB: WORDS AND IMAGES FOR A TRIP THROUGH PERCEPTION

Joshua Sellers Haiga fused in Roberto Alborghetti’s Lacer/actions

In a spider web

cherry blossom petals

twilight breeze

*

In una tela del ragno

petali di fiore di ciliegio

brezza del crepuscolo

*

Dans une toile de l’araignée

pétales du fleur de cerisier

brise du crépuscule

*

En la telaraňa

petalos de la flor de cerezo

brisa del crepusculo

*

 Musician, producer and poet Joshua Sellers and I had previously collaborated on a music video, for “Linger.” Now, in a different kind of collaboration, fusing Joshua ‘s words this time with my images – realistic pics of torn posters and urban signs – , we are presenting a series of haiga: a combination of haiku and visual art. Here is the second of a series of four we have created so far. Poetry and my “Lacer/actions” artworks for a fascinating trip through imagination and states of mind… This image isn’t a detail of a ripped poster, but a particular of a couch surface…

(2 – To be continued)

 ABOUT HAIGA

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

“L’ECO DI BERGAMO” NEWSPAPER DEDICATES 2 FULL PAGES TO ROBERTO ALBORGHETTI’S “LACER/ACTIONS” ART

I know: you aren’t dedicated two pages in a newspaper every day… Especially when they refer to art and culture. However, this happened to me. L’Eco di Bergamo – the most popular local newspaper in Italy – wrote about my “Lacer/actions” artworks dedicating me two full pages. The article is signed by Diego Colombo, who has interviewed me and has brilliantly reported and described the aspects of my art. I’m re-proposing some passages of the long and detailed article, thanking Diego Colombo and L’Eco di Bergamo for the attention they gave me. The entire article can be read on L’Eco di Bergamo, on October 26, 2011.

 

ALBORGHETTI ‘S POP ART IN NEW YORK

by Diego Colombo

 The “torn city.” This is the subject of photographs by the journalist Roberto Alborghetti from Bergamo (Italy), a research work on torn posters, advertising papers, in different countries of the world. He explains: “It’s hard to imagine that behind torn and faded messages there is “something else” to see or discover. In spite of this, these images keep being a mirror of the talking city. These are the post-communicating traces of a product, an event, a show, an idea, new visual elements, often contrasting, discordant but always surprisingly vital”.

Chris Barlow, British art historians, has hosted Alborghetti in an exhibition in London, organized in October. He was invited to be part of the Memorial & Museum in New York, with his work on Nine Eleven… “I’ve always been fascinated by the world of communication – explains Alborghetti – and once I cared a survey “The eye and the media”, in the weekly magazine “La nostra Domenica”, which often dealt with advertising including that of billboards on the streets. And the director, Lino Lazzari, encouraged me to go on with photographs, putting near my language the innovations of pop art. This year he wrote me a beautiful review which I translated into English and placed on the net”. Lazzari wrote: “The matter used to create a work of art and to convey positive messages of humanity isn’t as important as the ability of using “tears” of colored paper to exalt the characteristics of a striking, persuasive, compelling reality”.

“I photograph a waste as the torn poster waiting to be covered by other posters – adds Alborghetti – or remains as a waste, especially in poor neighborhoods where I usually find the best images”. “In Tunis, three years ago, I took photographs in an Arab market – remembers Alborghetti – where I saw beautiful matches on the blue walls of buildings… The most beautiful matches are those in which paper remains stuck for months and undergoes a process of osmosis with the environment. With rain, sun, smog, paper always changes, it pulls itself, it’s stiff. The most unusual aspects can be discovered when rainwater mixes everything, leaving incredible traces, and it’s important to seize the right moment, because it isn’t always easy…”

“During the last fifteen years – continues Alborghetti – I coordinated several projects about the use of means of mass communication and the reading of image, including workshops with students and teachers on advertising messages. There, I discovered that advertising has a “post” value, that is to say even after being a moment of communication. To tell the truth, the artist Mimmo Rotella took inspiration from torn posters of the fifties. And others like him, for example the French artist Jacques Villeglé: the capability of the billboard of enchanting isn’t something new. But I have considered a different aspect: the suggestion of colors that casually remain when the bill-sticker tears. In the meantime, studying contemporary art, I was seduced by abstractionism”.

 In about seven years, Alborghetti collects a lot of photos, thirty thousand pics. Here comes the surprise: “Showing them to friends or during the workshops with teachers, I was told that my pictures of torn posters were beautiful. They pushed me to locate them, date them, categorize them. I had shots taken around the world, from Italy, from New York and Los Angeles, from all the places where my job as director of specialist journals in the field of teaching and education and coordinator of projects about the use of media takes me”.

The moment of getting known comes soon: “I created about forty videoclips with my images of torn posters, organizing them by color – blue, red, black – and giving meaning to my work. I loaded them on the net: YouTube, MySpace, Facebook, ArtSlant… The first exhibition was in July 2010 at OrioCenter: the Director of the big shoppin center had seen my pictures and he had offered me a space, the square opposite the Milan Bergamo Orio Airport, for an exhibition of thirty works on the theme “Air, water, earth and fire”. In three days, thousands of people have asked for explanations and clarifications. On that occasion newspapers dedicated some articles to the event, including L’Eco di Bergamo and the international web magazine Un mondo d’Italiani…”

 “At first I found much derision in Italy. They told me: “You have made a montage”. And then I had to stand, and still today, people’s reactions when I am taking photos on torn posters. “You’re crazy”, “I have to go, give me way…”. In Milan I was also stopped by the police: I was shooting near a police station, considered “a significant military target”. “What are you photographing?”. “I will show you”. They couldn’t believe. Even my friends usually joke: they pretend to be art dealers who invite me to exhibitions”. To tell the truth when we saw the first e mail from Roberto Alborghetti, we thought it to be a trick.

“When I brought my booklet in a gallery in Milan, they watched me as if I was an alien. But abroad I realized that I wasn’t the problem, they were. We have to get out of our narrow-minded, it is isolating us”.

 The web gives Alborghetti a strong visibility: he has been receiving since the beginning thousands of contacts on his website “Lacer/actions” on YouTube. “Lacer/actions. I chose this name because my activity consists of reading the tears on posters, mirror of pople’s sorrow” Alborghetti’s name is also present on The Huffington Post, the prestigious American blog for which the President of the United States Obama, also wrote. The article is signed by Srini Pillay, Harvard psychiatrist and researcher in the field of “brain imaging”, author of bestsellers about the Neuroscience; in Italy they translated his best seller “Life Unlocked”, titled “La Calma in Tasca” (Newton Compton publishing company)

Pillay was especially struck by the work of Alborghetti dedicated to Nine Eleven and he wrote a psychological analysis on it: “Art is a form of healing whose effects we can seen in the brain. When it is as beautiful as Roberto Alborghetti, it invites us to revisit the tragedy of terrorism, the horror of the loss and the beauty of our resilience through this mysterious life”.

The London show has been organized by the art historian and gallery owner Chris Barlow: “He saw my pictures on the net, he appreciated them and invited me to go to London for three days at the international “Parallax AF” with three of my works: that dedicated to Nine Eleven, “As running fast water” (Come acqua che corre veloce), “I don’t like to stand still” (Non mi piace stare fermo). “As running fast water” was born in Bergamo, along XXIV Maggio street in a rainy day and now somebody puts it near Monet”.

 “I have been contacted by many people who had seen my pictures on the net – Alborghetti says with surprise, but also with pride – : poets, musicians and storytellers. Among these was Srini Pillay, who now is working to an international project about “ States of consciousness”: he sent me a grid of questions centred on the creation of my works. When he received my answers he wrote me: “I am a columnist of The Huffington Post, I will dedicate an article about your work on Nine Eleven”. Taking the story of the origin of this picture as a starting point, he began to write: “Roberto Alborghetti was walking along Vico Street in Milan…”. That’s true: I was there when I saw a board election and I was fascinated by the tears left by a bill-sticker. The colors were similar to those of blood and fire coming down to the gray cement. This year is the tenth anniversary of Nine Eleven and I decided to dedicate this picture to the Fallen in the attack”.

 But there’s more. “Two years ago I have produced a clip with colorful images. An American hip-pop musician, Sweet P The Entertainer saw it and wrote to me: “If I give you my music, you will make a clip”. Now he is coming out in America with his first album…” There is a special feeling with the music. “Last year I made a clip with abstract images that made me think of the atmosphere of Christmas; this clip was for an american group that sings a cappella, Tonic Sol-Fa. A few months ago I worked with a Dutch musician, Jap Jap. And an experimental musician from Brighton, Jonteknik, sent me a song and he wrote to me: “Combine it with your pictures, I like them very much”. I worked with the American musical project “Earscapes” by Joshua Sellers, musician, producer and poet from Arkansas, who created a nine minutes video (“Linger”) with my artworks…”

“Who says that this kind of work can be created only by an Italian, mentioning Renaissance, as well as all the culture that we have behind us and inside us, puts me in a crisis. As well as people who puts me near Cy Twombly, Josef Albers, to pop art, who declares that I have shown that in art nothing is created nor destroyed. That’s true: I am not a painter, but a lot of great artists have been inspired by torn posters. I have got proof. I don’t modify the images, I don’t transform them: I immortalize them as I see them. My work is a provocation. Those who see my work for the first time have the illusion that they are paintings. I have to explain that they are not…”

Others apart from artists like Alborghetti’s works. He has been called by a company, the Bulwark Design (Srs Group), from Fiorano Modenese (Modena), in the center of the district of ceramics… And then the meeting with Bruno Boggia, who provides designers with the drawings. Because the success of an article depends on the textile designers. In Como, Boggia works for the most successful international fashion houses. Alborghetti: “He has produced three silk scarves with my pictures, including one dedicated to Nine Eleven (Alborghetti is going to give it to an association of families of the Fallen in the attack) Three prototypes, just to see the effect of the transition from paper to silk”. “But there’s also – he concludes – a religious group which had the idea of taking one of my images as a model for a stained glass window… People see all these references. For me it’s just a game”. But also a provocation to our eyes and our minds.

MOONLIT SKY:THE FIRST “HAIGA+LACER/ACTIONS” BY JOSHUA SELLERS AND ROBERTO ALBORGHETTI

Moonlit sky

quivering crepe myrtles

et their shadows

*

Cielo dal chiaro di luna

tremolanti mirti crespi

e le loro ombre

*

Ciel au clair de lune

des tremblants myrtes crépus

et leurs ombres

*

Ciel al claro de luna

tremolantes mirtos crespos

y sus sombras

This is a new collaboration between Joshua Sellers (Arkansas, Usa) and Roberto Alborghetti (Italy) after the “Linger” videoclip. We present an unpublished series of four images in which Joshua Sellers’s Haiga meet Roberto Alborghetti’s Lacer/actions Artworks (realistic images of torn posters and urban “signs”). Poetry and visual Art for a fascinating trip through imagination and states of mind. Colors and emotions, to discover in a slowly way, by the heart side. (To be continued…)

 ABOUT HAIGA

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

Here, Haiga verses meet for the first time the abstract language of realistic images as “Lacer/actions” arts.  


ABOUT JOSHUA SELLERS

Joshua Sellers has attended the University of Louisiana at Monroe studying music composition.  Over the years, Joshua has worked as a performer, songwriter, producer, engineer, DJ and musical collaborator in classical, rock, folk, jazz, avant-garde, electronica and ambient music.  As a member of the pop-rock duo Joker, Joshua released the album Homecoming in 2009.

In addition to musical projects, Joshua Sellers has been given an arts grant by the state of Louisiana for a poetry reading at the Masur Museum of Art (1996).  Joshua has also been a co-editor of Hart Beats, a journal of philosophy and spirituality published in Monroe (1996-1998).
Joshua has long been fascinated with the sound textures.  As a child, he would play with tape recorders, altering the tape speed or running the tape in reverse.  Joshua Sellers: “I discovered that you could use a recording device not simply to document sound, but to create unique sounds never heard before.”

Reviving his interest in these childhood experiments, Joshua first began recording ambient music under the pseudonym Murmur in 2003.  Rather than rely on the latest state-of-the-art synthesisers, Joshua uses found sounds, toy keyboards, electric guitars and shakuhachi as sound sources.
Joshua Sellers: “In music, we place traditional musical elements like rhythm, melody and harmony in the foreground and so we tend to not notice the actual texture as much.  In my music, that’s a perception I want to reverse.”
In 2010, Joshua Sellers completed his first full-length album of ambient music, Amniosis.  A new EP, State of Flux, is due to be released later in 2011, followed by a large-scale work, Elemental. Joshua Sellers: “I like to think of my pieces as enigmatic abstract icons, each providing a quiet meditative space and luminous presence of its own.”

Joshua Sellers currently lives in West Memphis, Arkansas, with future plans to emigrate to New Zealand.

www.earscapes.com

 ABOUT ROBERTO ALBORGHETTI

Professional reporter, author and visual artist, Roberto Alborghetti has written more than thirty books (biographies, interviews, stories). He worked in magazines and newspapers and produced Tv documentaries. Editor in chief of magazines concerning didactic, education, edutainment and media literacy, he leads workshops and conferences. He has won important journalism Prizes, such as Premio Acqui Terme, Premio Beppe Viola, Premio Anmil Safety in Work. He is the unique Italian reporter who received the European Award for Environmental Reporting, the so called European “Pulitzer” about Environmental Reporting (1992, European Parliament, Strasbourg).

He created “LaceR/Actions”, a multidisciplinary project concerning in a research about torn posters and urban “signs” taken from city walls. Impressed by photocamera and transferred on canvas, reproduced on lithographs or textiles, or scanned in a videoclip, the details of torn advertisings give new life to paper wastes.

In 2009, he published a “booklet-portfolio” – “Lacer/actions, Pics of torn (publi)city – gathering a selection of 40 pictures chosen among 30.000 pics that Roberto Alborghetti took during his research about torn (publi)city. In July 2010, thirty thousand people visited his show “The Four Elements of LaceR/Actions” at Oriocenter (Milano Bergamo Orio International Airport). Roberto Alborghetti’s pics are also taking part of experiences about sensorial and emotional perception (sinestesys) concerning kinesiologic tests. Alborghetti is also invited to lead workshops about his artworks.

In October 2011, he participated at Parallax Art Fair in London (La Galleria, Royal Opera Arcade, Pall Mall). He showed 3 artworks (mixed media/canvas): “Nine Eleven/New York 2001, Victims & Martyrs, The Blood Track #2”, “As fast running water…”, “I don’t like to stand still”. The famous “The Huffington Post” (September 2011) wrote about his artwork devoted to Nine Eleven Fallen; article by dr. Srini Pillay, Psychiatrist, Harvard clinician, brain imaging researcher, executive coach, author (Life Unlocked, The Science behind the Law of Attraction, Your Brain and Business: the Neuroscience of the Great Leaders).

One of his recent works was selected to be part of the new Contemporary Art Museum projected and created in in Italy (Marche region) by the artist Pasquale Martini. He created more than 40 videoclips posted at his YouTube channel.

COMING SOON: JOSHUA SELLERS “HAIGA” MEET ROBERTO ALBORGHETTI’S “LACER/ACTIONS”

 A new collaboration after the “Linger” videoclip.

An extraordinary series of works: Joshua Sellers’s Haiga meet Roberto Alborghetti’s Lacer/actions…

Poetry and Artworks for a fascinating trip through imagination and states of mind.

Colors and emotions… A new art language…

Don’t miss them…

 
PROSSIMAMENTE: GLI HAIGA DI JOSHUA SELLERS INCONTRANO
LE “LACER/AZIONI” DI ROBERTO ALBORGHETTI

Una nuova collaborazione dopo il videoclip “Linger”.
Una straordinaria serie di opere: gli “Haiga” di Joshua Sellers incontrano le “Lacer/azioni” di  Roberto Alborghetti.
Poesia e Immagini per un viaggio affascinante attraverso l’immaginazione e gli stati
d’animo.
Colori ed emozioni… Un nuovo linguaggio artistico …
Da non perdere…