PARALLAX ART FAIR RETURNS IN FEBRUARY TO CHELSEA TOWN HALL IN LONDON. AN IMPRESSIVE VARIETY WITH 225 INTERNATIONAL ARTISTS

Parallax International Art Fair 2014 will return to Chelsea Town Hall in February for its ninth event, its organisers have announced. The fair, most recently held in October 2013, will open with a private viewing on Thursday 20th February, and then opens its doors to the public from 1-8pm on Friday 21st and 11-5pm on Saturday 22nd February.

The Parallax Art Fair is not your typical art fair. It allows both new and established artists to exhibit on equal footing, without judgment or qualification by the organisers. The international line-up includes award-winning artists from many fields, as well as the new and undiscovered. From a sculptor whose work in steel now adorns the outside wall of the Harlow Theatre, to a painter whose work was chosen by the City of London as its official Christmas card, the art fair showcases an astonishing range of styles and media.

With 225 artists in February’s line-up, the variety will be impressive. As well as paintings and sculpture in all conceivable materials, the fair will include photography, light-display, textiles, pottery, jewellery, ceramics, natural materials, embroidery and far more to create an experiential, visual, tactile exhibition that explores the possibilities of art and form to the full. Coinciding with London Fashion Week (14-18 February) it will doubtless prove a popular attraction for creatively minded individuals looking for new avenues of inspiration.

The exhibition is free to the public, and further information is available at

www.parallaxaf.co

http://www.parallaxaf.co

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OPEN CALL FOR “LANDSCAPE EXPANDED”: ONE MONTH RESIDENCY PROGRAMME FOR ARTISTS IN KUWAIT

 

Landscapes Expanded will support artists to explore contemporary issues intrinsically related to site, space, and place in their field of work. The residency will begin with a three-day workshop that will support artists to develop concepts for their research in the weeks that follow. Throughout the programme participants will benefit from group and individual reviews of their work and guidance from the residency facilitator and visiting contributors.

The residency programme will be led by artist and curator Alia Farid Abdal, who explores personal perspectives of public space and constructed landscapes in her own art work and academic research. The programme will also benefit from insightful contributions from visiting artists and art critics such as British Artist David Rayson, whose work is featured in Out of Britain. Rayson is currently the Professor of Painting at the Royal College of Art, London.

Participants’ work produced during the residency programme will be exhibited at the Museum of Modern Art (MoMArt) at the end of October 2012. Chosen works may also be exhibited at a British Council Visual Arts exhibition that will showcase artists from the Gulf at the Brunei Gallery in London in 2015.

Eligibility: This residency is open to practicing artists and creative practitioners (from all disciplines) who are keen to develop the concepts of landscape art in their practice. Applicants must reside in Kuwait, must commit to participate in a three-day workshop (18 th – 20th September 2012) and closing presentation, which will take place on 18 th October 2012. The workshops will be hosted in English, however translators will be available should they be required.

Procedure. Deadline: 5th September 2012 (10am). Please e-mail the following (in English or Arabic) to nadia.elsebai@britishcouncil.org :  Artist C.V.; Up to 10 images of your work with an appendix stating the title, medium, and year the work was executed.; A statement of intent (up to 500 words) explaining why you are applying to the programme and what you hope to obtain from it. Please briefly state what themes you are interested to explore during the residency programme.

Large images will have to be submitted via www.wetransfer.com or any

other host site in which your images can be downloaded directly. Alternatively, you may wish to submit a link to your work online. For videos, please provide links of uploaded material either on youtube or vimeo. Suggested topics for research: Urban Tribes, The politics of dress, – Geopolitics, Landscapes created by advertising, Monuments in the construction of Landscapes and History, The demolished landscape, erasing history, and recuperating memory, Imagined landscapes, futuristic and fictitious.

IT’S RAINING OLYMPIC COLORS! DID SOMEONE SHATTER THE 5 CIRCLES? DON’T BOTHER ABOUT IT: IT’S JUST AN ARTPIECE FROM TORN POSTERS…

IT’S RAINING OLYMPIC COLORS! ROBERTO ALBORGHETTI LACER-ACTIONS FOR 2012 LONDON OLYMPIC GAMES

Blue, Black, Red, Yellow and Green: five colors representing our Continents. Five colors we find in the five circles of the historic Olympiad logo. The 2012 London Olympic Games suggested me to toy with my “Lacer/actions” artpieces, realistic and not manipulated images of torn and decomposed posters. In my collection  – more than 40.000 images – I found interesting and particular works, as the piece I show here…

There’re no circles and no official logo, but the 5 colors movement is so funny and amazing… Yes, it’s raining Olympic Games colors! Someone shattered the circles and the colors are now able to move everywhere, to fall and to go up… A metaphore about humanity profound hopes and desires of freedom?          

ABOUT 2012 OLYMPIC GAMES

The 2012 Olympic Games will take place in a host of new venues as well as using existing and historic facilities. Many of the new facilities will be reused and the plans are part of the regeneration of Stratford and Lower Lea Valley in East London.

The 2012 Summer Olympic Games will be held in London from tomorrow, July 27, to August 12, followed by the 2012 Para Olympic Games from August 29 to September 9. At the opening Ceremony around 100.000 people will be working on the Games – including 3.000 staff, up to 70.000 volunteers and a large number of contractors. The London 2012 Olympic logo has created considerable controversy and the spiralling cost of the Games is likely to be an ongoing problem…

London has hosted the Olympic Games on other two past occasions, in 1908 and 1948. The 2012 Olympics will make London the first city to have hosted the modern Games of three Olimpiads.

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“THE ROLLING STONES – 50 YEARS”: MONSTER-MEGA 2000 PAGES+EBOOK / A VERY SPECIAL PREVIEW: AN UNFORGETTABLE INTERVIEW WITH MICK JAGGER

“THE ROLLING STONES – 50 YEARS”: MONSTER-MEGA 2000 PAGES+EBOOK – The Early Stones

The German start-up The eBook People GmbH, a spin-off of the publishing house The Interview People GmbH (www.theinterviewpeople.com), is going to release its first comprehensive eBook in July which will feature the 50th stage anniversary of the band The Rolling Stones. Title: “The Rolling Stones – 50 Years”, Subtitle: “Views From The Inside – Views From The Outside”.

The eBook will be released in two parts. It will contain archive material from newspapers: old (partially not yet digitalized and inaccessible) articles, interviews, audios and images and put them all together in a two part ebook containing more than 2,000 pages! Part one will feature the first 25 years in 25 single chapters. Same with the second 25 years.

All of this is going to be edited and introduced by a great music journalist who is also working for the biggest national daily newspaper in Switzerland. His name is Hanspeter Künzler and among others he also works for Germany’s biggest music magazine “Musikexpress.”

The eBook is available at amazon.com, iTunes and selected publishing houses cooperating with The eBook People GmbH. Vogue Magazine is already covering it:
http://www.vogue.de/kultur/kultur-blog/total-stoned-ein-mega-e-book-zu-den-rolling-stones-ist-in-planung


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MICK JAGGER: “YOU DON´T WANT TO PARTY EVERY NIGHT WITH THE DRUGS AND THE GIRLS AND THE ROCK’N’ROLL BUT SOME NIGHTS YOU MIGHT”

An unforgettable interview (2003) from The eBook “The Rolling Stones – 50 years”

Credit: Patrik Mallberg / The Interview People

“THE ROLLING STONES – 50 YEARS”: MONSTER-MEGA 2000 PAGES+EBOOK – The Early Stones

Paris in spring 2003, several weeks before the Stones kicked off their 2003 world tour. There is music coming out of the lobby bar at one of the most famous hotels in Paris. One sign that we’ve popped into a very special place is the pricing of two long drinks and a club sandwich. You can almost afford an inner European flight for that money – and I’m not talking economy class. Three other German journalists have the pleasure to talk to Mick before I get to do it. And you never know: do they ask questions that will make him upset? Is he not going to be in the mood for any further conversation with a journalist? But it doesn’t seem so. Mick’s publicist, a very kind , friendly and funny guy takes me up the stairs to the first floor. “Don’t you wanna look into my bag in terms of security,” I ask the gentleman. Walking half a meter before me he turns his head around, smiles and says: “Nope, we are not Madonna.”

Entering the room Mick appears to be so much smaller than you know him from TV appearances. Smiling, he welcomes me with a hand-shake and is ready to talk right away…

Hi Mick, what have been your career highlights?

Mick Jagger: It was great to getting the band going the very first time because you start to be successful for the first year or first couple of years and you´re like: All your little teenage dreams are, so to speak, coming true and you feel young and very ambitious and you’re starting to be successful – that feels really good, like getting your first job, doesn’t it?

What about the bad times?

Mick Jagger: Bad times. There’re lots of bad times in a career, you know. The Rolling Stones have had a pretty long career and always there´s been good things and bad things. People die, you know. But I mean I guess most of the times it´s been pretty positive.

What would you do if you had the chance to use a time  machine?

Mick Jagger: It´s quite interesting, you know. Do you ever read history books about “What if?”. What if Napoleon had conquered Russia and then it wouldn´t be like … and so it´s interesting if you follow these books through to their logical conclusions but it´s not really interesting unless you can do that. You know it is easy for me to say: Would have been nice if I had been a film director or a ballet dancer or an accountant. What would have happened? But you don’t know the answer.

Do believe in fate?

Mick Jagger: I don´t. But the problem is that your not completely in control of your life when you´re young. 

Have you ever told your children to do or not to do  something because of your experience?

Mick Jagger: You´re always telling and that’s what it is to do, it’s parenthood. What you do is giving parts of your experience to them. I mean, you don´t always save them from real life. Or you can use examples. That´s what you do with children all the time. 

Someone once said: If you don´t advance, you´re dead. So:  How far can you still advance after your big success?

Mick Jagger: You have to keep yourself from just repeating yourself. It´s very difficult to do in anything. Wether you´re a writer or a journalist or a painter. Especially the rock business is very narrow. It´s like a very narrow political party with very few views in it. And as soon as you´re striving it goes: “Oh no, wait a minute!” If you do a rock show with 25 half naked dancers, everyone goes: “Oh no but it´s awful, you can´t do that!” So the confines of it are very narrow and it´s very hard to keep anything interesting going within the narrow confines. So there are many, many conventions that you have to keep up.

Do you think that bands these days also have the chance  of becoming as big as the Stones are?

Mick Jagger: I think so. I mean the only thing is it´s been going longer as a musical form. So rock music as defined by, let’s say four blokes playing in a band, was quite new in the early 60ies. But now it´s 40 years old as you put it out. The whole idea and form is older now. So how many generations? Two? Three generations? So it´s like an old thing being handed down now. It´s probably more difficult to make such splash as it was, for that reason.

Do you have to do so much light show and other stuff on  stage?

Mick Jagger: It depends where you´re touring. In the early 60ties where you were playing in theatres, people don´t do a tremendous amount of all that stuff. And it was going on in the sixties. That´s where it all started, I mean there were a lot of that. But we´re going to play a theatre show that is very little, so in the Circus Krone show shouldn’t be much pyrotechnics. But if you´re playing in a bigger stadium, you gotta do something visual. You can´t just go on. That’s like a guitarist view of world.

Doesn’t that keep the attention away from the audience?

Mick Jagger: Yeah, but I think that really when you go to a big stadium show the people that go, “the punters” as we call them, are not really just going to hear some pristine music, it´s just a sort of allround experience. It´s halfway between going to a football match and a music show. You´re really looking forward, you want something to enhance your experience visually. To amplify and enhance the experience you need a bit more than just the music. The thing is that musicians think that´s all the people want, but I don´t share that view. 

Are you very extraordinary when it comes to choose the  hotel room or suite?

Mick Jagger: I don´t know, not really. (laughs) It´s sort of silly. When I´m working I like to have certain things. When I´m not working I do not really care about them very much. But when you´re working you want certain things. I don´t like to have a noisy traffic too much because then I can´t sleep for the show. The problem is: When you´re working you don´t want to sleep late because you want to be ready for a nine o´clock show rather than nine to five job. So I don´t like staying in the hotels that are noisy. 

You are over 60 years of age. Do you still like to party with the girls, drugs and Rock´n´Roll after every show?

Mick Jagger: No, you don´t want to party every night with the drugs and the girls and the Rock’n’Roll but some nights you might … 

Are the hotel-lobbies still as crowded with groupies as they used to be?

Mick Jagger: Well, some places are good. But it is not really where you look for your entertainment, to be honest.

What music are you currently listening to?

Mick Jagger: I don´t know, I listen to a lot of stuff that I bought when I was to see what´s in the store. The other day I bought some new records. I listen to some jazz. I mean I listen to everything to be honest. I´ve been to India, listened to a lot of Hindi-dance-music, it´s like pop here in England. 

Someone said that this tour was announced to be the last …

Mick Jagger: Well, I don´t know. You know, that’s the entertaining thing: You don´t really know what´s gonna happen. I´m planning and trying to work out what´s gonna happen next. So I´ve been working on what´s gonna happen at the next Rolling Stones shows.   

LONDON: PARALLAX AF OPENS TODAY TO EMPHASIZE “A FURTHER DEMOCRATISATION OF CONTEMPORARY ART”

After a successful 2011 Parallax AF – I’ve participated at it in the last October edition – is moving to Chelsea Town Hall in the fashionable King’s Road area of Chelsea, London, with a sister project, Plat4m, remaining at La Galleria, Royal Opera Arcade, Pall Mall. The third edition of Parallax AF takes place from today Thursday 16th February to Saturday 18th February 2012 , and is curated by Dr.Chris Barlow. 

Explains Dr. Barlow, Director of BFA and P(AF) International : “Our usual four private views alone were attracting over 2500 guests, so it made sense to upscale the venue. Importantly, we will still keep it affordable and flexible for exhibitors, and entry will be free for visitors… I’m very pleased that increasing numbers of artists are joining us from Turkey, Eastern Europe, Iran and Africa. Interestingly, we have art concerning aspects of the Arab Spring made by artists in that region, which brings a perspective from people actually living through it.”

A feature of the event is the P(AF) Inaugural Lecture, given in the past by important cultural thinkers, such as the Californian art historian Professor Donald Preziosi. In February, it will be given by the historian, Professor Alun Munslow.

Visiting a P(AF) is to experience a living poetic metaphor, not simply an event or art fair,” explains Dr.Barlow. “There are many assumptions about the art object that affect every aspect of any fair, such as selection committees and how they function in relation to objects and knowledge. Where P(AF) differs is that we identify the problem and then rather bravely put it ‘out there’ for public debate. Far from being stuffy or high-brow, the point here is to emphasise a further democratisation of contemporary art so that more people can feel confident about collecting and commenting on visual art culture.”

The fair showcases contemporary art from West & East Europe, USA, Asia, South America, Turkey, UAE and Oceania. Press night: Wednesday 15th February, 6pm; Thursday 16th February, 10am – 6pm; Friday 17th February, 10am – 6pm; Saturday 18th February, 10am – 5pm. Entry is free to the Public.

Parallax AF showcases established and emerging international contemporary artists. It is a platform for artists to present their work to national and international dealers, art-industry people, collectors, critics and buyers without commission charges in an exhibition format underpinned with critical theory.

PARALLAX AF WEBSITE

http://www.barlowfinedrawings.com/parallaxaf.html

LONDON: ART GOES TO TUBE STATION

  

Following on from the success of ‘Art Below Regents Park during ‘Frieze season’ just 12 weeks ago, Art Below are proud to present ‘Art of Angel’, which sees the transformation of the walkway at Angel Tube Station into a public art gallery for the whole of this month. Billboard space normally used for advertising is now featuring a mix of urban and contemporary art with a diverse range of techniques and influences by artists from around the globe.

On the 19th January Art Below are launching a 4 day exhibition of the artists original work at The Candid Arts Trust, a Victorian warehouse with over 6,500 sq ft of exhibition space, located directly behind Angel station, and just  5 minutes walk from The  London Art Fair at the Business Design Centre (18 – 22nd Jan).

Over the 4 day exhibition Art Below will be staging ‘live painting performances’ on a large scale by acclaimed artists including Inkie, Johan Andersson, and Johan Wahlstrom giving the visiting public an intriguing insight into the creative process and techniques involved in their work.

 As well as photography and painting there will also be sculptural work by Schoony and projected video work by Eleanor Lindsay Fynn and Open Prize winner Sidsel Christensen represented by The Open Gallery. Entry is free to the public.  10 am – 6pm, Thursday to Saturday. 10 am – 4pm on Sunday.

 www.artbelow.org.uk

 

 

2011 TOP 15 ARTICLES AT ROBERTO ALBORGHETTI’S WORDPRESS BLOG

  

A year has gone. It’s time to fix some reports, also for my blogger experience. According to 2011 site stats, I compiled a chart about my most viewed posts. It’s the occasion to thank visitors and my fellow bloggers. Let’s keep growing up this wonderful opportunity to share ideas and experiences improving communication and human relationships! Thanks to all who approach my art provoc/actions too… 

 

MY TOP 15 POSTS OF 2011

 

1 – PREVIEW ON TEXTILE DESIGN TRENDS FOR FASHION 2013

https://robertoalborghetti.wordpress.com/2011/11/25/preview-on-textile-design-trends-for-fashion-2013/

2 – ABOUT ME, ROBERTO ALBORGHETTI

https://robertoalborghetti.wordpress.com/about/

3 – ART AND DESIGN FOR DAILY LIFE

https://robertoalborghetti.wordpress.com/2011/07/21/art-and-design-for-daily-life/

4 – BRUNO BOGGIA, IL DISEGNO E’ VITA

https://robertoalborghetti.wordpress.com/2011/05/12/bruno-boggia-il-disegno-e-vita/

5 – LACER/ACTIONS AT PARALLAX AF LONDON

https://robertoalborghetti.wordpress.com/laceractions-at-parallax-af-london/

6 – LONDON, PARALLAX AF 2 AT “LA GALLERIA”

https://robertoalborghetti.wordpress.com/2011/07/07/london-parallax-af-2-at-%e2%80%9cla-galleria%e2%80%9d/

7 – THE LIFE BECOMES ART: WELCOME TO PARALLAX AF IN LONDON

https://robertoalborghetti.wordpress.com/2011/10/20/the-life-becomes-art-welcome-to-parallax-af-in-london/

8 – CENTER FOR MEDIA LITERACY: A COMMON EFFORT TO SEE MEDIAS THROUGH NEW EYES

 https://robertoalborghetti.wordpress.com/2011/09/18/center-for-media-literacy-a-common-effort-to-see-media-through-new-eyes/

9 – THE SCIENCE BEHIND THE LAW OF ATTRACTION

https://robertoalborghetti.wordpress.com/2011/09/02/the-science-behind-the-law-of-attraction/

10 – “POP ART AVANT-GARDE”

https://robertoalborghetti.wordpress.com/pop-art-avant-garde/

11 – FASHION DESIGN PREVIEW 2012: LIMITED EDITION OF 3 SILK SCARVES CREATED WITH TORN POSTERS IMAGES

https://robertoalborghetti.wordpress.com/2011/12/02/fashion-design-preview-2012-limited-edition-of-3-silk-scarves-created-with-torn-posters-images/

12 – L’ECO DI BERGAMO NEWSPAPER DEDICATES 2 FULL PAGES TO ROBERTO ALBORGHETTI’S LACER/ACTIONS ART

https://robertoalborghetti.wordpress.com/2011/11/09/%e2%80%9cleco-di-bergamo%e2%80%9d-newspaper-dedicates-2-full-pages-to-roberto-alborghettis-%e2%80%9claceractions%e2%80%9d-art/

13 – DUE PAGINE DE “L’ECO DI BERGAMO” RACCONTANO LE “LACER/AZIONI” DI ROBERTO ALBORGHETTI

 https://robertoalborghetti.wordpress.com/2011/11/03/due-pagine-de-leco-di-bergamo-raccontano-le-lacerazioni-di-roberto-alborghetti/

14 – STREET ART AND FASHION: HOW TO CREATE SILK TEXTILES FROM RIPPED ADS ON CITY WALLS

 https://robertoalborghetti.wordpress.com/2011/07/25/street-art-fashion-how-to-create-silk-textiles-from-ripped-ads-on-city-walls/

15 – LACER/ACTIONS: CANVASES

https://robertoalborghetti.wordpress.com/laceractions-canvases/