BEHIND THE SCENES OF A GREAT PUBLISHING WORK… TOMORROW THE PRESENTATION OF THE NEW EDITION AT “MARTINBOOK FESTIVAL” IN MARTINSICURO (ITALY)

 

Tomorrow at “MartinBook Festival” in Martinsicuro, a beautiful city in Abruzzo (Italy) there will be the presentation of the new updated edition of my book “Francesco”, the first historical and illustrated biography about Pope Francis… “MartinBook Festival” is at its 7th edition and it is promoted by Associazione MartinBook and the City Council. The event will take place in the ancient Tower Charles V.

Watch the video about the “behind the scenes” of this incredible publishing work that involved around 30 professional people. A great team for a great book: 380 pages, 450 photos, large size (cms 23 x 29,5) available in a special set of 3 volumes in an elegant slipcase.

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Domani a “MartinBook Festival” di Martinsicuro, TE, Martinbook associazione culturale (ore 21,15, Torre Carlo V) presentazione della nuova edizione aggiornata di “Francesco”, la prima grande biografia storica illustrata su Papa Bergoglio, autore Roberto Alborghetti , Editrice Velar . L’evento è promosso dall’Associazione MartinBook Festival e dal Comune di Martinsicuro ed avrà luogo alle ore 21,15 presso l’antica Torre Carlo V.

Guarda il videoclip sul “dietro le quinte” di una opera editoriale unica nel suo genere, che ha coinvolto circa trenta professionisti…

 

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“DON’T ASK OURSELVES WHAT KIND OF WORLD WE’LL LEAVE TO OUR CHILDREN, BUT WHAT KIND OF CHILDREN WE’LL LEAVE TO THIS WORLD”

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My new second book about Pope Francis is out now.

Its title is: “Quando il giorno era una freccia” (“When the day was an arrow”); the English translation of the book isn’t (now) available. 

Published by AGeSC, it investigates Pope Francis in relation to education, culture and school, which are “the keys to all changes and social development” (Pope Francis). 

Special presentation of the book at Rimini Meeting on next 28 August, 2014, h. 4pm. Other conferences and lectures will take place in the next weeks also in Turin, Acqui Terme, Verona, Vicenza, Treviso, Ravenna, Forlì, Siena, Rome.

Available in the best Italian bookshops and main on-line bookstores:

 Amazon:

AMAZON

 

Google Play Books:

GOOGLE PLAY BOOKS

 

IBooks:

iBOOKS

 

Kobo:

KOBO BOOKS

"Quando il giorno era una freccia", Roberto Alborghetti, AGeSC, 2014, Pag. 170

“Quando il giorno era una freccia”, Roberto Alborghetti, AGeSC, 2014, Pag. 170

THE REMARKABLE “HEMISPHERES” OF TERZA LOGGIA: HOW RENAISSANCE PAINTED THE MODERN WORLD / INSIDE THE VATICAN PALACES # 4

Terza Loggia (Third Loggia) is another stunning place in the Apostolic Palace in Vatican City, Rome. On its walls we admire maps of the modern world painted between 1560 and 1585. They include the wonderful Emispheres, the frescoes designed by Ignazio Danti (1582 ca). I recently had the opportunity to visit Terza Loggia (I was in Rome to meet Pope Francis for the presentation of “Francis”, the illustrated and historical biography I wrote about him). I’m so glad to share some pics and news I found in a very interesting research by Francesca Fiorani (“Cycles of Painted Maps in the Renaissance”).

The first map cycles with maps of the modern world were painted for the papal residence at the Vatican between 1560 and 1585. Pope Pius IV commissioned the French cartographer Etienne Du Pérac to prepare the cartoons for thirteen modern maps of Europe, which were to be painted in the east wing of the Terza Loggia, the third story of the Renaissance addition to the papal residence Du Pérac arranged the maps according to the order of Ptolemy, but based their cartographic content on Gerardus Mercator’s map of Europe (1554) and additional modern maps.

On the wall above the maps are landscape views related to the mapped territories, while on the vaults of the loggia are inscriptions commemorating papal deeds, along with scenes painted by Lorenzo Sabatini illustrating examples of good and bad life. Unfinished at Pius IV’s death and untouched by his successor, Pius V, the Terza Loggia was completed around 1580, when Gregory XIII entrusted the Dominican polymath Ignazio Danti with the design of a world map divided into two hemispheres and ten maps of Africa, Asia, and America, which were painted by Giovanni Antonio Vanosino. Danti, who had served Gregory XIII in the Galleria delle Carte Geografiche, based the completion of the Terza Loggia on the similar map cycles in the Guardaroba Nuova in Florence that he had made for Cosimo I in the 1560s, a fact attested by comparing the Vatican maps with the earlier Florentine maps.

The maps of the world were complemented by city views that have not survived. Danti was also responsible for the connection between the maps and the other parts of the decoration. On the wall above the maps, a frieze painted by Antonio Tempesta and Mattheus Bril illustrates the procession staged in 1580 for the translation of Gregory of Nazianzus’s body to Saint Peter’s, celebrating Gregory XIII’s wish to reunify believers under the Greek and Roman rites. On the ceiling, scenes of paradise inspired by the breviary, the liturgical text Gregory XIII had reformed in the early 1580s, refer to the papal desire to unify the Catholic liturgy worldwide. The inscriptions commemorating important events of Gregory XIII’s pontificate, also on the ceiling, restate the centrality of Rome to Catholic spirituality.

As a whole, the Terza Loggia celebrates the wish of the post-Tridentine papacy to expand Catholicism universally by reconverting large parts of Europe to the Catholic faith, reaffirming the unity between those under the Greek and Roman rites, and converting the peoples of Africa, Asia, and America. The actions of the Roman pontiffs, recalled metonymically in the frieze of the Gregorian procession and in the inscriptions of papal deeds on the ceiling, took place in Rome, but their effect needed to spread to the world mapped on the walls below. That papal actions were meant to affect the world spiritually rather than politically is made manifest by the scenes from paradise, which crown both the scenes of papal deeds and the maps of the world below.

Following a firm medieval tradition, post-Tridentine popes adopted the language of Renaissance cartography as a vehicle of their ecumenical message. But, unlike their medieval predecessors, they had detailed maps with which to penetrate unknown lands and thus transform the medieval dream into a real program of propagating the faith. Indeed, the use of modern cartography for religious purposes became such a distinctive element of papal iconography that the Terza Loggia, even before its completion, served as a model for Cardinal Farnese’s Sala della Cosmografia discussed earlier. Francesca Fiorani, From “Cycles of Painted Maps in the Renaissance

(4 – To be continued)

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RELATED ARTICLES:

https://robertoalborghetti.wordpress.com/2014/01/29/the-triumph-of-renaissance-the-impressive-regal-room-and-ducal-room-inside-the-vatican-palaces-3/

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https://robertoalborghetti.wordpress.com/2014/01/23/inside-the-vatican-palaces-2-exclusive-the-frescoes-by-michelangelo-in-cappella-paolina-limited-accessibility-area/

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https://robertoalborghetti.wordpress.com/2013/12/11/pope-francis-person-of-the-year-my-new-book-tells-his-extraordinary-life-2-volumes-unpublished-stories-340-photos/

THE TRIUMPH OF RENAISSANCE: THE IMPRESSIVE REGAL ROOM AND DUCAL ROOM / INSIDE THE VATICAN PALACES #3

© Roberto Alborghetti - Sala Regia and Sala Ducale (12)

Sala Regia (Regal Room) and Sala Ducale (Ducal Room) are two beautiful rooms in the Apostolic Palace in Vatican City. They aren’t generally open to visitors: they usually host consistories, conferences, papal hearings or special events. I recently had the opportunity to visit them (I was in Rome to meet Pope Francis for the presentation of “Francis”, the illustrated and historical biography I wrote about him). Here some news (from New Advent website) about Sala Regia and Sala Ducale. They well represent the triumph of Renaissance.  

The Sala Regia (Regal Room)

 Although not intended as such, this broad room is really an antechamber to the Sistine Chapel, reached by the Scala Regia (Royal Staircase). To the left of the entrance formerly stood the papal throne, which is now at the opposite side before the door leading to the Cappella Paolina. The hall was begun under Paul III by Antonio da Sangallo the Younger and was completed in 1573. The elegant barrel-vault is provided with the highly graceful and very impressive plaster decorations of Pierin del Vaga. The stucco ornaments over the doors are by Daniele da Volterra. The longitudinal walls are broken on the one side by two, and on the other by three, large doors, between which Giorgio Vasari and Taddeo Zuccaro have introduced very powerful frescoes, whose effect is more than ornamental. They depict momentous turning-points in the life of the Church, among others the return of Gregory XI from Avignon to Rome, the battle of Lepanto, the raising of the ban from Henry IV, and the reconciliation of Alexander III with Frederick Barbarossa. This hall served originally for the reception of princes and royal ambassadors. Today the consistories are held in it, and an occasional musical recital in the presence of the Pope; during a conclave it is a favourite promenade for the cardinals.

The Sala Ducale (Ducal Room)

The Sala Ducale lies between the Sala Regia and the Loggia of Giovanni da Udine. Formerly there were here two separate halls, which were converted into one by Bernini by the removal of the separating wall (the position of which is still clearly perceptible). The decorative paintings, which are of a purely ornamental nature, are by Raffaellino da Reggio, Sabbatini, and Matthæus Brill. In this impressive hall were formerly held the public consistories for the reception of ruling princes. It now serves occasionally for the reception of pilgrims, the consecration of bishops, when (as rarely happens) this is undertaken by the Pope, or is used for the accommodation of specified divisions of the papal household, when the pope holds a consistory in the Sala Regia, proceeds to the Sistine Chapel, or sets out with great solemnity for St. Peter’s.

(3 – To be continued)

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https://robertoalborghetti.wordpress.com/2014/01/18/i-lead-you-inside-the-vatican-palaces-1-the-beautiful-berninis-royal-staircase/

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https://robertoalborghetti.wordpress.com/2013/12/11/pope-francis-person-of-the-year-my-new-book-tells-his-extraordinary-life-2-volumes-unpublished-stories-340-photos/

MY NEW BOOK IS OUT: THE FIRST ILLUSTRATED BIOGRAPHY OF POPE FRANCIS, “PERSON OF THE YEAR” (2 VOLUMES, UNPUBLISHED STORIES, 340 PHOTOS)

 GUEST WRITER: PRESS OFFICE – VELAR-ELLEDICI PUBLISHING

 Pap Francesco (613x800)

“FRANCESCO”

(Francis)

Author: ROBERTO ALBORGHETTI

Preface: Cardinal GIOVANNI BATTISTA RE

Published in Italy

by VELAR-ELLEDICI

Available in 2 versions:

2 volumes (+ casket) and 1 single volume

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“The most-awaited event for Italian publishing industry”

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Over 550,000 lines of text, 14 chapters, 340 photographs, 6 months of work and researches: these are the numbers that define the “first historical and illustrated biography” about new Pope Jorge Mario Bergoglio, the 266 th Pope of history, the first to assume the name of Francis, the first South American Pope, the first Pope belonging to the Society of Jesus.

Francis” helps us to know a “son of Italian immigrants” who became the leader of the Roman Catholic Church. The volumes – “the most-awaited event for Italian publishing industry” as media stated – dig deep into the historical records and documents starting from the news about the Pope’s family, reconstructing moments and facts concerning the emigration from Italy to Argentina, specifying dates, times and procedures.

The Author writes about the childhood of the future Pope Francis, his progressive steps in education, his lung disease, his religious vocation on the backdrop of social and historical scenarios of Argentina. “Francis” also delves into the distinctive elements of cultural education of the future Pope Francis, his relations with the  world of Latin American thinkers, authors and essayists (Jorge Luis Borges, Methol Ferrè, Gera, Scannone) who drew new perspectives for South American continent. The book  contextualizes informations and news related to the evolution of social and historical periods in Argentina, as president Peron’s age. 

Unpublished testimonies help to discover Jorge Mario Bergoglio during his years at the helm of the Jesuits in Argentina, his pastoral insights, his role in saving lives during the military dictatorship (1976-1983), his experiences as rector at the Collegio Massimo in San Miguel, his presence in the “barrios” between the poor and emergencies in Buenos Aires, sharing the difficulties of the population in the years of severe economic crisis that hit Argentina at the beginning of the Twenty-First century. The last chapters are dedicated to the first months of Francis pontificate.

BOOK PAGE AT VELAR SITE – (SHOPPING ONLINE)

BOOK INFORMATIONS AT ELLEDICI SITE

FRANCESCO, IL VIDEOCLIP

Related articles

http://poy.time.com/2013/12/11/person-of-the-year-pope-francis-the-peoples-pope/

FRANCESCO di Roberto Alborghetti, Ed. Velar-Elledici - Copia (2)