rosanna martella pic

As a result of the sting of a wasp, I had an anaphylactic shock and nearly died. This was the catalyst that made me begin experiencing epileptic seizures. Following a macrobiotic lifestyle helped me to realize that I had always been allergic to gluten, which had weakened my immune system. The wasp merely brought my allergy to the forefront. I am grateful to the Universe for sending me that wasp and propelling me to heal. It totally changed my life for the better”.

Rosanna Martella is an amazing artist living in the Northeast (Great Philadelphia Area). As a sculptor and painter she is very active and was surprised when she found out she had epilepsy. She healed herself naturally and wholly, this is her story (“Healing Epilepsy naturally” book) and her guide to healing yourself from what doctors call “an incurable condition”. Rosanna Martella is a counselor and consultant who assist others in their journey with epilepsy. She has cured international clients from Egypt and all over the world. Let her wisdom and knowledge be your ticket to healing and peacefulness.

 rosanna martella

Rosanna says: “I tell my story how I healed my self from Grand Mal Seizures in the book “Healing Epilepsy naturally”. I had a shock from a bee stung… I became hill with epilepsy. I discovered after, not only I could not digest “gluten”, but I was allergic to fat. Wheat protein, oil and fat accumulate in the body, would reach a point that it will bring a seizure. I used the Macrobiotic ancient philosophy of diet and lifestyle to heal my self without the use of medicine”.


Rosanna Martella Amazon

Rosanna Martella Youtube

Rosanna Martella Facebook




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Aloe Vera plants ( Aloe Barbadensis Miller) have found in Fuerteventura the best climatic conditions of the world for their development. Conditions I’m enjoying during my stay in  Fuerteventura: clear sunlight, warm climate and scarce rain. You may see Aloe Vera along roads, in the gardens and in several plantations grewed up in the inner areas.

Aloe Vera is a plant from the family of the liliaceous like tha garlic or the onion. It is known since the ancient time for its medical effects. The pulp inside contains a great variety of active principals such as vitamins, minerals and aminoacids. The Aloe Vera is recommended for all type of affections of the skin. Due to its regenerative action, in record time it accelerates the recuperation of the skin and eases the pain.


At the weekly “mercadillo” (market) in Morro Jable I bought “Aloe Vera Gel” from “Absolut Aloe”, one of the local producers (www.absolutaloe.com) . A bottle of 250 ml. contains the extract of about 625 gr.of fresh leaves. They cultivate aloe in an ecologic way and their plantations are controlled by the Regular Council for Ecologic Agriculture of the Canary Government. To ensure maximum quality they sell directly from the producer straight to the consumer. In Fuerteventura you find Aloe Vera products in every stores or shops. Before to buy them, check quality and origins.

About its effects I may say that my skin has received immediate relief after sunburn. And some friends of mine at last solved problems about sun allergies.             



A few days ago WordPress informed me that my blog has counted the “1.000th Like”. So, thank you so much  for your friendship, appreciation and kind support. And thanks also to my YouTube channel visitors. In the last days I got over 8.000 views for my art videoclips. If you want to glance at them, here’s the link: http://www.youtube.com/user/lacerazioni You’ll be welcome to the wonderful world of “Lacer/actions” videos… A world made of colors, emotions, sounds and sensorial me(a)ssages…



Qualche giorno fa WordPress mi ha informato di avere raggiunto i 1.000 “mi piace” espressi dal pubblico per questo mio Blog. E così: grazie…1.000 a tutti per l’amicizia, gli apprezzamenti e l’incoraggiamento. E grazie anche ai miei visitatori sul canale di YouTube, dove ho superato gli 8.000 downloads dei miei art videoclips. Se volete dare un’occhiata, questo è il link: http://www.youtube.com/user/lacerazioni . Sarete i benvenuti nel meraviglioso mondo dei videoclips di “Lacer/azioni”… Un mondo fatto di colori, emozioni, suoni e me(a)ssaggi sensoriali…


 The Italian magazine “Isola 21”, in its last issue, has dedicated one full page to Roberto Alborghetti “Lacer/actions” Art. The article is signed by journalist Laura Di Teodoro who reports about Roberto visual research devoted to torn posters and urban signs. During his interview, the Italian artist talks how and when he began to collect the incredible images of ripped ads he finds on the cities walls around the world. Laura Di Teodoro writes: “Roberto Alborghetti Art is essentially based on the observation of all what passes under our eyes… Sometimes we risk not to see the colors that surround us – Alborghetti points out -. If we try to stop for some seconds maybe we have the way to discover that even some paper wastes can give unrivalled chromaticisms… Paper doesn’t dye; the more it is decomposed, the more it is astonishing”.

Laura Di Teodoro writes: “In fact – as Roberto Alborghetti says – we find difficulties to think that behind faded and torn messages there may still be “something” to be seen or discovered. But these lacerated images – from this term comes the “Lacer/actions” brand – continue to be a mirror of the talking city. They are the post-communicating findings of a product, an event, a performing idea… In the lacerated advertisings is recognizable the unwrapped city, self-destroying in the messages, self-regenerating and self-reproducing in new visual elements, often contradictory, dissonant, discordant, but still surprisingly vital.”  

“Isola 21” (“Island 21”, from the name of a territory in Milan area) is a full-color review edited by journalist and author Giuseppe Zois.  



Il periodico “Isola 21”, nel numero uscito pochi giorni fa, dedica una intera pagina a Roberto Alborghetti ed al suo progetto artistico “Lacer/azioni”. L’articolo è firmato da Laura Di Teodoro. “Isola 21”, 42 pagine, a quattro colori, è diretta dal giornalista e scrittore Giuseppe Zois. Pubblichiamo qui sopra la riproduzione della pagina con l’articolo.



 Dr. Srini Pillay – Harvard psychiatrist, author, brain imaging researcher and columnist – says that art is a form of healing and it may help us to face tragedies and loss… I dedicated this artwork to Kefalonia massacre ( title: Kefalonia, 1943 – Victims & martyrs. The blood tracks # 1; canvas/mixed media, 87×57, Lacer/actions Project). My father Battista is a survivor of that terrible tragedy in which died 9.000 Italian soldiers (1943) killed and exterminated by German Nazis.

 Saturday January 28, 2012 – in the same days devoted in Italy to remember Shoah victims – Battista native Municipality dedicates him a conference and a ceremony (h.8,45 pm, Centro Sociale, Ambivere, Bergamo, Milan Area). Italian Council of Ministers Presidency has recently confered to Battista the “Medal of honor” established for Italian civilians and militaries deported and interned in nazi concentration camps.


Central Database of Shoah Victims Names


About Italian Division “Acqui” and Kefalonia Slaughter




About Kefalonia:



Author and Psychologist Elizabeth Cygan brings to life a pair of adventurous cats to help expand children’s vocabulary in “A Tale of Two Tails: The Adventures of Ben and Bel”



Cat-astrophe and cat-atonic. Cat-aclysm and Cat-acomb. Cat-call and cat-apult… Welcome to the world of cat-words. Elizabeth Cygan ‘s recent book is so funny and incredible. It presents a collection of true tales about Benjamin and Annabel, her Siamese cats. The book – A Tale of Two Tails: the Adventures of Ben and Bel – gives a history of Siam and the siamese cat, using cat-words. The two playfully mischievous cats are on a mission to teach children some new words.

With each chapter, Ben and Bel find themselves encountering a different crazy adventure, and Cygan hopes readers will learn throughout the journey. Whether the cats deal with a catapult or a giant catastrophe, Cygan aims for the funny felines to help readers expand their vocabulary.

Intended for readers to get more than a vocabulary lesson, “A Tale of Two Tails” also aims to provide history lessons behind Siamese cats and Old Siam, where they originated. Ben and Bel soon begin to run the house, creating all kinds of lovable trouble.
“Since I have tested and advocated for special-needs students, I’ve seen the kind of material that works for children,” says Cygan. “Right now, there’s a surplus of books that have high interest, but with low vocabulary. This book will engage them and also supply them with a wider range of words to use daily.”
Besides her two cats at home, Cygan cites the 16 countries ahead of the United States in educational achievement as her inspiration behind “A Tale of Two Tails.”  

The author points to studies reflecting that many students and adults find difficulty in reading simple books and newspaper articles. Cygan hopes to offer readers an educational yet entertaining tale with Ben and Bel, but also seeks to provide a tool that will help work toward the reversal of the country’s illiteracy rate.

The book shows watercolors, ink and pen drawings and photos illustrating the tales. The premise is kids enjoy it when the cats run the household with their mad antics. Also kids learn best when they are engaged, having fun and don’t realize that they are learning. Illustrator: Randy LaSage; photos:Elizabeth Hill.

“A Tale of Two Tails: The Adventures of Ben and Bel” (ISBN 978-1439273937) is available for sale online at Amazon.com and other channels.



Elizabeth Cygan has been a counselor, psychologist and special education teacher. She writes about history, economic and educational articles. Elizabeth has undergraduate degrees in English, history and education, and graduate degrees in history, business and psychology. She has worked as a special-needs teacher and counselor in elementary schools, and writes a column in “The Sudbury Town Crier.” As literacy rates continue to plummet in the United States, Elizabeth Cygan aims to further educate school-aged children. Cygan lives in Massachusetts, is married and she has two sons and two grandchildren.




 The incredible story of a poet and theater director who is living together with the Amyotrophic Lateral Sclerosis.


Words that come from blinkings. Words that take life and form from the soul’s deepest places. Words that flow from pain and from days, months and years marked by a terrible disease, the ALS, Amyotrophic Lateral Sclerosis. And this three letters word ironically and provocatively stands on the cover of a recent book by Roberto Fabbrini, edited by non-profit organization Osa and published by Fondazione Alberto Colonnetti. Its title is “Cantata in Sla Maggiore” (“Cantata in Major ALS”).

The book also collects the previous works that Roberto Fabbrini had published since 2006/2007: “Le ombre lunghe della sera” (“The evening’s long shadows”), “Controcanto” and “Il respiro degli angeli” (“The breath of the angels”) . The 256 pages tell – in the harsh, cruel, atrocious and vehement poetry language – the human journey of Roberto Fabbrini. Born and living in Abbadia San Salvatore (Siena, Italy), writer and theater director, lover of life and art, since 2004 Roberto is living together with ALS, a disease that attacks and destroys the motor neurons which determine the muscles movement. The book follows the same progressive “way” of Roberto, who at the beginning was still able to compose on the laptop keyboard, moving hands and fingers. Then, the progression of disability, up to total paralysis, pushes Roberto to communicate only with his eyes: special pc sensors “translate” blinkings in written words.

The eyes are the only body part that is resistant to paralysis. And the eyes become the filter, the special screen, from which Roberto’s life passes and flowes. Roberto is spectator and protagonist at the same time. A book, this one, that displaces us. It catches us off-balance. It throws us in the row of those thoughts inevitably ending in silence. Faced with searing poetry of Roberto Fabbrini – rooted in the devastation of a disease that takes away everything but the awareness and lucidity to be – there’s nothing to say, there is nothing to comment, there is nothing to whisper.

We only need the silence. The real, dark, deep, mysterious and deafening silence. The true silence, which is also expressed through the wonderful photos accompanying the poems; the images were taken by my fellow photographer Andrea Fabbrini (he’s Roberto son).

It’s only in the silence that we can hear Roberto Fabbrini’s cry. A chilling, hard, upsetting and poignant cry, which echoes from page to page. A cry that creates pain. A suffering voice that creates a “controcanto”. These are the thoughts that the great Italian author Andrea Camilleri wrote introducing “Controcanto” chapter: “I was really striked by the term “contro” (it means “against”, in Italian). In Roberto Fabbrini condition, being “against” could easily and perhaps naively be interpreted like to be “against” his illness, his misfortune, as poet Leopardi says. But the amazing thing it is that – thanks to this “against” – Roberto lyrically got rid of prisons of his body and he was able to draw, from this experience, a positive message for everyone. “

It’s true. Though he’s imprisoned in his ALS disease – relentless and inexorable disease – Roberto Fabbrini screams his humanity as a free man. A scream without a voice. A scream that has the lightness of an eyelid beat. A scream that leaves us stunned and, for this, even more conscious.

Roberto Alborghetti

“CORRIERE DI SIENA” newspaper has published (Decembre 11, 2011) ROBERTO ALBORGHETTI’S article dedicated to ROBERTO FABBRINI ‘s POETRY

IL CORRIERE DI SIENA (11 dicembre) ha pubblicato l’articolo di Roberto Alborghetti dedicato a Roberto Fabbrini


Parole che nascono da un battito di palpebre. Parole che prendono vita e forma nei mendri più profondi dell’anima. Parole che sgorgano dal dolore, dai giorni, dai mesi e dagli anni di una malattia, la SLA, sclerosi laterale amiotrofica. Ed è proprio alla SLA che queste parole si collegano, fin dal titolo – “Cantata in SLA Maggiore”– che campeggia ironicamente e serenamente provocatorio, sulla copertina di un recente volume di Roberto Fabbrini, curato da Osa Onlus ed edito dalla Fondazione Alberto Colonnetti. Un libro che raccoglie anche i precedenti volumi che Roberto Fabbrini aveva pubblicato a partire dal 2006/2007: “Le ombre lunghe della sera”, “Controcanto”, “Il respiro degli angeli”.

Le 256 pagine raccontano, con il linguaggio della poesia – cruda, crudele, atroce e veemente – l’itinerario umano di Roberto Fabbrini. Originario e residente ad Abbadia San Salvatore (Siena), scrittore e regista teatrale, innamorato della vita e dell’arte, Roberto dal 2004 convive con la SLA, malattia che aggredisce e distrugge i motoneuroni che determinano il movimento dei nostri muscoli. Il volume segue progressivamente lo stesso “cammino” di Roberto, che all’inizio riesce ancora a comporre sulla tastiera del computer, muovendo mani e dita. Poi, la progressione dell’infermità, fino alla totale paralisi, spinge Roberto a comunicare solo con lo sguardo, percepito dai particolari sensori di un pc che “traducono” in parole scritte i battiti delle sue palpebre. Gli occhi sono l’unica parte del corpo che resiste alla paralisi. E gli occhi diventano il filtro, lo schermo speciale, da cui passa e transita la vita di Roberto, spettatore e protagonista allo stesso tempo.

Un libro, questo, che spiazza, che prende in contropiede, che scaraventa nel girone di quei pensieri che inevitabilmente si concludono nel silenzio. Di fronte alla lancinante poesia di Roberto Fabbrini – radicata nella devastazione di una malattia che toglie tutto, ma non la consapevolezza e la lucidità di essere – non c’è nulla da dire, non c’è nulla da commentare, non c’è nulla da sussurrare.

Serve solo il silenzio, quello vero, cupo, profondo, misterioso e assordante, come è solo il vero silenzio: lo esprimono anche le stupende fotografie che accompagnano le composizioni poetiche, immagini fotografiche scattate dall’amico Andrea Fabbrini, figlio di Roberto. Ed è solo nel silenzio che possiamo udire il grido di Roberto Fabbrini: risuona di pagina in pagina, agghiacciante, duro, sconvolgente e struggente. Un grido che è dolore e crea dolore. Un grido che si fa canto e controcanto, appunto. Giungono a proposito le parole dello scrittore Andrea Camilleri che nella prefazione a “Controcanto” scrive: “Questo “Controcanto” mi ha veramente colpito. Mi ha colpito proprio il “contro”. Nelle sue condizioni il contro potrebbe facilmente e forse ingenuamente essere interpretato come un “contro” verso la sua malattia, la sua sfortuna alla Leopardi, diciamo. Invece la cosa sorprendente è proprio che grazie a questo “contro” si è riuscito a sbarazzare liricamente delle sue prigioni corporee ed è riuscito a trarre da questa esperienza un messaggio positivo per tutti.”

E’ vero: pur imprigionato nella malattia – una malattia implacabile ed inesorabile – Roberto Fabbrini urla la sua umanità di uomo libero. Un urlo senza voce. Un urlo che ha la levità di un battito di palpebre. Un urlo che ci lascia attoniti e, proprio per questo, anche più coscienti.

Roberto Alborghetti

Se vuoi, puoi lasciare il tuo messaggio per Roberto Fabbrini.





 Elizabeth Cygan is psychologist and infantry author. She lives in Sudbury (Massachusetts, Usa). She saw my artworks and she sent to me this interesting post, that I want to share on WordPress:

Your artwork is incredible. What a fascinating subject. I wonder about some or our street signs. I live in Sudbury, Massachusetts, USA and we have street signs that reflect our brief history, when compared to European history. In our case, Sudbury was the first town to be incorporated as a town in Massachusetts in 1639. We revere our founding fathers like Bent, Plimpton, Rice etc. We also include street names like Musket and Flintlock.

However, Sudbury was the first to let women vote in town elections, own businesses and property. We even have names of Indian chiefs, against whom we fought, like King Philip-a chief who changed his name to be like the English soldiers who were here then. So we do have a short history of which we are proud. However when we were in London I was able to check a history book, and our Revolution received only half a page. We are still referred to as “The Colonies”.

Elizabeth Cygan



She has been a counselor, psychologist and special education teacher. She  writes about history, economic and educational articles for a newspaper. She is majored in Education, Economics, History and English, with graduate degrees in each of these fields. Her recent book – based on psychological and educational principals – presents a collection of true tales about Benjamin and Annabel, her Siamese cats. The book (“A tale of two tails: the adventures of Ben and Bel”) gives a history of Siam and the siamese cat, using cat words:cat-atonic. cat burglar, cat-astrophe etc. The words are defined and the tale told. The book shows watercolors, ink and pen drawings and photos illustrating the tales. The premise is kids enjoy it when the cats run the household with their mad antics. Also kids learn best when they are engaged, having fun and don’t realize that they are learning.




I was there showing my “LACER/ACTIONS” project. I met fellow artists and I had the way to know something about their art. Here are some stories…



I may say that art world met at Parallax AF in London (La Galleria, Royal Opera Arcade, Pall Mall, October 13-16, 2011). I was there, showing my “LACER/ACTIONS” project (images from torn posters and city walls). With me, almost 200 artists coming from Australia, Japan, Italy, Israel, Chile, Canada, Denmark, Georgia, France, Germany, India, Finland, Czech Republic, Greece, Poland, UK, USA, Sudan, Spain, Sweden, Switzerland, Sicily, UAE (Dubai), Lebanon, Netherlands, Belgium. It was a great opportunity to share experiences and ideas. And to plan the future… I met fellow artists and I had the way to approach different expressions of their art. And to know something more about their life. Here are some stories…

The first artist I had the pleasure to meet at Parallax AF was MIIKA NYYSSÖNEN from Helsinki, Finland. We hanged artworks at the wall at the same time, in the afternoon. Miika brought to London three works, three delicious paintings-mosaics. But those artworks were only a little part of his huge artistic activity.

Miika is an installation artist. As he showed me through his tablet, his works are often hybrids of several ways to do art, in his recent works he’s been interested in combining visual decisions made by computer programs to the handwork and painting done by himself. Nyyssönen often builds the situation or the structure which determines what his work’s appearance will be. Miika Nyyssonen used cardboard as the main component in his interactive Olin Hall Gallery installation ‘M the Machine’. 700 cardboard boxes were cut according to ten different models, each surface containing between one and ten square holes that provide partial views of other interior spaces and of three sets of home movies from three decades as the viewer moves within the work, simulating the workings of memory. He has his own page on ArtSlant.com network. As me.

 Just in front of me, AMY MCDONALD exhibited her beautiful artwork communicating poetry and smooth emotions. She loves doing screenprint using graphite, ink drawing, pencil drawing, collage. The effects are really awsome. Amy has recently Graduated in Fine Arts from the University of Northampton, specialising in Printmaking and Drawing. In her works, she is particularly interested in the way in which imagery can be manipulated and represented in an abstract form as an artistic expression. Her recent Exhibitions included Free Range (London – July 2011) and University of Northampton degree show (June 2011). She says: “My artwork is about imaging my world around me. The styles vary, depending on the landscapes and influences I experience.”

Other my “wall neighbour” was NICHOLA DOHERTY, who showed at Parallax her brilliant works. She started out painting the Australian landscape, focusing on the outback, and the work was quite abstract. As her art evolved and she moved into the more urban influence of Paris, her work became more realistic. However, it remains stylised and focused on capturing the essence of Paris rather than a photo realistic portrayal. This style remained when she moved back to Australia and once more began painting country landscapes and also again when she returned to France and Paris. Nichola is currently drawing on inspiration from his life in France and also a recent trip to the Scottish Highlands. She says: “I am continuing to explore the essence of the landscape and world around me and to draw on my personal experiences in different landscapes and countries.”

I knew another Australian artist: DEBORAH ALEXANDER. Behind her art there is the inner world of a woman who really suffered in the first years of the life. She wrote about herself: “My father had no concept of family and my mother very few boundaries… home life was often unsetting and disturbing”. Deborah found in art a new life, a new reason to hope. She has engaged in painting most of her life, but it wasn’t until she was in her forties and her children old enough that she managed to study Fine Art to Honours Degree Level at Suffolk College (2005) and MA Fine Art at Norwich School of Art and Design (2007). Her paintings are a sort a trip on the dreams. They seemed to me as nice caresses for heart and soul. Deborah Alexander is working out of Newbourne Studios (Woodbridge, Suffolk, England) where a gallery showcases contemporary paintings for interiors. Deborah Alexander was Artist in Residence in Ipswich Hospital‘s Diagnostic Imaging Department (2006) and has created Artwork for both Ipswich Hospital and East Suffolk MIND.


During Parallax AF days we had the way “to be on stage” with Berlin-based artist MIRIAM WUTTKE. She presented an interesting performance: “Embracing the Animal Mind” from the series “Dress to Kill-The end of Post Colonialism”. The piece revolved around anxiety and existential fears in post-colonialist societies and systems; the notion of losing control over a well constructed and preserved individualised life, as well as the need to regain a lost simplicity and innocence in the face of global discomfort on a per diem basis. “The embracement of the animal mind,” explains Wuttke, “is a poetic metaphor for the satisfaction of an elementary need. The performance reflects a process of retreat in order to overcome archaic, magical and cognitive thinking to find relief in a faunal counterpart…” The performance taked place all along the gallery of the Royal Opera Arcade.

Miriam lives and works in Berlin and New York where she worked on paintings, performances and installations. The pictorial research of Miriam Wuttke is developed from figurative wood and paper (1992-1997), painting of abstract expressionism (1997-2009). Miriam Wuttke performs mostly in performance within its own facilities “site specific”. Her installations too are “site-specific”. They consist of objects, collages, fragile, objets trouvés, ready-mades, manuscripts, paintings, drawings and video installations.

 Another performance showed BETH JERVIS creativity and artistic expression. Beth – Paris-based artist – performed “A Banal Poem about a Man”, consisting of four poems and audio recordings woven together in relation to her two-dimensional work exhibited in Parallax AF, “Business Plan to End Capitalism”. She describes one of her numerous costumes during the performance as: “a projection of our idea that there is a beautiful other, trying to embody the beauty through norms rather than asking ourselves what makes us truly happy. Exuberance, success, drawn back through the vulnerability of the alternate other. We see the character and see something in the other and we see it in them but we realise we are as foolish as the character not to see it in our selves, just because the character is painted as a fool to have been all those things at once and not realised there is very little importance in the difference between those things, when it is a simple human being that is portraying them.”

 Impossible not to see, at Parallax AF, the incredible cracked paintings by JEAN MARC ISERE, from Asnière sur Seine (France). His work does not arise from an intellectual stand but from a confrontation with the erosion of matter as such. Jean Marc says: “The cracked paintings allow the gaze, beyond the figurative proposition barely outlined in the foreground, to be freed from rational given and handed over the luminescence of the background”. As Jean Marc says, the spectator become s the agent of the work and ties up once more with his vital force”.

 I had the opportunity to admire SAM PEACOCK works. He uses a mix of recycled metals and industrial paints to create landscape pieces. He gorges on the speed and power of mark making, the rawness and the ferocity of paint; how brush marks shift, scrape and overlap to build up structures and forms which compel him to paint. He looks incisively for the conversation within the form to build this up on the canvass as the work evolves. Sam ‘s painting is rooted in the abstract but links to landscape and architecture within the built environment. Colours become forged from the dilapidated wastelands of the industrial North and regenerated urbanized sprawls, right through the space of farmlands in Australia and the hectic communities within Thailand. The surfaces are constructed using a variety of rollers and industrial paints, the underlying textures show forms and motifs where the ideas all began.

At Parallax AF, just in front on my wall, on the right, AMY WRIGHT has presented her beautiful and fascinating works, that tell us some fragments of her path in the artistic life. Amy studied Arts Therapy at the University of Derby where she first began to really explore the use of oil paints. After a short hiatus starting in 1999, Amy returned to painting in 2003, inspired by living in Greenwich, London. She joined a network of artists at the Cor Blimey Art Studios in Deptford in 2005 and further continued her explorations into colour and texture. In 2006 Amy moved to San Francisco. She had a studio in Russian Hill and became a part of the Artist Community, participating in a number of exhibitions. Since moving back to the UK in 2008, Amy found new inspiration in the vibrancy and chaoticness of the London (Space Studios) until recently moving to the Kent Countryside, enjoying the more tranquil and breathtaking influence that has to offer.

Working in the Abstract Expressionistic style, Amy is influenced by emotions, people, surroundings as well as artists such as Hans Hoffman, Mark Rothko, and Philip Guston. As seen at Parallax, Amy explores the use of colour and texture. Her work is emotive and reflective, and allows the viewer to interpret through their own experiences, memories and feelings. She works in oils, the ideal medium to create the impasto texture that gives depth to her Art. Her favourite colour? Blue.


I was really ashtonished by DAPHNE HUGHES Art, for certain aspects so close to my kind of artworks. Daphne is working in the South East of England in Leighton Buzzard,Bedfordshire. She is a Contemporary Artist creating large Abstract paintings based on her Photography. She loves to exploring the minute details of surfaces inherent in objects that surround us. She captures images and exposes their complex surface textures, observing and translating these qualities into paintings. She uses to create large scale fabrications of texture or movement. Each painting is unique and original with strong visual qualities, and by their nature create a tactile response by the use of mixed and diverse mediums.

Daphne worked on a series of large paintings inspired by the discarded object and corroded materials in the environment. She interprets and captures the spirit of their unconventional displacement and existence into paintings in her own unique style. Her works reflect an enhanced physical version intensifying the original qualities. Daphne Hughes says: “As a passionate Artist I am focused on my forthcoming project which will be a series of individual original Abstract paintings of the surface qualities of ancient fishing boats of Bali,Indonesia and the centuries of worn paint.” “Regenerations” was the title of the works showed at Parallax AF. Daphne published a book in which she tells her incredibile journey trough Art.

 I was also captured by MARTINA KOLLE paintings. Martina – who divides her time between Italy and Germany, exhibiting in both countries as well as Turkey and the United States – works between the regions of the abstract and the representational where only myths and symbols reside. Having practiced homeopathic therapy for over 15 years, Kolle draws upon her own inner resources to give life and vitality to an art that, in the end, is always her own. Her signs and symbols sit outside of our regional languages to form a universal, pictorial grammar only accessible through intuition. Some works pay homage to Georgia O’Keefe’s quivering slips of line that flatten out into organic symmetries. We also see the muscular and assertive hard-line geometries of Joseph Stella’s late paintings. Moving past the feminine and masculine, Kolle’s pictures evade category while offering enough familiarity to be arresting. Her intensely saturated yellows, reds, and blues swirl into vortices, drip with gravity, and expand into an ethereal openness like light reflecting off mist.

Martina Kolle says: “During my long-lived therapeutical experiences as a homeopath, balance has always been my main topic, especially its effects on the human spirit, body and soul. My oil on canvas paintings are compensators. Every topic, the colours and composition of each single painting, are given to me in quiescence and are then transferred onto canvas.”

 Parallax AF gave me the pleasure to meet Czech born artist DAGMAR DOST-NOLDEN, who participated at the Biennale di Venezia “Creative Room” (2009) and Third International Forum in Bolognano, at Casa dell’Arte founded by Lucrezia De Domizio Durini. International artist-painter, sculptor and performer, Dagmar Dost-Nolden – who lives in Cologne, Germany – is fascinated by different forms of energy. Nearly all her paintings, sculptures, objects, installations and performances relate to this subject. Energy is streaming and changing, and art follows the same principle. She considers that art is not a static subject, but interacts with its surroundings. Architecture, nature, people, everything is influencing each other, changing not only the view, but also thoughts and thinking processes.

Not belonging in any of the strong art opinions she has developed her own art. It arisese out of an idea as well as an inspiration during the painting process. Both, the idea, spirit and the energy are being included. She says: “Human being, so as everything others too, is only a small part of free streaming energy that is forming all the universe”. Dagmar has been acknowledged in plenty of exhibitions in many countries. This year she participated at Art Fair Shanghai and Art Fair Beijing.



 By Roberto Alborghetti

(reporter, author, visual artist, photographer)



A group of people with some experience in the area of storytelling would like to share their project with everyone who enjoys reading.


Lithographic Print by Roberto Alborghetti

Lacer/actions Project

Realistic Image of Torn and Decomposed Publicity Posters

cm 70x 50, framed,  2009


 “The Joy of Reading” is a group of people with some experience in the area of storytelling. They would like to share their project with everyone who is in touch with children and young people in general but above all with everyone that enjoys reading. This project consists of sending stories for free on a weekly basis.

They forward them via e-mail, at own address. All the stories have some values within: respect for nature, tolerance, tenderness, responsibility, solidarity and many more. They all aim at developing the reading skills among young people, as well as allowing some moments of reflection and dialogue about topics connected with human values. Along these weeks, the cycle of stories is dedicated to different Cultures and Traditions (the last one I’ve received is “Yudhisthira at Heaven’s Gate”).

I welcome this project (which, it is important to say, does not have any profitable aims). If you are interested in “The Joy of Reading” and if you know anyone interested in receiving the weekly stories by e-mail, please, contact the Pedagogical Team at: af@talestogrow.com

You can visit “The Joy of Reading” on Facebook where you can find more interesting stories about several different topics.