250.000 VIEWS!!! I THANK YOU WITH A SPECIAL PREVIEW OF MY NEW VIDEO: “CRACKS CHROMOTHERAPY #3”

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250.000 VIEWS!!!

THANK YOU SO MUCH

FOR STOPPING

BY MY BLOG!

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MAGNIFICATIONS OF SCRATCHES… ANOTHER IN-CREDIBLE DIMENSION OF THE WORLD AROUND US

 

 

© Roberto Alborghetti – Lacer/actions

These “scratches” (abstract photos) are part of “LaceR/Actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens. Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks and scratches give new meanings and expressions to paper lacerations and matters decomposition.

One of shows was displaced for 100 days in the enchanting Aldobrandesca Fortress (XIII Century) in Tuscany (2012-2103, Piancastagnaio, Siena, Italy). In the last years I worked on these projects:  “Contemplations and Lacer/actions” (album, videoclip, installations, inspired by Thomas of Bergamo Scripts, 1563-1631), “Atelier of Colors and Emotions” (a project which involved autistic kids), “Lacer/actions on Aluminium” (11 installations for Fai Private Collection, Italy). My works are part of Contemporary Art Collection (Mercatello sul Metauro, Marche, Italy) and participating to “An Exhibition, a Restoration” in Norcia (Umbria, Italy).

“The Ghost Bus/A visual adventure in the Land of Robin Hood” project was carried out with Bartons Plc and Act Group, Beeston, Nottingham, UK (January-March 2015). I produced two short films which were premiered on March 27, 2015 at Bartons Plc, Chilwell-Nottingham. An Italian premiere took place in Tuscany (Monte Amiata, Piancastagnaio, Siena) on October 24-25, 2015. My most recent solo show (“Colors of an Apocalypse 2015”) was on Lake Como, Lenno, Italy, on  July3-4-5, 2015, in a special and spectacular location: the St. John Baptistery (XI Century), a beautiful example of Romanesque art. With fashion designer and artist Mitrani Yarden we have developed ideas for the fashion world, as the Volcano Dress (e-book and short film) and an innovative fabric prints series.

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A JOURNEY THROUGH THE HISTORY OF A UNIQUE PLACE AND OF AN EXTRAORDINARY SCRIPT FROM XIIIth CENTURY

Despite the pouring rain, last Friday a large number of people participated to the presentation of my new book: the 500th of the “Blue Series” by Velar-Elledici … The event was a sort of journey through the ancient history of a unique place, a treasure trove of art in the heart of the Ancient Bergamo. Thank you all for the warm participation and to Paolo Sandini (Velar) for the photo shoot.

Published by Editrice Velar, my new book tells about an act of mercy, performed by Grata for St. Alexander, the noble Theban knight, patron of the city of Bergamo (Italy). I found this fascinating story in a wonderful treasure of art: a script of the Thirteenth Century, composed by Pinamonte da Brembate. Art, history, literature and culture come together in an extraordinary document that lives on today thanks to this publication.

 

 

THE PRESENTATION OF MY NEW BOOK IN THE AMAZING “SANTA GRATA ABBEY” (XI-XII CENTURY) IN BERGAMO ALTA (ITALY)

 

© Roberto Alborghetti Photos (2)

© Roberto Alborghetti Photos

 

My new book will be officially presented on next Friday September 16 in the wonderful setting of the ancient Santa Grata Abbey, built between XI and XII Century, in the medieval Bergamo Alta (Italy). The book, published by Editrice Velar, talks in fact about this great historical place, which will host the event. The book is in Italian language, and you can download the press release at this address …

https://www.academia.edu/27463038/GRATA_UN_GESTO_DI_PIETA_DIVENUTO_LEGENDARIO_

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Published by Editrice Velar, my new book tells about an act of mercy, performed by Grata for St. Alexander, the noble Theban knight, patron of the city of Bergamo. I found this fascinating story in a wonderful treasure of art: a script of the Thirteenth Century, composed by Pinamonte da Brembate. Art, history, literature and culture come together in an extraordinary document that lives on today thanks to this publication.

In this photo gallery some exclusive pictures of the Abbey and of the charming “Legendario di S. Grata” (XIII Century).

IN THE ANCIENT TEMPLAR CASTLE OF PESCOLANCIANO (ITALY) THE LAUNCH OF THE NEW EDITION OF MY BOOK DEDICATED TO ALESSANDRO,MARTYR AND SOLDIER

 

PHOTOS: COURTESY OF D’ALESSANDRO FAMILY, PESCOLANCIANO (ITALY)

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The tremendous earthquake has only touched upon this charming corner of Italy, Pescolanciano, home to one of the most beautiful castles in central Italy. Tomorrow, Saturday, I’ll be there, to present the new edition of my book dedicated to Alexander, martyr and soldier and to talk about art, history, culture and architecture, launching a message of solidarity to the nearby populations affected by the fury of the earthquake.

Alexander and its iconography of martyr and soldier inspired so many artists and fascinated the same ancient Knights Templar of D’Alessandro noble family in Pescolanciano (Molise, Italy) where there is a great and ancient castle which will be the enchanting setting of the book presentation (Saturday August 27, 2016, 4pm).    

ABOUT THE ANCIENT D’ALESSANDRO CASTLE IN PESCOLANCIANO

The castle of Pescolanciano is located in a strategic position for control of the Castel di Sangro-Lucera sheep-track. The small church belongs to the original nucleus. In 1656 the place of worship was moved inside the castle to house the relics of Saint Alexander, transferred here from the Roman catacombs. The name Pescolanciano originates from the old designation Pesclum Lanzanum (Pesclum means rock whileLanzanum originates from Lanz, the name of the owner of the lands). In the reign of William II the feud was held by Berardo de Calvellis, mentioned in the Catalogus Baronum. With Frederick II (Diruenda castrorum) the castle shared the fate of many other Molisian fortresses. Later it passed into the hands of the Carafa family, the Spinelli family and the Eboli family of Naples until (1576) it was sold to Rita Baldassarre, wife of Giovan Francesco d’Alessandro. The castle underwent several modifications, especially in 1600 when the entrance was moved to the esplanade that leads to the drawbridge, and then again after the 1805 earthquake.
The castle perches on top of a rocky spur and can be accessed through a drawbridge (1691). A great variety of masonry styles are noticeable, with bonds that bear witness to a large number of modifications and repairs. The floor plan is trapezoid. The bulk of the four-sided keep and numerous traces of functional installations (cisterns, chimneys, niches and storerooms, cellars) as well as defensive ones (chemin-de-ronde transformed into a panoramic terrace, arrow slits and murder holes, cannon ports) are still recognisable.

MY BOOK AND THE WONDERFUL ICONOGRAPHY ABOUT ALEXANDER

S.ALESSANDRO copertinaA rich selection of works demonstrates how the arts over the centuries have bestowed a singular and striking homage to Alexander, the patron saint of Bergamo, an enchanting and ancient city near Milan (North of Italy). The artists list includes great names as sculptur Giovanni Ugo da Campione ( XIV century), Vincenzo Foppa (1430-1516 ), Lorenzo Lotto ( 1480-1556 ), Giovanni Battista Moroni (1520 / 24-1578 ), Giacomo Palma il Giovane ( c. 1548-1628 ), Antonio Boselli ( c. 1475 – c. 1530), Enea Salmeggia ( 1550-1626 ), Giovanni Paolo Cavagna (1556-1627 ), Carlo Ceresa ( 1607-1687 ), Francesco Coghetti (1802 -1875 ). These artists told through image an extraordinary story which corresponds to the content of “Passiones” documents and to the imaginative projection of the people as an expression of a simple and genuine faith .

The iconography always presents Alexander with its  military uniform – the armor symbolizes virtues such as courage and strength – and the lilies banner which expresses his role of flag-bearer and leader; lily flower is at the same time synonym for purity,  transparency of mind and appointment, in the biblical sense of the term . The extensive series of frescoes , sculptures , paintings, tables, miniatures, mosaics, stained glass, embroidery, frontals, stucco and silvers illustrates and honors the reputation of Alexander , exalting his courage, the spiritual power of those who fought ” the good fight “, to the ultimate sacrifice. 

 ABOUT ALEXANDER

Alexander (died c. 298-303) is the patron saint of Bergamo. He may simply have been a Roman soldier who was tortured and killed for not renouncing his Christian faith. As I write in the book, subsequent Christian stories (the so-called “Passiones”) consider him a flag-bearer of the Theban Legion commanded by Saint Maurice.

Prior to the commencement of the Diocletian in 303, both Galerius and Maximian in the West inaugurated, on their own responsibility, a crusade against Christianity and sought particularly to remove all Christians from the armies. St. Alexander was one of the victims of this persecution. He is reputed to have been a survivor of the decimation (the killing of every tenth man) ordered against the Theban Legion. He escaped to Milan.

At Milan, he was recognized and imprisoned, and it was demanded that he renounce his Christian faith. However, he was visited in jail by Saint Fidelis and Bishop Saint Maternus. Fidelis managed to organize Alexander’s escape. Alexander fled to Como but was captured again.

Brought back to Milan, he was once more condemned to death by decapitation, but during the execution the executioner’s arms went stiff. He was imprisoned again, but Alexander once again managed to escape, and ended up in Bergamo after passing through Fara Gera d’Adda and Capriate San Gervasio. Alexander was once again captured and was finally decapitated on August 26, (298 or 303) on the spot now occupied by the church of San Alessandro in Colonna. Bergamo Cathedral is dedicated to him and dates from the 4th century, and he is one of the saints in the dedication of the church in Rome for natives of Bergamo.

(RE)NEW MIDDLE EAST: E.MALHI SOUNDTRACK + ABSTRACT PICTURES BY R.ALBORGHETTI

New edition of the video with soundtrack composed, performed and produced by Eylon Malhi. Music goes with abstract pics from my Lacer/actions project about the decomposition of posters, urban and industrial materials. Four minutes of music and visual art… The photos presented in the videoclip are magnifications of corrosions, cracks and scratches that I saw on a waste container in Rome (Italy). Abstracted from their context and place, they became a sort of warm colors palette. Videoclip by Roberto Alborghetti.

 © Roberto Alborghetti - Lacer/actions

© Roberto Alborghetti – Lacer/actions

LAST TEN DAYS TO VISIT “TEMPO.MEMORIA” EXHIBITION AT MIIT MUSEUM IN TURIN (ITALY)

 

Until next August 20, there is the opportunity to visit in Turin, at MIIT Museum (Corso Cairoli 4), the “TEMPO. MEMORIA: Daring to Dream Again” exhibition. The project is curated by Sergio Gomez (curator and owner of Art NXT Level Project/33 Contemporary Gallery) with the Cultural relations partnership by Renèe LaVerne Rose (ACS Publisher and Editor in chief). The exhibition explores the themes of TIME and MEMORY from a variety of world perspectives. From cultural, political, psychological, religious, or personal view points, curator Gomez invited a selective group of international artists to visually articulate and interpret to their discretion ideas of time passing, memory, dreams and our personal perceptions on such concepts.

The exhibition features twenty-five extraordinary visual artists representing the United States (Chicago, Illinois, New York City, Miami, Florida), Mexico, Korea, Philippines, Peru, Germany and Iran. This international exhibition invites the viewer to an exploratory journey experiencing global interpretations of TIME and MEMORY while reflecting on their own personal emotions and memories.

The MIIT is a new museum exhibition space created by Guido Folco and located in the heart of the city of Turin, Italy, in an ancient palace of the 1700’s and in a fervent neighborhood of galleries, museums and foundations. It is strategically located a few steps from the Egyptian Museum, the National Museum of Cinema at the Mole Antonelliana, Palazzo Madama, the MAAO Museum of Oriental Art, the Royal Palace, the GAM and to all major cultural and tourist attractions of the capital. The word “MIIT” in some foreign languages, evokes the idea of “meetings” cultural and artistic, recovering from the English word “meet” and the German “mit” the sense of sharing and exchange of experiences and knowledge. Partners and collaborators of the MIIT include museums, foundations, academies, auction houses, universities, galleries and public and private collections, archives of historical art, the Italian Cultural Institutes around the world, and the Italian company Made in Italy which the MIIT and its monthly magazine “Italia Arte” have established working relationships and cultural connections over the years.

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