CAN YOU BELIEVE THAT THIS ART IS FROM AN AGRICULTURAL MACHINE?

Fifteen abstract photos from “Lacer/actions” project by Roberto Alborghetti tell us the colors of Bovino, on the Dauni Mountains (Apulia), one of the most beautiful villages of Italy. Abstraction tells the landscapes and the amazing yellow of the brooms on the hills… All the images are macro-shooting of an agricultural machine seen at Salecchia Farm! They are not paintings! Video made for the Educationaltour 2017 promoted by Regione Puglia, Comune and Pro Loco in Bovino. Celebrating 100.000 photos for Lacer/actions project.

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Quindici foto astratte del progetto “Lacer/azioni” per raccontare i colori di Bovino, sui Monti Dauni (Foggia, Puglia). L’astrazione narra la realtà. E il Giallo delle ginestre… Le immagini sono macro-riprese di una macchina agricola presso la fattoria Salecchia! Non sono dipinti o manipolazioni in photoshop. Video realizzato nell’ambito di Eductour 2017, promosso da Regione Puglia, Comune e Pro Loco di Bovino. Un video che celebra il traguardo delle 100.000 foto del progetto “Lacer/azioni” di Roberto Alborghetti

 

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ABSTRACT ART “EN PLEIN AIR” # 1: CORROSIONS ON AN AUTO CAR WASHER

Roberto Alborghetti - LaceR-Actions, 2017

They’re not paintings or digitally made pictures, but simple and pure photography… They’re LaceR/Actions!

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For Informations and Esclusive Acquisitions:

sandinipaolo@gmail.com

SIGNS, SCRATCHES AND GRAFFITI FROM THE WALLS IN ROME #3

© Roberto Alborghetti – Lacer/actions

© Roberto Alborghetti – Lacer/actions

Photogallery # 3 about signs, scratches and graffiti from the walls in Rome. They’re not paintings, or digitally made compositions. They’re abstract and macro photos I usually take while I’m walking along the streets: I  collected so far more than 100.000 images. I’m always amazed how the reality goes beyond every imagination…
“LaceR/Actions” is a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens. Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks and scratches give new meanings and expressions to paper lacerations and matters decomposition.

© Roberto Alborghetti – Lacer/actions

© Roberto Alborghetti – Lacer/actions

SIGNS,SCRATCHES AND GRAFFITI FROM THE WALLS IN ROME #2

© Roberto Alborghetti – Lacer/actions

© Roberto Alborghetti – Lacer/actions

Some more signs, scratches and graffiti from the walls in Rome…  As I usually like to say, they’re not paintings, or digitally made compositions. They’re abstract and macro photos I usually take while I’m walking along the streets: I  collected so far more than 100.000 images. I’m always amazed how the reality goes beyond every imagination…
“LaceR/Actions” is a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens. Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks and scratches give new meanings and expressions to paper lacerations and matters decomposition.

© Roberto Alborghetti – Lacer/actions

© Roberto Alborghetti – Lacer/actions

SIGNS, SCRATCHES AND GRAFFITI ON THE WALLS IN ROME #1

© Roberto Alborghetti – Lacer/actions

 

Some signs, scratches and graffiti from the walls in Rome…  for my “Lacer/actions” project-research.  As I usually like to say, they’re not paintings, or digitally made compositions. They’re abstract and macro photos I usually take while I’m walking along the streets: I  collected so far more than 100.000 images. I’m always amazed how the reality goes beyond every imagination…

“LaceR/Actions” is a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens. Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks and scratches give new meanings and expressions to paper lacerations and matters decomposition.

© Roberto Alborghetti – Lacer/actions

HOW MUCH GREEN WILL THERE BE IN THE FUTURE OF THE UNITED STATES?

“Cracked green” © Roberto Alborghetti – Lacer/actions Project (Abstract Photo of Cracks).

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Trump wants less green in the future of US… His withdraw from the Paris agreement still undoubtedly brings risks for the rest of the world. There are lots of possible pathways to the zero-emission global economy needed in the second half of this century to avoid the “severe, widespread and irreversible impacts” warned of by the world’s scientists.

 

 

“THE WALLS OF ART”: PRIMARY SCHOOL “MORO” IN MILAN PLAYS WITH “LACER/ACTIONS” PROJECT

Here is the video about the visual art experience faced on Monday, May 29, 2017, by the Fifth Class C of the Primary School “Moro”, at “G.Capponi Institute” in Milan directed by Gabriella Conte (School Manager). Roberto Alborghetti for his “LaceR/Actions” project involved girls and boys in a special experience that guided them in the neighborhood to observe the walls and the streets. Pupils had a photo shooting working on the “macro” technique. With Roberto they selected the pcitures and produced the video.

“The walls of art” put the students – as they have written – in the right condition “to see a different world throughout things : colors and fantasy … Waves, horses, birds, landscapes, distant worlds”. It was a wonderful day to remember, in the context of the initiatives for the March of Legality 2017. Thanks for the collaboration to the teachers G. Petrucci, T.Pilla and E.Poletti and to the School Manager, Gabriella Conte, who – in the wake of the meetings on the “Librofonino” – suggested this creative workshop.