SIGNS OF OUR TIMES / MACRO PHOTOS OF A DISFIGURED TRAFFIC SIGN #3

© Roberto Alborghetti

These are not modern art paintings or pop art works. They are just macro and abstract photos of details of a disfigured traffic sign… The pictures are part of my “LaceR/Actions” project-research, which now has reached 120.000 photos taken across the world.
“LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the pictures above.

For Informations and Exclusive Acquisitions:
funtasyeditrice@gmail.com

*
Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

© Roberto Alborghetti

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THE STREET IS A FREE ART GALLERY: TORN PUBLICITY POSTERS, SLIDESHOW #2

 

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Are these modern art paintings? Are these pop art works? Are these acrylic pictorial paintings? No, they are just photos of details of big torn publicity posters on an outdoor advertisings billboard. For me, the street is a real free art gallery, where we can perceive wonderful pieces of art. The pictures above are part of my “LaceR/Actions” project-research, which now has reached 110.000 photos taken across the world.
“LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the picture above.

For Informations and Esclusive Acquisitions:
funtasyeditrice@gmail.com

*
Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

ABSTRACT MAPS FROM A METAL PLATE: CLOSE UP PHOTOGRAPHY #3

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© Roberto Alborghetti

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© Roberto Alborghetti

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© Roberto Alborghetti

Even a simple metal plate, seen on a street in the city center, can reveal and hide really surprising shapes and colors, like the images published above, for my research project “Lacer / actions”. In this photo-gallery some of the photographic images that concern some scratches produced and created by time, which  gave birth, over the course of months and years, to this surprising natural palette, which seems to come from the hands of an artist. But instead everything is close-up photography. Nothing but photography.

  • Created by Roberto  Alborghetti  for his Lacer/actions project-research about torn and decomposed publicity posters, natural cracks and scratches, urban and industrial matters. © Roberto Alborghetti 
  • Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

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Anche una semplice lastra di metallo, vista su una strada del centro città, può rivelare e nascondere forme e colori davvero sorprendenti, come le immagini pubblicate qui sopra. In questa foto-galleria alcune delle immagini fotografiche che riguardano alcuni graffi prodotti e creati dalll’usura e dal tempo, che hanno dato vita, nel corso di mesi e di anni, a questa sorprendente tavolozza naturale, che sembra uscita dalle mani di un artista. Ma invece tutto è fotografia a distanza ravvicinata. Null’altro che fotografia.

ABSTRACT MAPS FROM A METAL PLATE: CLOSE UP PHOTOGRAPHY #2

20171022_092346 (800x450)

© Roberto Alborghetti

20171022_092402 (800x450)

© Roberto Alborghetti

Even a simple metal plate, seen on a street in the city center, can reveal and hide really surprising shapes and colors, like the images published above, for my research project “Lacer / actions”. In this photo-gallery some of the photographic images that concern some scratches produced and created by time, which  gave birth, over the course of months and years, to this surprising natural palette, which seems to come from the hands of an artist. But instead everything is close-up photography. Nothing but photography.

  • Created by Roberto  Alborghetti  for his Lacer/actions project-research about torn and decomposed publicity posters, natural cracks and scratches, urban and industrial matters. © Roberto Alborghetti 
  • Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

*

Anche una semplice lastra di metallo, vista su una strada del centro città, può rivelare e nascondere forme e colori davvero sorprendenti, come le immagini pubblicate qui sopra. In questa foto-galleria alcune delle immagini fotografiche che riguardano alcuni graffi prodotti e creati dalll’usura e dal tempo, che hanno dato vita, nel corso di mesi e di anni, a questa sorprendente tavolozza naturale, che sembra uscita dalle mani di un artista. Ma invece tutto è fotografia a distanza ravvicinata. Null’altro che fotografia.

SCRATCHES AND GRAFFITI ON BLUE: NOTHING BUT PHOTOGRAPHY #2

© Roberto Alborghetti

© Roberto Alborghetti

© Roberto Alborghetti

The city walls, in this case Milan, always reserve great surprises for my research project “Lacer / actions”. In this photo-gallery some of the photographic images that concern some scratches produced and created by wear and time. The wall had a blue base. And so the blue has given birth, over the course of months and years, to this surprising natural palette, which seems to come from the hands of an artist. But instead everything is close-up photography. Nothing but photography.

  • Created by Roberto  Alborghetti  for his Lacer/actions project-research about torn and decomposed publicity posters, natural cracks and scratches, urban and industrial matters. © Roberto Alborghetti 
  • Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

*

I muri delle città, in questo caso Milano, riservano sempre grandi sorprese per il mio progetto-ricerca “Lacer/actions”. In questa foto-galleria alcune delle immagini fotografiche che riguardano alcuni graffi prodotti e creati dalll’usura e dal tempo. La parete aveva una base di colore blu. E così il blu ha dato vita, nel corso di mesi e di anni, a questa sorprendente tavolozza naturale, che sembra uscita dalle mani di un artista. Ma invece tutto è fotografia a distanza ravvicinata. Null’altro che fotografia.

SCRATCHES AND GRAFFITI ON BLUE: NOTHING BUT PHOTOGRAPHY #1

DSCN1309 (800x600)

© Roberto Alborghetti

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© Roberto Alborghetti

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© Roberto Alborghetti

The city walls, in this case Milan, always reserve great surprises for my research project “Lacer / actions”. In this photo-gallery some of the photographic images that concern some scratches produced and created by wear and time. The wall had a blue base. And so the blue has given birth, over the course of months and years, to this surprising natural palette, which seems to come from the hands of an artist. But instead everything is close-up photography. Nothing but photography.

  • Created by Roberto  Alborghetti  for his Lacer/actions project-research about torn and decomposed publicity posters, natural cracks and scratches, urban and industrial matters. © Roberto Alborghetti 
  • Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

*

I muri delle città, in questo caso Milano, riservano sempre grandi sorprese per il mio progetto-ricerca “Lacer/actions”. In questa foto-galleria alcune delle immagini fotografiche che riguardano alcuni graffi prodotti e creati dalll’usura e dal tempo. La parete aveva una base di colore blu. E così il blu ha dato vita, nel corso di mesi e di anni, a questa sorprendente tavolozza naturale, che sembra uscita dalle mani di un artista. Ma invece tutto è fotografia a distanza ravvicinata. Null’altro che fotografia.

THREE IMAGES FOUND IN THE ARCHIVE: THEY HAVE BEEN TAKEN TEN YEARS AGO

Here are three images from my “Lacer/actions” project-research. They were taken exactly 10 years ago, but I think they retain all their amazing energy. Obviously, these images are not paintings, but photographs. They refer to billboards, which I saw by chance along the roads. Yes, these are not collages built and created deliberately with my hands, joining and sticking piece by piece, but a real, “natural” and completely collage. It’s  the result of various and different overlaps – which took place over weeks and months – of advertising publicity posters with different contents. 

I was lucky enough to catch and store them to my “Lacer/actions” archive which now counts more than 100,000 images  I fixed and collected around the world. I think that these random works, as well as the thousands I have captured and documented so far, would really aroused the envy of Mimmo Rotella and  Jacques Villeglè… These artists worked advertising posters snatching them from the billboards. But I think that a way of artistic expression is instead to document pure reality through photography. And leave the incredible polychromy of torn posters on the walls, transforming the cities streets in public and free outdoor “galleries”… 

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Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com