A JAR OF RAINWATER / CLOUDS DRIFTING / TWO OR THREE

a-jar-of-rainwater2

© Artwork by Roberto Alborghetti – Lacer/actions project

© Verses by Joshua Seller

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A jar of rainwater

clouds drifting

two or three

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Una brocca di pioggia

si lasciano sospingere

due o tre nuvole

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Une broc de pluie

se laissent pousser

deux ou trois nues

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Une jarro de lluvia

se dejan transportar

dos o tres nubes

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“A jar of rainwater” is part of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). Fusing Joshua ‘s words with my images – realistic pics of torn and decomposed publicity posters, natural cracks, scratches and urban signs – , we created a series of haiga: a combination of  haiku and visual art.

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

 

 

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MOONLIT SKY / QUIVERING CREPE MYRTLES /AND THEIR SHADOWS

moonlit-sky

© Artwork by Roberto Alborghetti – Lacer/actions project

© Verses by Joshua Seller

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Moonlit sky

quivering crepe myrtles

et their shadows

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Cielo dal chiaro di luna

tremolanti mirti crespi

e le loro ombre

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Ciel au clair de lune

des tremblants myrtes crépus

et leurs ombres

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Ciel al claro de luna

tremolantes mirtos crespos

y sus sombras

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Moonlit Sky” too is part of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). Fusing Joshua ‘s words with my images – realistic pics of torn and decomposed publicity posters, natural cracks, scratches and urban signs – , we created a series of haiga: a combinationof haikuand visual art.

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

IN A SPIDER WEB / CHERRY BLOSSOM PETALS / TWILIGHT BREEZE

in-a-spider-web

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© Artwork by Roberto Alborghetti – Lacer/actions project

© Verses by Joshua Seller

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In a spider web

cherry blossom petals

twilight breeze

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In una tela del ragno

petali di fiore di ciliegio

brezza del crepuscolo

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Dans une toile de l’araignée

pétales du fleur de cerisier

brise du crépuscule

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En la telaraňa

petalos de la flor de cerezo

brisa del crepusculo

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“In a spider web” piece is part of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). Fusing Joshua ‘s words with my images – realistic pics of torn and decomposed publicity posters, natural cracks, scratches and urban signs – , we created a series of haiga: a combination of haiku and visual art.

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

“NO CLOUDS / THE WIND REVEALED / IN TALL GRASSES”

no-clouds

© Artwork by Roberto Alborghetti – Lacer/actions project

© Verses by Joshua Seller

(November, 2011)

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No clouds

the wind revealed

in tall grasses

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Nessuna nuvola

il vento rivelato

nelle erbe alte

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Pas des nuages

le vent révélè

dans les hautes herbes

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Ninguna nube

el viento revelado

en las hierbas altas

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No clouds” is part of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). Fusing Joshua ‘s words with my images – realistic pics of torn and decomposed publicity posters, natural cracks, scratches and urban signs – , we created a series of haiga: a combination of haiku and visual art.

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

“SNOWFLAKES AND FROST…”: HAIKU AND VISUALS IN A CLIP (WITH THE FANTASTIC VOICES OF “TONIC SOL-FA”)

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This Season’s Greetings clip fuses (in an “Haiga“) words (“Haiku”) and visual art.

The image (lithograph, 70×50, framed) is part of Roberto Alborghetti Lacer/actions Project. It’s a detail of a torn and decomposed publicity poster.

The realistic and not manipulated picture is currently shown at Aldobrandesca Fortress (Piancastagnaio,Tuscany, Italy) where Roberto Alborghetti is having an exhibition until January 15, 2013. 

Soundtrack: a beautiful “a cappella” song (“Ark the Herald Angels Sing”)  by TONIC SOL-FA.

ROCCA ALDOBRANDESCA, TUSCANY / ROBERTO ALBORGHETTI EXHIBITION   

SUMMER HAIGA: « ET LE CIEL BLEU LAVANDE… » / PURUSHA HONTOY POEM + ROBERTO ALBORGHETTI ART

“Le ciel bleu lavande…” Poem by Purusha Hontoy / Artwork by Roberto Alborghetti – Lacer/actions Project – Realistic Image of a torn and decomposed publicity poster (2011).

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La Terre laboures

Ses couleurs

Et le ciel bleu lavande

Ne pleure plus

La pluie

C’est amer

Âpre

Dur

Comme le sable…sec!

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© Poem Copyright Purusha Hontoy

© Artwork Copyright Roberto Alborghetti

Image 0f Torn and Decomposed Publicity Posters 

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ABOUT PURUSHA

Purusha Hontoy est une amie des arts de la vie. Diretrice et Formatrice chez l’Ecole l’Art de Vivre.

GALERIE PURUSHA (QUEBEC, CANADA)

PURUSHA HONTOY (AT LINKEDIN)

AN HAIGA-VIDEOCLIP: MEREDITH DEERHEART VERSES + ROBERTO ALBORGHETTI ART

WALL OF LAYERED LIVING / HAIGA VIDEOCLIP – YOUTUBE

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An Haiga-videoclip (haiku+artpiece). Meredith Deerheart verses and Roberto Alborghetti Art; realistic and not manipulated images of torn and decomposed posters (Lacer/actions Project). Soundtrack: Eastern Sun – Beautiful Being; lenght: 32 seconds; created at Animoto.com by Roberto Alborghetti.

PIC FROM AN HAIGA-VIDEOCLIP: MEREDITH DEERHEART VERSES + ROBERTO ALBORGHETTI ART