MEETING A JAPANESE GIRL… NEW VIDEO AND HAIKU CARD BY M.YARDEN, R.ALBORGHETTI & E.MALHI

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Artwork: MITRANI YARDEN

 

Words:  ROBERTO ALBORGHETTI

 

Videoclip created and produced

by MITRANI YARDEN & ROBERTO ALBORGHETTI

 

Soundtrack: EYLON MALHI (“Sneaking Flute”)

 

From the forthcoming Collection & Project (HOPES)

 

HAIKU - FLOWER 2

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ABOUT MITRANI YARDEN (OFFICIAL WEBSITE)

 

ABOUT ROBERTO ALBORGHETTI (OFFICIAL BLOGSITE)

 

EYLON MALHI AT SOUNDCLOUD

THE (BLUE) MOON IS READY TO BE TAKEN / NEW CLIP AND CARD BY MITRANI YARDEN & ROBERTO ALBORGHETTI

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Artwork by MITRANI YARDEN

Words & Clip by ROBERTO ALBORGHETTI

From the forthcoming Collection & Project (HOPES)

Soundtrack: “Celebration” by Robert J. Walsh 

July 31, 2015 – Celebrating The Blue Moon 

  

“Moon is ready to be taken”: The Haiku Card by Mitrani Yarden & Roberto Alborghetti, 2015

“Moon is ready to be taken”: The Haiku Card by Mitrani Yarden & Roberto Alborghetti, 2015

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 ABOUT MITRANI YARDEN (OFFICIAL WEBSITE)

ABOUT ROBERTO ALBORGHETTI (OFFICIAL BLOGSITE)

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ABOUT BLUE MOON

http://edition.cnn.com/2015/07/29/world/blue-moon-july-31-irpt/

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LA LUNA BLU

http://www.meteoweb.eu/2015/07/il-31-luglio-arriva-la-luna-blu-da-cosa-deriva-questo-nome/476382/

 

IN A SPIDER WEB / CHERRY BLOSSOM PETALS / TWILIGHT BREEZE

in-a-spider-web

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© Artwork by Roberto Alborghetti – Lacer/actions project

© Verses by Joshua Seller

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In a spider web

cherry blossom petals

twilight breeze

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In una tela del ragno

petali di fiore di ciliegio

brezza del crepuscolo

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Dans une toile de l’araignée

pétales du fleur de cerisier

brise du crépuscule

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En la telaraňa

petalos de la flor de cerezo

brisa del crepusculo

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“In a spider web” piece is part of my collaboration with musician, producer and poet Joshua Sellers, from West Memphis (Arkansas, USA). Fusing Joshua ‘s words with my images – realistic pics of torn and decomposed publicity posters, natural cracks, scratches and urban signs – , we created a series of haiga: a combination of haiku and visual art.

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

“SNOWFLAKES AND FROST…”: HAIKU AND VISUALS IN A CLIP (WITH THE FANTASTIC VOICES OF “TONIC SOL-FA”)

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This Season’s Greetings clip fuses (in an “Haiga“) words (“Haiku”) and visual art.

The image (lithograph, 70×50, framed) is part of Roberto Alborghetti Lacer/actions Project. It’s a detail of a torn and decomposed publicity poster.

The realistic and not manipulated picture is currently shown at Aldobrandesca Fortress (Piancastagnaio,Tuscany, Italy) where Roberto Alborghetti is having an exhibition until January 15, 2013. 

Soundtrack: a beautiful “a cappella” song (“Ark the Herald Angels Sing”)  by TONIC SOL-FA.

ROCCA ALDOBRANDESCA, TUSCANY / ROBERTO ALBORGHETTI EXHIBITION   

“WINDS BLOW…”: NEW “HAIGA” WITH SUSAN KAHN VERSES AND ROBERTO ALBORGHETTI TORN POSTERS IMAGES

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Winds Blow,

The Sky Clears

Before an Empty Moon

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Soffiano i Venti

Il Cielo Rischiara

Prima di una Luna Vuota

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© Poem Copyright Susan Kahn

© Artwork Copyright Roberto Alborghetti

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This is the second Haiga composition created with Susan Kahn verses. The first one was  “Like echoes-or-moonlight” . Both are coming from the enchanting Susan’s “Empty Moon” poem posted at her Emptiness Cafe Blog at WordPress.

Empty Moon” Haiga work is another step of my collaboration with psychotherapist and poet Susan Kahn. We had previously collaborated also for a videoclip ( Like echoes, Like Lacer/actions, with a great soundtrack by Mike Strickland). Now, fusing again Susan’s words with one of my recent “Lacer/actions” artworks – an image of torn posters and urban signs – we present a fascinating Haiga: a combination of haiku and visual art. So, enjoy this visual with Susan Kahn poetry and my art.

This piece (Canvas+ mixed media, 70×50 cms) will take part in my next great exhibition at the XIII Century Tuscany Fortress (Piancastagnaio, Monte Amiata, Siena) from September 27 to November 4, 2012.

COMING SOON: THE “WINDS BLOW” VIDEOCLIP

FROM HAIKU TO HAIGA

Haiga is a style of Japanese painting based on the aesthetics of haikai, from which haiku poetry derives, which often accompanied such poems in a single piece. Like the poetic forms it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that “since they are both created with the same brush and ink, adding an image to a haiku poem was… a natural activity.”

Just as haiku often internally juxtapose two images, haiga may also contain a juxtaposition between the haiku itself and the art work. The art work does not necessarily directly represent the images presented in the haiku. Stylistically, haiga vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the nanga tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem.

ABOUT SUSAN KAHN

http://emptinesscafe.wordpress.com/

http://www.emptinessteachings.com

Susan says: “I work as a psychotherapist in private practice and as a nondual consultant. Nondual means not two, not separate. My teaching, writings and poetry reflect a way of seeing everything as interrelated, interconnected and as lacking a truly separate essence or nature.  In Buddhism, this lack of “own being” is referred to as emptiness. This perspective is reflected in western Postmodern philosophy as well. It is the notion of a fundamentally separate self and all other phenomena that is seen in both traditions as the main cause of human suffering and conflict, and that I find to be an inspirational insight.   

ABOUT ROBERTO ALBORGHETTI

https://robertoalborghetti.wordpress.com/

www.artslant.com/ew/artists/show/134694-roberto-alborghetti

www.youtube.com/user/lacerazioni

Professional reporter, author and visual artist, Roberto Alborghetti has written more than thirty books (biographies, interviews, stories). He worked in magazines and newspapers and  produced Tv documentaries. Editor in chief of magazines concerning didactic, education, edutainment and media literacy, he leads workshops and conferences and has won important journalism Prizes. He created “LaceR/Actions”, a multidisciplinary project  concerning a research about torn posters and urban “signs”. In 2009, he published “Lacer/actions, Pics of torn (publi)city”, gathering a selection of 40 pictures chosen among 35.000 pics that Roberto took during his research. In July 2010, thirty thousand people visited his show “The Four Elements of LaceR/Actions”. Roberto Alborghetti artworks are also taking part to  experiences about sensorial and emotional perception (sinestesys) and  kinesiologic tests. In October 2011, he participated at Parallax Art Fair in London (La Galleria, Royal Opera Arcade, Pall Mall). “The Huffington Post” (September 2011) wrote about his artwork devoted to Nine Eleven Fallen; article by dr. Srini Pillay, Psychiatrist, Harvard clinician, brain imaging researcher, executive coach, author. Art critics and experts said that Roberto Alborghetti’s art has an “exceptional and evocative dynamic”,  “a strong power of language”; it shows “new points of observation that overwhelm canonical trial systems”, “breaking the current patterns of visual art.” Alborghetti’s Artworks “are explosions of color, passion, joy, sorrow, story, emotion, beauty, love…”,  “They touch us on the raw and go straight to the heart”, ” a provocation to our eyes and to our mind”.

His next big show will take place in an enchanting XIII Century Tuscany Fortress, The Rocca Aldobrandesca (Piancastagnaio, Monte Amiata, Siena) from September 27 to November 4, 2012.

“SUNSET BURNISHED HILLS… FALLEN SOLDIERS WEEP”: HAIGA # 3 BY ~MEREDITH AND ROBERTO ALBORGHETTI

Sweet child,

pale

with

flu

limply resting against cool plaster.

Grandma’s Purple Quilt.

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Sunset burnished hills.

Lavender Dusk settles in.

fallen soldiers weep.

*_* sigh.

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Yin/yang poster world

grabbing blurs of yesterday.

Flowing thought bleeds ink.

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© Artwork Copyright Roberto Alborghetti

© Poem Copyright~Meredith

This is the third composition created by fellow blogger, Meredith (healingminds@WordPress.com) for a four composition series titled “Dreams & Lacer/actions: Therapeutical Haiga”. Meredith – who lives in Lafayette, Indiana (USA) – shared a preview of my most recent images taken from torn posters and cities walls during my trips in the Netherlands and Italy. And, she began to create verses…

The third “Lacer/actions” art piece which inspired Meredith’s verses doesn’t come from torn posters. It is a sort of special preview about a new direction, or section or a new kind of images concerning my research of urban signs… I will talk about it very soon. I saw this “visual situation” in Milan. As all my pieces, it’s natural, realistic and not manipulated or enhanced image.

Meredith wrote this note about her verses and my art: 

I have very mixed feelings about them because they feel very transparent to me.  But, that is  art, and as I send this off I feel a sense of sending myself.  This picture touches me deeply, and I decided to not to use any other text than the haiku.”

I thank Meredith for this collaboration which is also a particular experimentation based on colors, images, words, thoughts, emotions and sensorial perception.

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ABOUT MEREDITH

Meredith (www.healingminds.wordpress.com) writes from a rich text based in theater, art, and design training. Also rooted from the soil of personal experience, Meredith writes about mental health and its challenges; her value of developing creative pursuits as part of the equation for living a satisfying life in the face of mental illness and recovery include yoga, dance, writing, and photography. 

Meredith’s professional background began in directing and choreography.  Her education in dance and theater lent equal weight to creating movement and learning projects for school children, grades K thru 12, and mentoring independent theater projects for high school students. When mental illness changed the landscape of her life, Meredith returned to school and redirected her passions toward quieter pursuits in architectural design.  Most recently, her love for writing and well-being generate roomy, new ideas about beauty and life, and she writes about mindful living from a deeper understanding.

“DREAMS & LACER/ACTIONS”: THERAPEUTICAL HAIGA # 1 BY MEREDITH AND ROBERTO ALBORGHETTI

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Dandelion winds

    Swirl April blossoms wildly.

    Tangos in the night.

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Space drips, light bends gold.

     Lavender boughs lift lightly.

     Birth swirls around me.

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Morning lamplight glows.

    Shadow curtains lace the glass.

    Drip dot April blooms.

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© Artwork Copyright Roberto Alborghetti

© Poem Copyright~Meredith

 

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These beautiful and evocative verses created by fellow blogger Meredith – healingminds@WordPress.com – begin a four compositions series titled “Dreams & Lacer/actions: Therapeutical Haiga. This collaborative project, born from the web, delivered in this post, also celebrates my One Year Anniversary at WordPress: I began this blog exactly one year ago on May 9, 2011.

Meredith – who lives in Lafayette, Indiana (Usa) – shared a preview about my most recent images I took from torn posters and cities walls during my trips in Netherlands and Italy. And she began to create verses…            

Meredith wrote this note about this creative experience: “I sit and sit with words, slips of paper, and dreams. Several thoughts came together on this picture, so far. I see a dancer, the dazzle of her dress made brilliant by a stage light.  Her lavender skirting and stage dust shake the brilliance of movement in all directions. Also, the soft, vibrant gold reminds me of Gustav Klimt. It’s like a view from beyond a pane of glass, spotted with raindrops. The warm glow of lamplight in early morning.  A rumpled quilt of lilac blooms splatter lavender shimmers in the early light of day. These are some of my thoughts, so far… These photos bring dreams!”

The first “Lacer/actions” art piece which inspired Meredith’s verses comes from an Amsterdam street. It’s a realistic, natural and not manipulated or enhanced image. My eyes found it near a door where someone probably (and carelessly) left paint drops…

Now that spontaneous and casual scene has become a visual art piece suggesting beautiful and fascinating verses: I thank  Meredith for this collaboration which is also a particular experimentation based on colors, images, words, thoughts, emotions and sensorial perception. Yes, pictures for healingminds…

ABOUT MEREDITH

Meredith (www.healingminds.wordpress.com) writes from a rich text based in theater, art, and design training. Also rooted from the soil of personal experience, Meredith writes about mental health and its challenges; her value of developing creative pursuits as part of the equation for living a satisfying life in the face of mental illness and recovery include yoga, dance, writing, and photography. 

Meredith’s professional background began in directing and choreography.  Her education in dance and theater lent equal weight to creating movement and learning projects for school children, grades K thru 12, and mentoring independent theater projects for high school students. When mental illness changed the landscape of her life, Meredith returned to school and redirected her passions toward quieter pursuits in architectural design.  Most recently, her love for writing and well-being generate roomy, new ideas about beauty and life, and she writes about mindful living from a deeper understanding.