MACRO & ABSTRACT PHOTOS: 24 LITHOPRINTS (VIDEO-PORTFOLIO)

Lacer/actions Project by Roberto Alborghetti reached 100.000 photos collected around the world! In this video-portfolio: 24 pictures reproduced on Lithographic Prints (Framed works, 72×52 cms). The images of the clip aren’t paintings or digitally made works, but simply macro and abstract photos of the world around us, as torn publicity posters, natural cracks, scratches and corrosions. Fragments of decomposed matters… For informations and exclusive acquisitions: sandinipaolo@gmail.com

© Roberto Alborghetti – Lacer/actions

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IMAGES OF TORN PUBLICITY POSTERS REPRODUCED ON LITHOGRAPHIC PRINTS: THE VIDEO-PORTFOLIO #1

LaceR/Actions Project by Roberto Alborghetti reached 100.000 photos collected around the world! In this video-portfolio: 24 pictures reproduced on Lithographic Prints (available in framed works, 72 x 52 cms ).

The images of the clip aren’t paintings or digitally made works, but simply photos of the world around us, as torn publicity posters and decompositions of matters… We may see things that we don’t even imagine.

For informations and exclusive acquisitions: sandinipaolo@gmail.com

THE LACER/ACTIONS SHOWROOM – THE VIDEOCLIP

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INFO :

https://robertoalborghetti.wordpress.com/2013/01/25/the-lithographic-prints-showroom-a-permanent-exhibition-about-images-of-torn-and-decomposed-publicity-posters/

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THE LITHOGRAPHIC PRINTS SHOWROOM: A PERMANENT EXHIBITION ABOUT IMAGES OF TORN AND DECOMPOSED PUBLICITY POSTERS

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ROBERTO ALBORGHETTI

LACER/ ACTIONS PROJECT

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THE LITHOGRAPHIC PRINTS SHOWROOM

Realistic Images

of Torn and Decomposed Publicity Posters

Permanent Exhibition – Italy

SIZE OF FRAMED WORKS:

CM 70X50

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“LaceR/Actions”is a multidisciplinary project and research about urban signs and landscapes, especially concerning the apparent chaos of ripped and decomposed papers from billboards and advertisings diplays. I have so far collected more than 40.000 images.

Impressed by camera and transferred on canvases, lithography prints,  textiles (as pure silk), scanned in a videoclip, or re-built in collages, the details of torn and decomposed publicity posters give new life to paper lacerations.

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I think in the lacerated advertisings – and in paper mutation – is recognizable the “unwrapped” city, self-destroying in the messages, self-regenerating and self-reproducing in new visual elements, often contradictory, dissonant, discordant, but still surprisingly vital.