Blogger and Media Presenter Marysia Zipser (Founder of ACT Group in Beeston, Nottingham, UK) wrote an interesting article (“Art and cultural diversity”) about the artpiece I dedicated to the Victims and Martyrs of Kefalonia massacre (the canvas reproduces one of my abstract photos for “Lacer/actions” project and research). This is the link to her article posted at Linkedin Pulse Blog:




I’m so glad today to make public this video, “Seaside Town”, from “The Ghost Bus” project, with the participation of Bartons Plc and Act Group. It’s one of the two short films I created  after my visit at Bartons Plc, in the former bus depot in High Rd, Chilwell-Beeston, in Nottingham (UK). I was deeply impressed by one of the oldest buses,  the so called “Ghost Bus”, a piece of history of English public transport: a URR 865 vehicle AEC Reliance made in 1956! Simon Barton me that a vehicle-sister of the bus was documented in 1959 on a wonderful  film of a Bartons Road Cruise Holiday taken in Italy in 1959. The film is  in glorious Kodachrome colour made by professional film maker Bill Freeman.


I was stricken by the story of Bartons Buses. They were the first bus company to have continental holidays by coach and also they had heaters on their pre-war Leylands. And Bartons was the first company to provide their drivers and conductors with a uniform fit for them to go to church in… As “The Nottingham Post” stated: “ There’s only one Turbine Hall, and it’s in Tate Modern in London. But if Nottingham has an equivalent then it would have to be the former Bartons bus depot in Chilwell, where a history of labour and bare concrete and metal provide an appropriate backdrop for sprawling exhibitions such as Carnival of Monsters”.

So I began to create, processing and selectin’ hundreds of pictures I took that day (October 2014) around the old bus… Trasforming and turning pictures of ripped and decomposed publicity posters (on outdoor billboards), natural and random cracks and scratches, industrial crevices and deteriorations into “art subjects”. This is the aim (and the challenge) of my research-action (named “Lacer/actions”) which investigates, analizes and exploits the in-credible dimension of decomposition, decay, degradation and mutation of outdoor advertisings, urban structures and industrial materials, as The Ghost Bus.


My whole concept is “making art” from industrial deconstructionism, caught on camera, on macro scale. My shots actually capture the randomness of deconstructionism, letting the picture tell the story.  I catch and document the reality.  And I don’t change what I see.  There’s nothing contrived, or worked in… I love showing what I see. I always catch the flakes of paint in their true state and experience the environment while I’m shooting the pictures. Yes, I know that many people spend hours trying to create  in Photoshop, preferring to manipulate images to their preconceived ideas.  They construct what the viewer sees, whereas I prefer to allow the viewer to construct their own conclusions about the pictures.



For the first film “Epic Voyage”, which lasts 13 minutes, I choose a powerful and stately soundtrack composed and performed by Audiomachine. The flow of images are grouped into four themes (Maps, Lands, Horizons and Skies), they are illustrated by a number of citations on the ‘journey’, penned by great authors of world literature, from Kerouac to Hemingway.

The second film is 6 minutes in length and entitled “Seaside Town”. It is set to a soundtrack composed, arranged and performed by Simon, Richard, James and Tom Barton, who have participated with great enthusiasm in the project. Their soundtrack is emotive and highlights the human history of this vehicle and the hundreds of thousands of miles the bus travelled bringing pleasure to so many people.

For these short films I worked on details and particulars. Few centimeters of rusty iron surface reveal palettes of landscapes, dawns and sunsets. Or – as I’d like to say – the revolt of the skies… I think that every image may be considered a sort of a singular visual artwork.  That’s the reason why, for the “Seaside Town” film, I choose to show them in frames, while splashes of watercolors dot the background of the pics, creating a colorful kaleidoscope effect.

We made “The Ghost Bus” experience not for a commercial purpose. We did it for the joy to create, to tell and to share, building bridges of collaboration and friendship between people, Countries and the world wide web. Since the moment we started to put on line some pics, flyers, cards series and video trailers, lot of people across the world have been expressing, thinking and commenting on the Ghost Bus project. This is the power of visual and musical arts. This is the wonder of a family history, the Bartons. This is the beauty of what human beings can do through creativity and mutual cooperation.

My warmest thanks to those who made possible these dream and project: Simon Barton and his family, Richard, James and Tom, Fiona barton, Jeanie Barton, Marysia Zipser, founder of Act Group, to fellow bloggers and journalists who supported the two films premieres we had in Chilwell (March 2015) end on Mount Amiata (Piancastagnaio, Siena) in Tuscany (October 2015).  As I quoted in the Ghost Bus short film, “the road never ends…”






Yes, the road never ends for THE GHOST BUS PROJECT by Roberto Alborghetti, Marysia Zipser, Act Group, Simon Barton and Bartons Plc. The photo by Christopher Frost about the event of last MARCH 27, 2015 (premiere of the two short films) is PHOTO OF THE YEAR! Congratulations to friend and fellow journalist Christopher Frost for this great achievement which is also a great new for The GHOST BUS PROJECT and for the Team who worked hard to develop it.
Read Christopher Frost article on:


The City Daily Photo theme for January is ‘your best photo of the year’. So for my entry I’m going with this one that I took on 27th March.

It’s probably not the best photo that I’ve taken during 2015, but it’s one that has the most relevance for me for a number of reasons.

This is Barton’s ‘Ghost Bus’. An old rusted and decayed coach that was built in the 1950s and has spent the last 20 odd years in a farmers field. Only to be rescued and brought back to their garage in Chilwell.

I saw an advert for an event at Barton’s that was featuring the bus, so I went along, as I had seen it before. But in the daytime, and wondered what it would look like in the dark. The event included a screening of a short film that had been created by Italian visual artist Roberto Alborghetti, and based on close up photos that Roberto had taken of the Ghost Bus.

After the show, I got to interview Roberto for the Beestonian magazine that I write for. In fact someone else was meant to be covering the event, but couldn’t make it, so I did it instead. Serendipity I think they call it. Roberto was pleased with the article and I have been his friend ever since. I also made friends with Marysia, the organiser of the event.

To cut a long story short, this friendship resulted in Gail & I going to Tuscany in October with Marysia, her son and four other travelling companions. Besides seeing different parts of Italy, one of the aims was to get Tuscany twinned with Beeston. To help this along we met two mayors and Marysia presented them with a ‘Beeston goody bag’ which contained a copy of the Beestonian, a locally produced lace shawl, some postcard and a scale model of the Ghost Bus itself.

I’m not sure if any progress has been made with the twinning, but Gail and I both agree that we loved seeing Tuscany and plan to make many more visits to Italy.


Roberto Alborghetti and Marysia Zipser, March 27, 2015, Nottingham (UK) - Photo by Paul Boyd

Roberto Alborghetti and Marysia Zipser, March 27, 2015, Nottingham (UK) – Photo by Paul Boyd



Press Release 10TH September 2015

from ACT Group (Art-Culture-Tourism) Nottingham, UK


A beautiful visual adventure is budding from the Land of Robin Hood to the Land of Ghino di Tacco in Tuscany. From the much lauded March 27th GHOST BUS SHOW and UK short films premiere at Nottingham and its collaboration between celebrated visual artist Roberto Alborghetti, ACT Group (Art-Culture-Tourism) and Bartons plc, an exciting international abstract art gallery is travelling along the road bridging England to Italy, via an old rusty bus.  An exciting multi art, culture and tourism show that will be starting on Wednesday 21 October with the ACT Tuscany GRAND TOUR and finishing on Wednesday 28 October.

In the middle weekend of the tour, 24 & 25 October, at Mount Amiata, where the extinct volcano resides over this stunning landscape, there is taking place, at the medieval hill topped town of Piancastagnaio, a wonderful mayorial reception and tour offered to the people of Beeston, Nottingham, East Midlands and from all over England, with descending visitors from Italy and all over Europe.

On Sunday 25 October evening, in collaboration with Osa Onlus, the Comune of Piancastagnaio, his Major Luigi Vagaggini,  the highlight of the tour will be the ITALIAN short film premiere of THE GHOST BUS followed by an explosive ART FASHION & DESIGN SHOW by Roberto Alborghetti and international couturier Mitrani Yarden, fashion designer and artist. 

Mitrani Yarden, fashion designer and artist, is collaborating with Roberto Alborghetti to create an

Mitrani Yarden, fashion designer and artist, is collaborating with Roberto Alborghetti to create an “haute couture” creation based on an artwork from The Ghost Bus series; Photo: Roberto Alborghetti (HOPES project).

The huge publicity derived from this great collaboration of Italian visual artist, Beeston based art-culture-tourism group and an old rusty 1950s bus once operated by Bartons, has led to Art-Culture-Tourism “twinning talks” between Nottingham and Tuscany.  In fact Beeston with Piancastagnio, Nottingham with Siena, East Midlands region with Mount Amiata region.  And these “talks” will be progressed and ACTivated during the Tuscany GRAND TOUR.

A visual treat is in store for those booking and participating in this road and landscape adventure bringing together England and Italy. The writing is on the wall… follow the RENAISSANCE to the heart of Tuscany!

“The road never ends…only our vision does.” (A.Reddy)

Flyer by Sara Twomey


For more information:

Marysia Zipser, Founder ACT Group (Art-Culture-Tourism), Beeston, Nottingham, UK    marysiazipser@hotmail.co.uk     http://www.a-c-tgroup.com/  @A_C_Tgroup   0115 8753817   Mob 07899 798487 (may not be working)


Roberto Alborghetti, visual artist, author, journalist, Bergamo, Italy  https://robertoalborghetti.wordpress.com/    @RobAlborg


Patrizia Malomo, MD, Corymbus Tour Operator travel agency, Siena  viaggi@corymbus.it   www.corymbus.it   @Andantecongusto


Useful Links:   

Social media image/poster attached – Nottingham’s Robin Hood meets Ghino di Tacco – Tuscany GRAND TOUR



http://bcove.me/hcou9m5w   NottsTV 6.30-7.00 Show 28.8.15 

http://bcove.me/3tmudxsn    NottsTV  News (5 mins) 6.8.15 Beeston twinning with Tuscany



https://www.youtube.com/watch?v=bu4wVOVXHyQ  THE GHOST BUS – The Magical Night of the Short Films Premiere 27 March 2015



Fantastic photos & videos contest, closing date of 10th October and is open to anyone around the world.  https://robertoalborghetti.wordpress.com/2015/08/20/the-ghost-bus-film-premiere-in-tuscany-call-for-a-great-videos-and-photos-contest-read-the-rules/


THE NOTTINGHAM POST 5 AGO 2015 (362x640)


Two Countries (UK and Italy), two regions (East Midlands and Tuscany), two cities (Nottingham and Siena), two popular heroes (Robin Hood and Ghino di Tacco) and one project: “The Ghost Bus”. As already announced, after the great welcome in Beeston (last March 2015), the amazing project by Roberto Alborghetti, Bartons Plc and Act Group will land to Tuscany (24-25 October) for the Italian premiere of the short film dedicated to the old bus kept in Bartons vintage car and buses depot in Beeston. In these days, English and Italian press are dedicating great articles to this event which is goin’ to be one of the most waited in Tuscany for the next Fall season.

Thanks to Act Group, his Founder Marysia Zipser and Corymbus Tour Operator, is expected from the UK the arrival of a group of visitors who will tour  the main centers of Tuscany, from Florence to Siena,  makin’ a stop on the enchanting Monte Amiata to participate to the events promoted, for the presentation of the short film, in collaboration with Piancastagnaio Major, Luigi Vangaggini,  the Municipality and Osa Onlus and his Founder Nicola Cirocco. More details of the program will come in the next weeks.

For the occasion, Roberto Alborghetti and Mitrani Yarden, talented fashion designer and artist, will present an “haut couture” creation dedicated to one of the pictures from “The Ghost Bus”, and they will also be announcing an upcoming project dedicated to art, fashion, design and communication. The short film premiere will be also the main event of the 17 th Edition of the National School Journals and Videos Award.

In the photos (above): the articles about the Italian premiere of “The Ghost Bus” and the Act Tour in Tuscany. They were published by The Nottingham Post and Corriere di Siena.


© Roberto Alborghetti – LaceR/Actions, Nottingham, 2015


During my recent stay in East Midlands for The Ghost Bus short films premiere (March 27, 2015, Bartons Plc, Chilwell) I had the opportunity to have a look around in the very heart of Nottingham trying to catch some images of torn and decomposed posters, natural cracks and scratches, urban and industrial tokens (yes, I can’t resist!).

Marysia Zipser, founder of ACT Group (Art-Culture-Tourism) and promoter of the short films premiere together with Simon Barton, kindly led me through squares, streets and places from King Street to Old Market Square, from Castle Road to St.Mary’s Gate… And so, while a really beautiful city flowered before  my eyes, with its history and monuments, I also took lot of images for my “Lacer/actions” project.

Nottingham offered me so many “signs” layered on its walls, doors and gates. As an open air gallery, the city of Robin Hood and the incredible red bricks, revealed itself also through absolutely random cracks and scratches. In every street I walked along I noticed particulars and details linked by a common “language and style”.

Along King Street I captured blue oriented images. Near the ancient “Ye Olde Trip to Jerusalem” I took pics of grey cracks. In Broad Street some ripped posters presented details in which I had no difficulties to see pop-art elements. And again, I caught black and white images in Hounds Gate, red and blue ones in Low Pavement. Along Goose Gate, outside an alley way, I saw (and impressed on my camera) images that mixed up ripped papers, glue castings, spontaneous drawings left by some anonymous hands.

Yes, in Nottingham, I found in decomposed matters a lot of styles and art streams: from modernism to cubism, from abstractionism to post-modernism, from vorticism to impressionism… Yes, so lot of “ism”, but I prefer to call all those random and natural images with my favourite term: “Lacer/actionism”… Also Nottingham is really an “open air” art museum that you may visit every day, without paying an entrance ticket. It’s enough to walk along the streets, open your eyes wide and let your perceptions flow.

P.S. I thank Marysia Zipser so much for her kindness… Yes, several times I got lost along the tour while shooting photos, but she had always the patience to wait for me…


the BEESTONIAN 2015 - Copia

It’s out in UK the new issue of “The Beestonian” magazine with a great page about “The Ghost Bus” project I’ve created with Bartons Plc and Act Group. Journalist and photographer Christopher Frost reports about the short films in Chilwell-Nottingham, at Bartons Plc. It’s a wonderful story about this artistic and human experience made and developed around an old and rusty vehicle… Thank you so much Christopher Frost for your great article! The Beestonian mag is also available in the e-version at Issuu.com platform.