Space Oddity (Rca, 1969)
Hunky Dory (Rca, 1971)
The Rise and Fall of Ziggy Stardust and The Spiders From Mars (Rca, 1972)
Aladdin Sane (Rca, 1973)
Pin-Ups (Rca, 1973)
Diamond Dogs (Rca, 1974)

Young Americans (Rca, 1975)




Yes, the rock is back with a new look!  This is another interesting challenge for my visual art (Lacer/actions Project and research). WE DARE rock band choose my artworks for their new video titled “MEMORIES”. And when I heard it I thought to one of my abstract photos series. All the images of the videoclip are not paintings, but real scenes I saw on a big publicity billboard. They were the final result of an incredibile (and amazing) natural decomposition which opened my view on colourful horizons, visions and universes… All that was not created by the brush of a painter, but simply by the case… 

I think my artwoks go very well with “Memories” track composed and performed by WE DARE.


WE DARE like to play different kinds of rock, from heavy metal to nu metal, from love metal to alternative metal, from alternative rock to gothic rock…and pop rock, neo glam, post grunge and hard & heavy as well.

They are an Italian virtual group. They never knew in person, but only through phones, social networks and a lot of emails.

The members are:  Danio Minici : voice; Roberto Porpora : bass & programming; Andrea “Ralph” Richini : guitars.

WE DARE on Facebook


WE DARE : The Official website




“LaceR/Actions” is a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens (during my research around the world  I  collected so far about 80.000 images). Transferred on canvases, reproduced on lithographic prints or textiles (as pure silk), re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks give new meanings and expressions to paper lacerations and matter decomposition.

My recent “The Ghost Bus” project was carried out with Bartons Plc and Act Group, Beeston, Nottingham, UK (January-March 2015) with a great short films premiere on March 27, at Bartons Plc, Chilwell-Nottingham. An Italian premiere will take place in Tuscany (Monte Amiata, Piancastagnaio, Siena) on October 24-25. My most recent solo show (“Colors of an Apocalypse 2015”) was on Lake Como, Lenno, Italy, on  July3-4-5, 2015, in a special and spectacular location: the St. John Baptistery (XI Century), a beautiful example of Romanesque art. Mitrani Yarden (fashion designer and artist) and me we have created “Hopes” project, a new experience in art, fashion, design and music.



(Andrea “Ralph” Richini, Danio Minici, Roberto Porpora)


Time change our lives

Our own fate has took its flight

I need to stop somewhere,

I’m too tired to roam

Reasons beyond these lies


Don’t follow me please

do not cross the line

my eyes want to see the whole color of light

but all inside my mind.



Dreaming is not to stay (I cannot feel pain, you cannot run away)

Can’t lose a single day (it tries to drown me, but drowns before me)

I need to find my way (I cannot feel pain, I cannot feel pain)

All these are memories.


So I couldn’t change my life

regret hurts me like a knife 

I struggled and fought to get outside this world

but still I was pulled inside


Don’t follow me please

it’s all in my mind

my ached heart still need an injection of life

it’s not my time to die



Dreaming is not to stay (I cannot feel pain, you cannot run away)

Can’t lose a single day (it tries to drown me, but drowns before me)

I need to find my way (I cannot feel pain, I cannot feel pain)


You know what, in the end

I find a safe place

but still I crawl, I reel

in all these memories

which never leave me free.


I tried to escape myself

from all these miseries

but still the weight of being

will not deny my past,

it’s still inside of me.


The light is coming out

the time has come, I’m sure.

But maybe I said this too many times…


Dreaming is not to stay (I cannot feel pain, you cannot run away)

Can’t lose a single day (it tries to drown me, but drowns before me)

I need to find my way (I cannot feel pain, I cannot feel pain)

memories we dare lacer-actions banner



Sofiya Uryvayeva is a talented pianist. We met on our own YouTube channels. I was struck by her music and by her power to do magics with the piano. And she was fascinated by my Lacer/actions artworks (images of torn and decomposed publicity posters and urban signs).

This clip mixes Sofiya music and my artworks. From her YouTube channel I choose an extraordinary track that Sofiya recorded live in June 11, 2011: “Chopin Revolutionary Etude.





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The German start-up The eBook People GmbH, a spin-off of the publishing house The Interview People GmbH (www.theinterviewpeople.com), is going to release its first comprehensive eBook in July which will feature the 50th stage anniversary of the band The Rolling Stones. Title: “The Rolling Stones – 50 Years”, Subtitle: “Views From The Inside – Views From The Outside”.

The eBook will be released in two parts. It will contain archive material from newspapers: old (partially not yet digitalized and inaccessible) articles, interviews, audios and images and put them all together in a two part ebook containing more than 2,000 pages! Part one will feature the first 25 years in 25 single chapters. Same with the second 25 years.

All of this is going to be edited and introduced by a great music journalist who is also working for the biggest national daily newspaper in Switzerland. His name is Hanspeter Künzler and among others he also works for Germany’s biggest music magazine “Musikexpress.”

The eBook is available at amazon.com, iTunes and selected publishing houses cooperating with The eBook People GmbH. Vogue Magazine is already covering it:

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An unforgettable interview (2003) from The eBook “The Rolling Stones – 50 years”

Credit: Patrik Mallberg / The Interview People


Paris in spring 2003, several weeks before the Stones kicked off their 2003 world tour. There is music coming out of the lobby bar at one of the most famous hotels in Paris. One sign that we’ve popped into a very special place is the pricing of two long drinks and a club sandwich. You can almost afford an inner European flight for that money – and I’m not talking economy class. Three other German journalists have the pleasure to talk to Mick before I get to do it. And you never know: do they ask questions that will make him upset? Is he not going to be in the mood for any further conversation with a journalist? But it doesn’t seem so. Mick’s publicist, a very kind , friendly and funny guy takes me up the stairs to the first floor. “Don’t you wanna look into my bag in terms of security,” I ask the gentleman. Walking half a meter before me he turns his head around, smiles and says: “Nope, we are not Madonna.”

Entering the room Mick appears to be so much smaller than you know him from TV appearances. Smiling, he welcomes me with a hand-shake and is ready to talk right away…

Hi Mick, what have been your career highlights?

Mick Jagger: It was great to getting the band going the very first time because you start to be successful for the first year or first couple of years and you´re like: All your little teenage dreams are, so to speak, coming true and you feel young and very ambitious and you’re starting to be successful – that feels really good, like getting your first job, doesn’t it?

What about the bad times?

Mick Jagger: Bad times. There’re lots of bad times in a career, you know. The Rolling Stones have had a pretty long career and always there´s been good things and bad things. People die, you know. But I mean I guess most of the times it´s been pretty positive.

What would you do if you had the chance to use a time  machine?

Mick Jagger: It´s quite interesting, you know. Do you ever read history books about “What if?”. What if Napoleon had conquered Russia and then it wouldn´t be like … and so it´s interesting if you follow these books through to their logical conclusions but it´s not really interesting unless you can do that. You know it is easy for me to say: Would have been nice if I had been a film director or a ballet dancer or an accountant. What would have happened? But you don’t know the answer.

Do believe in fate?

Mick Jagger: I don´t. But the problem is that your not completely in control of your life when you´re young. 

Have you ever told your children to do or not to do  something because of your experience?

Mick Jagger: You´re always telling and that’s what it is to do, it’s parenthood. What you do is giving parts of your experience to them. I mean, you don´t always save them from real life. Or you can use examples. That´s what you do with children all the time. 

Someone once said: If you don´t advance, you´re dead. So:  How far can you still advance after your big success?

Mick Jagger: You have to keep yourself from just repeating yourself. It´s very difficult to do in anything. Wether you´re a writer or a journalist or a painter. Especially the rock business is very narrow. It´s like a very narrow political party with very few views in it. And as soon as you´re striving it goes: “Oh no, wait a minute!” If you do a rock show with 25 half naked dancers, everyone goes: “Oh no but it´s awful, you can´t do that!” So the confines of it are very narrow and it´s very hard to keep anything interesting going within the narrow confines. So there are many, many conventions that you have to keep up.

Do you think that bands these days also have the chance  of becoming as big as the Stones are?

Mick Jagger: I think so. I mean the only thing is it´s been going longer as a musical form. So rock music as defined by, let’s say four blokes playing in a band, was quite new in the early 60ies. But now it´s 40 years old as you put it out. The whole idea and form is older now. So how many generations? Two? Three generations? So it´s like an old thing being handed down now. It´s probably more difficult to make such splash as it was, for that reason.

Do you have to do so much light show and other stuff on  stage?

Mick Jagger: It depends where you´re touring. In the early 60ties where you were playing in theatres, people don´t do a tremendous amount of all that stuff. And it was going on in the sixties. That´s where it all started, I mean there were a lot of that. But we´re going to play a theatre show that is very little, so in the Circus Krone show shouldn’t be much pyrotechnics. But if you´re playing in a bigger stadium, you gotta do something visual. You can´t just go on. That’s like a guitarist view of world.

Doesn’t that keep the attention away from the audience?

Mick Jagger: Yeah, but I think that really when you go to a big stadium show the people that go, “the punters” as we call them, are not really just going to hear some pristine music, it´s just a sort of allround experience. It´s halfway between going to a football match and a music show. You´re really looking forward, you want something to enhance your experience visually. To amplify and enhance the experience you need a bit more than just the music. The thing is that musicians think that´s all the people want, but I don´t share that view. 

Are you very extraordinary when it comes to choose the  hotel room or suite?

Mick Jagger: I don´t know, not really. (laughs) It´s sort of silly. When I´m working I like to have certain things. When I´m not working I do not really care about them very much. But when you´re working you want certain things. I don´t like to have a noisy traffic too much because then I can´t sleep for the show. The problem is: When you´re working you don´t want to sleep late because you want to be ready for a nine o´clock show rather than nine to five job. So I don´t like staying in the hotels that are noisy. 

You are over 60 years of age. Do you still like to party with the girls, drugs and Rock´n´Roll after every show?

Mick Jagger: No, you don´t want to party every night with the drugs and the girls and the Rock’n’Roll but some nights you might … 

Are the hotel-lobbies still as crowded with groupies as they used to be?

Mick Jagger: Well, some places are good. But it is not really where you look for your entertainment, to be honest.

What music are you currently listening to?

Mick Jagger: I don´t know, I listen to a lot of stuff that I bought when I was to see what´s in the store. The other day I bought some new records. I listen to some jazz. I mean I listen to everything to be honest. I´ve been to India, listened to a lot of Hindi-dance-music, it´s like pop here in England. 

Someone said that this tour was announced to be the last …

Mick Jagger: Well, I don´t know. You know, that’s the entertaining thing: You don´t really know what´s gonna happen. I´m planning and trying to work out what´s gonna happen next. So I´ve been working on what´s gonna happen at the next Rolling Stones shows.   


© Roberto Alborghetti

On kind request, I’m glad to dedicate this post to “Lacer/actions” artworks I used to create GLORIOUS MORNING CLIP with the beautiful piano solo by Canadian composer and pianist Gene Emerson. When I heard her “Glorious Morning” composition I immediately thought to some of my recent artworks (images of torn poster and urban signs). I think these artworks try to interpret the sense of Gene’s piano solo inspired by a Rumi‘s ode.

Gene says : “Glorious Morning is really an ode to a beautiful, warm and sunny morning at the beginning of Spring, – after long cold winter – when the world is changing, the flowers are blooming and the birds are singing. Such a great change in nature has inspired me to compose this piece. Also, I must say, I have found Rumi’s lovely poem ‘Spring Arrives’ is very close to the spirit of this piece. His poem is so much full of optimism. He throws away all dogmas, religious fanaticism and pessimism. His free spirited vision of love and passion for life is so overwhelming. Although the poem is 800 years old, but Rumi’s description of flowers and trees would never become old and it is very relevant for our Spring in 2012…”

I want to thank all the people who appreciated the videoclip throughout the web!

* * *


Music is colour, image, movement, poetry… and a GLORIOUS MORNING too! This is the title of a great original piano solo by Gene Emerson, from Canada. Gene is a talented composer and pianist. I was really amazed and fascinated by her music. When I heard her “Glorious Morning” I immediately thought to some of my “Lacer/actions” artworks.

 And the idea to collaborate with Gene for a clip became stronger when I read her words about the meaning she gave to her beautiful piano composition.

Gene says : “Glorious Morning is really an ode to a beautiful, warm and sunny morning at the beginning of Spring, – after long cold winter – when the world is changing, the flowers are blooming and the birds are singing. Such a great change in nature has inspired me to compose this piece. Also, I must say, I have found Rumi‘s lovely poem ‘Spring Arrives’ is very close to the spirit of this piece. His poem is so much full of optimism. He throws away all dogmas, religious fanaticism and pessimism. His free spirited vision of love and passion for life is so overwhelming. Although the poem is 800 years old, but Rumi’s description of flowers and trees would never become old and it is very relevant for our Spring in 2012…”


So we decided to create a videoclip, trying to mix Gene music and my artworks (images of torn posters and urban signs). I selected nine pics that recall me in some ways the  wonderful melody and the surprising Gene Emerson’s  performance. So, enjoy this video. Great music and colors for a dreamin’ and relaxing moment…


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You may follow Gene Emerson at:






For the past 3 years, College Battle (“CB”) has grown organically in the college market with the creation of an unprecedented music and entertainment platform.  This includes the national College Battle of the Bands competition which has awarded over $250K in prizing to top student musicians to date, and the Textbooks & Tickets Tour (“T&T”) produced with Chegg, the only free concert series exclusively for college students featuring artists such as T-Pain, Avicii, Big Boi of OutKast, Dev, Chiddy Bang, MNDR, Big Sean and many more.  The company’s year round activity provides a unique solution to the college entertainment vertical by reaching one of the most influential portions of the youth media market and economy which represents over $60 billion of spending capitol annually.

Over the course of 2011, CB visited more than 43 campuses to reach a student population of over 1.25M and garner 10M+ impressions online. Additionally, thousands of student musicians competed in the national College Battle of the Bands competition with the national finalists getting an opening slot on a T&T show. 

2012 plans include an expanded College Battle of the Bands competition (now simply known as College Battle) this spring and summer and the largest T&T Tour launch to date in August to reach over 20M college impressions, with intimate brand integration offered to sponsors and partners throughout.

College Battle is the brainchild of young music entrepreneurs Evan Shapiro and KamranV, along with Dan Costa of Campus MovieFest.  In 2007 they decided to put their passion for music and business to the test and create a college brand which not only has gone on to exceed any projections in the way of attendance and sheer numbers, but has become the catalyst for other brand extensions to a unique demographic with tons of spending power – the college student.

With the industry continuing to evolve and the world of new media heightening the opportunities for immediate satisfaction, they both knew that they had a chance to create a powerful brand.  Given the age of information exchange and collective experiences, they were convinced that they could create a leading college music brand while also discovering new  innovative talent that could otherwise go unnoticed in the crowded world of digital downloads, music promotion and emerging artist opportunities.  It was then that College Battle began to form into what is now a national tour and music competition with major sponsors.  In only a few short years they have succeeded in securing such high level partners as Chegg, GRAMMY U®, T-Mobile and others and have filled venues and college campuses around the country in what has became an unprecedented and energetic brand concept that continues to grow exponentially each year.  The College Battle competition is at the forefront of artist discovery and responsible for helping to discover popular acts that go on to secure recording contracts such as Mike Posner (Duke), Local Natives (Pepperdine) and Rozzi Crane (USC) who was just signed by Adam Levine of Maroon 5 fame and now featured on the current Hunger Games soundtrack.

This spring, College Battle launches its fourth year of competition in April.  The 2012 events bring an exciting new regional format with intimate brand integrations, a projection of 300K unique college voters and thousands of music artist participants as well as celebrity judges and a national public relations firm focusing on national exposure for the company.

Brands are constantly trying to find new ways to market to this key demographic but they usually loose sight of the new current trends and have a hard time staying ahead of the curve.    College Battle took one of the strongest cultural identifiers to college students – music – and are making it a lifestyle brand.  Through the current music market, CB has successfully found a way to stay ahead of the curve and market to college students in an organic and comfortable way and effectively give them something they can’t live without – their favorite music and an unforgettable college experience where they connect with artists themselves and other like-minded students. College Battle is the perfect strategy for the college entertainment vertical and is consistently finding new ways to provide meaningful event experiences for brands, students and artists alike.

In 2012, College Battle hits the road once again to make its mark in 40+ college markets across the United States.  Having renewed agreements with major sponsors Chegg and GRAMMY U, College Battle and the Textbooks & Tickets Tour will launch the new season with a special edition Textbooks & Tickets Tour date in Hamilton, NY with a one-of-a-kind performance by college-favorite artist Avicii on 4/20.  College Battle and Textbooks & Tickets events follow in all major markets throughout 2012, including the company’s first ever fashion and runway show integrations into select music events. 

Additional 2012 partnerships are being added.  Partners will reap the rewards of unique interactive on-campus and event experiences with college students who will aim to become natural ambassadors for the brand. In a world where money is tight, marketing is crowded and demographics are split, the high energy music enthusiasts at College Battle have created a brand which has now stood the test of time and has the history to continue to prove itself as one of  the key college brands in the nation.


COLLEGE BATTLE 2012 Promo: http://youtu.be/hMENdZPFGNE 

USC Back-to-School Promo: http://youtu.be/2UzNbzJUtNk



Caroline Galloway | M2M PR



Matthew Hallman | M2M PR



Julia Henry | College Battle