CORROSIONS ON THE SURFACE OF AN IRON GATE: WITH A TOUCH OF YELLOW #3

© roberto alborghetti (9)

© Roberto Alborghetti

© Roberto Alborghetti

© Roberto Alborghetti

Yellow varnish on a peeling metal surface can lead to truly surprising results. Time, weather conditions, smog, dust and rusts act effectively on materials and offer scenes of singular charm at the end of their corrosion process. Just like this yellow paint that the lens of my camera has caught on the pole of a gate. And so, the grays, blacks, blues of the corroded metal, welcome yellow fragments and cracks that are randomly dispersed, without a prearranged order, on the iron surface. They compose a palette of a harmonious mixture of colors. But, as I like to say, these are not paintings made by human hands. They are macro photos of the spectacle of passing time that leaves its scars on materials and matter.

These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust  (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested in purchasing these images in exclusive and original copies? Please contact: funtasyeditrice@gmail.com

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Con un tocco di giallo… La vernice su una superficie metallica scrostata può portare a risultati davvero sorprendenti. Il tempo, le condizioni atmosferiche, lo smog, le polveri e le ruggini agiscono in modo efficace sui materiali e offrono, al termine del loro processo della corrosione, scene di singolare fascino. Come appunto questa vernice gialla che l’obiettivo della mia fotocamera ha colto sul palo di un cancello. E così, i grigi ed i neri del metallo corroso, accolgono frammenti gialli che si disperdono sulla superficie ferrosa, componendo una tavolozza di colori di grande effetti. Ma, come mi piace dire, questi non sono dipinti realizzati da mano umana. E’ solo lo spettacolo del tempo passa e che lascia le sue cicatrici sui materiali e sulla materia.

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CORROSIONS ON THE SURFACE OF AN IRON GATE: WITH A TOUCH OF YELLOW #1

© roberto alborghetti (1)

© Roberto Alborghetti

© roberto alborghetti (2)

© Roberto Alborghetti

© roberto alborghetti (3)

© Roberto Alborghetti

With a touch of yellow … Varnish on a peeling metal surface can lead to truly surprising results. Time, weather conditions, smog, dust and rusts act effectively on materials and offer scenes of singular charm at the end of their corrosion process. Just like this yellow paint that the lens of my camera has caught on the pole of a gate. And so, the grays, blacks, blues of the corroded metal, welcome yellow fragments that are randomly dispersed, without a prearranged order, on the iron surface. They compose a palette of a harmonious mixture of colors. But, as I like to say, these are not paintings made by human hands. It is only the spectacle of passing time that leaves its scars on materials and matter.

These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust  (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

*

Interested in purchasing these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

 

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Con un tocco di giallo… La vernice su una superficie metallica scrostata può portare a risultati davvero sorprendenti. Il tempo, le condizioni atmosferiche, lo smog, le polveri e le ruggini agiscono in modo efficace sui materiali e offrono, al termine del loro processo della corrosione, scene di singolare fascino. Come appunto questa vernice gialla che l’obiettivo della mia fotocamera ha colto sul palo di un cancello. E così, i grigi ed i neri del metallo corroso, accolgono frammenti gialli che si disperdono sulla superficie ferrosa, componendo una tavolozza di colori di grande effetti. Ma, come mi piace dire, questi non sono dipinti realizzati da mano umana. E’ solo lo spettacolo del tempo passa e che lascia le sue cicatrici sui materiali e sulla materia.

THE FASCINATING WORLD OF RUST / LIKE TRAILS OF REDDISH CLOUDS IN THE SKY #2

© Roberto Alborghetti (5)

© Roberto Alborghetti

Time and rust have the fascinating power to change things without the contribution and conditioning of the human being’s hand. The work and the creative action that rust can do are truly surprising. They can compose and model endless scenes in which our eyes can see and perceive horizons without limits. Or skies in which the clouds leave incredible trails, like the brush strokes that a painter leaves on the canvas. Yes, like trails of reddish clouds in the sky. These images are not paintings, but simply macro photographs of the rusts I saw on an old gate. Everything is created casually, without a precise intent, without a reason which is not that of the normal process accomplished by the natural decomposition of the elements. Surprising, is not it?

These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust  (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested in purchasing these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

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Il tempo e la ruggine hanno il fascinoso potere di modificare le cose senza l’apporto e il condizionamento della mano dell’essere umano. Sono davvero sorprendenti il lavoro e l’azione creativa che può compiere la ruggine. Possono comporre e modellare scene infinite nelle quali i nostri occhi possono vedere e percepire orizzonti senza limiti. O cieli nei quali le nuvole lasciano incredibili scie, come le pennellate che un pittore lascia sulla tela. Ma queste immagini non sono dipinti, ma semplicemente fotografie dal vero, ravvicinate, delle ruggini che ho visto su un vecchio cancello. Tutto è creato casualmente, senza un preciso intento, senza una ragione, che non sia quella del normale processo compiuto dalla decomposizione naturale degli elementi. Sorprendente, non è vero?

NATURAL CRACKS & CORROSIONS / LIKE MAPS TO NOWHERE #2

© Roberto Alborghetti (4)

© ROBERTO ALBORGHETTI

© ROBERTO ALBORGHETTI

© ROBERTO ALBORGHETTI

Cracks & Corrosions  like Maps to Nowhere… These are some macro and abstract photos I took walking along the streets of Bitonto, a beautiful city in Apulia, Italy. They are part of “LaceR/Actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens. Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

These images give us the illusion of consulting imaginary paths, jealously guarded in the soul of so many of our cities.

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Interested in purchasing these images in exclusive and original copies? Please contact: funtasyeditrice@gmail.com

NATURAL CRACKS & CORROSIONS / LIKE MAPS TO NOWHERE…#1

© Roberto Alborghetti (3)

© Roberto Alborghetti 

© Roberto Alborghetti (2)

© Roberto Alborghetti 

© Roberto Alborghetti (1)

© Roberto Alborghetti

Cracks & Corrosions  like Maps to Nowhere… These are some macro and abstract photos I took walking along the streets of Bitonto, a beautiful city in Apulia, Italy. They are part of “LaceR/Actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens. Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

These images give us the illusion of consulting imaginary paths, jealously guarded in the soul of so many of our cities.

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Interested in purchasing these images in exclusive and original copies? Please contact: funtasyeditrice@gmail.com

THE TORN (PUBLI)CITY: SIGNS & CODES LEFT ON A BILLBOARD #2

4 © Roberto Alborghetti (2)

© Roberto Alborghetti

5 © Roberto Alborghetti (3)

© Roberto Alborghetti

6 © Roberto Alborghetti (7)

© Roberto Alborghetti

After the advertisement has been torn and removed from the billboards, traces and marks of ink, glue and residuals of paper can be glimpsed on the surface. In my opinion, this is a unique spectacle. An open-air exhibition. Our eye can read and admire strange shapes and a sort of codes that only the time and the chance can decipher.

I think all this is a real language. It is the expressive code of the road, which speaks and communicates in an absolutely surprising way. Yes, I am convinced that this is natural and pure street art, built by virtue of a force that is beyond our control. Yes, very suggestive black and white pics. You must be immediately ready to impress these scenes …

Also in this photogallery #2 I have gathered some of the images I took around a big outdoor billboard located in Milan area (Italy).  The pictures are part of LaceR/Actions”, my multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens (I’ve collected so far more than 100.000 photos…).

Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions. They’re not paintings…They’re Lacer/actions! © Roberto Alborghetti

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Interested in purchasing these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

Dopo che la pubblicità è stata strappata e tolta dai tabelloni, si possono intravvedere, sulla superficie, tracce e segni di inchiostro, colla e residui di carta. A mio parere, tutto ciò costituisce uno spettacolo unico. Una mostra a cielo aperto. Il nostro occhio può leggere ed ammirare strane forme ed una sorta di codici che solo il caso e il fato possono decifrare. Penso che tutto ciò sia un linguaggio. E’ il codice espressivo della strada, che parla e comunica in un modo assolutamente sorprendente. Sì, sono convinto che questa sia vera e pura arte di strada, costruita in virtù di una forza che sfugge al nostro controllo. Sì, tutto molto suggestivo. Occorre essere subito pronti ad impressionare queste scene, parte del progetto “Lacer/azioni”…

ROME, THE UNIVERSE OF MACRO: CRACKS AND DECOMPOSED MATTERS #2

© Roberto Alborghetti

© Roberto Alborghetti

© Roberto Alborghetti

© Roberto Alborghetti

Cracks is part of my Lacer/actions Project, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens (I’ve collected so far more than 100.000 photos…).

Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

I think the universe of cracks is a really wonderful world… We are surrounded by cracks… We live in a planet of cracks. And cracks may be considered as a life’s metaphor and “an active aesthetical appreciation” of what we call the disturbing elements of imperfection. In this photogallery I have gathered some of the macro images I took walking along Rome streets. Yes, in the macro we can see a lot!

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Interested in purchasing these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com