WORLD AUTISM AWARENESS DAY 2020: AN EXPERIENCE OF COLORS AND EMOTIONS

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This videoclip presents a series of pictures about “a journey through special painterly colors and materials” and the wonderful experience involving children with disabilities and carriers of the Syndrome of Autism Spectrum. It’s nice to remember it, when we celebrate the World Autism Awereness Day 2020 (April 2). 

Patrizia Sapri led with passion and enthusiasm the group of the magnificent seven little artists  who have re-composed and re-built artworks from “Lacer / actions” Project by Roberto Alborghetti. Kids re-viewed with their creativity images of decomposed publicity posters, natural cracks, scratches, urban and industrial matters, as presented in the videoclip.  

Patrizia Sapri, teacher and curator, says about the workshop: “ My job has the aim to start from the healthy part of the person and developing residual capacity. We search for a meaningful relationship between color and emotions. Limits are transformed into expressive skills, communication, art… Roberto Alborghetti artworks have the emotional power to establish a right condition to create and to act. Yes, my special pupils  like so much Roberto’s colors, scratches and cracks. But don’t ask me why…”.

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World Autism Awareness Day 2020

World Autism Awareness Day aims to increase people’s awareness about people, especially children, with autism. The day often features educational events for teachers, health care workers, and parents, as well as exhibitions showcasing work created by children with autism.

Colors and Emotions Atelier - Roberto Alborghetti Lacer/actions - Curated by Patrizia Sapri

Colors and Emotions Atelier – Roberto Alborghetti Lacer/actions – Curated by Patrizia Sapri

Colors and Emotions Atelier - Roberto Alborghetti Lacer-Actions, Curated by Patrizia Sapri

Colors and Emotions Atelier – Roberto Alborghetti Lacer-Actions, Curated by Patrizia Sapri.

 

 

 

THE AMAZING IMPERFECTION OF THE WORLD AROUND US: 12 ABSTRACT PHOTOS FROM ROME

  © Roberto Alborghetti 

 

These pictures aren’t paintings (oils, acrylics, watercolors or digital works), but just natural, random and not manipulated images of the amazing imperfection of the real world we see around us. They are photos: I took them in Rome on walls, advertising billboards, gates, wastebins… Free abstract and informal art along the streets.  

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Roberto Alborghetti ‘s LaceR/Actions is a multidisciplinary project and research about the apparent chaos of decomposed posters, cracks, scratches and urban/street signs. Transferred on canvases, reproduced on lithographic prints or textiles (as pure silk), re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks give new meanings and expressions to paper lacerations and matter decomposition, as you may see in this gallery showing some works from the collection of about 120.000 images captured so far by Roberto Alborghetti during his research all around the world. For infos and acquisitions of unique of original copies: funtasyeditrice@gmail.com 

 

SCRATCHES AND GRAFFITI ON BLUE: NOTHING BUT PHOTOGRAPHY #1

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© Roberto Alborghetti

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© Roberto Alborghetti

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© Roberto Alborghetti

The city walls, in this case Milan, always reserve great surprises for my research project “Lacer / actions”. In this photo-gallery some of the photographic images that concern some scratches produced and created by wear and time. The wall had a blue base. And so the blue has given birth, over the course of months and years, to this surprising natural palette, which seems to come from the hands of an artist. But instead everything is close-up photography. Nothing but photography.

  • Created by Roberto  Alborghetti  for his Lacer/actions project-research about torn and decomposed publicity posters, natural cracks and scratches, urban and industrial matters. © Roberto Alborghetti 
  • Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

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I muri delle città, in questo caso Milano, riservano sempre grandi sorprese per il mio progetto-ricerca “Lacer/actions”. In questa foto-galleria alcune delle immagini fotografiche che riguardano alcuni graffi prodotti e creati dalll’usura e dal tempo. La parete aveva una base di colore blu. E così il blu ha dato vita, nel corso di mesi e di anni, a questa sorprendente tavolozza naturale, che sembra uscita dalle mani di un artista. Ma invece tutto è fotografia a distanza ravvicinata. Null’altro che fotografia.

TIME AND DECOMPOSITION: THE PHOTO-SHOW OF THE RUST

© Roberto Alborghetti

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© Roberto Alborghetti

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© Roberto Alborghetti

Time and rust have the fascinating power to change things without the contribution and conditioning of the human being’s hand. The work and the creative action that rust can do are truly surprising. They can compose and model endless scenes in which our eyes can see and perceive horizons without limits.

Like in this series of images. We can glimpse scenes that remind us of dry leaves, fronds of trees shaken by the wind, red flowers of indecipherable plants … In short, the effects of rust can be spectacular.

But the images you see above aren’t paintings, but simply macro photographs of the rusts I saw on a billboard. Everything is created casually, without a precise intent, without a reason which is not that of the normal process accomplished by the natural decomposition of the elements.
These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested to purchase these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

Il tempo e la ruggine hanno il fascinoso potere di modificare le cose senza l’apporto e il condizionamento della mano dell’essere umano. Sono davvero sorprendenti il lavoro e l’azione creativa che può compiere la ruggine. Possono comporre e modellare scene infinite nelle quali i nostri occhi possono vedere e percepire orizzonti senza limiti. O cieli nei quali le nuvole lasciano incredibili scie, come le pennellate che un pittore lascia sulla tela. Ma queste immagini non sono dipinti, ma semplicemente fotografie dal vero, ravvicinate, delle ruggini che ho visto su un vecchio cancello. Tutto è creato casualmente, senza un preciso intento, senza una ragione, che non sia quella del normale processo compiuto dalla decomposizione naturale degli elementi. Sorprendente, non è vero?

LACER/ACTIONS IN GIF / 8 PICTURES FROM THE WORLD AROUND US

lacer-actions gif

“LaceR/Actions” is a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these 8 pictures in gif (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested in purchasing these images in exclusive, unique and original copies? Please contact: funtasyeditrice@gmail.com

CORROSIONS ON THE SURFACE OF AN IRON GATE: WITH A TOUCH OF YELLOW #2

© roberto alborghetti (4)

© Roberto Alborghetti

© roberto alborghetti (5)

© Roberto Alborghetti

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© Roberto Alborghetti

Yellow varnish on a peeling metal surface can lead to truly surprising results. Time, weather conditions, smog, dust and rusts act effectively on materials and offer scenes of singular charm at the end of their corrosion process. Just like this yellow paint that the lens of my camera has caught on the pole of a gate. And so, the grays, blacks, blues of the corroded metal, welcome yellow fragments and cracks that are randomly dispersed, without a prearranged order, on the iron surface. They compose a palette of a harmonious mixture of colors. But, as I like to say, these are not paintings made by human hands. It is only the spectacle of passing time that leaves its scars on materials and matter.

These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust  (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested in purchasing these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

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Con un tocco di giallo… La vernice su una superficie metallica scrostata può portare a risultati davvero sorprendenti. Il tempo, le condizioni atmosferiche, lo smog, le polveri e le ruggini agiscono in modo efficace sui materiali e offrono, al termine del loro processo della corrosione, scene di singolare fascino. Come appunto questa vernice gialla che l’obiettivo della mia fotocamera ha colto sul palo di un cancello. E così, i grigi ed i neri del metallo corroso, accolgono frammenti gialli che si disperdono sulla superficie ferrosa, componendo una tavolozza di colori di grande effetti. Ma, come mi piace dire, questi non sono dipinti realizzati da mano umana. E’ solo lo spettacolo del tempo passa e che lascia le sue cicatrici sui materiali e sulla materia.

NATURAL CRACKS & CORROSIONS: LIKE MAPS TO NOWHERE #3

© Roberto Alborghetti (7)© Roberto Alborghetti (8)© Roberto Alborghetti (9)

Cracks & Corrosions  like Maps to Nowhere… These are some macro and abstract photos I took walking along the streets of Bitonto, a beautiful city in Apulia, Italy. They are part of “LaceR/Actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens.

© Roberto Alborghetti (10) (640x480)Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions. These images give us the illusion of consulting imaginary paths, jealously guarded in the soul of so many of our cities.

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Interested in purchasing these images in exclusive and original copies? Please contact: funtasyeditrice@gmail.com

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