THREE IMAGES FOUND IN THE ARCHIVE: THEY HAVE BEEN TAKEN TEN YEARS AGO

Here are three images from my “Lacer/actions” project-research. They were taken exactly 10 years ago, but I think they retain all their amazing energy. Obviously, these images are not paintings, but photographs. They refer to billboards, which I saw by chance along the roads. Yes, these are not collages built and created deliberately with my hands, joining and sticking piece by piece, but a real, “natural” and completely collage. It’s  the result of various and different overlaps – which took place over weeks and months – of advertising publicity posters with different contents. 

I was lucky enough to catch and store them to my “Lacer/actions” archive which now counts more than 100,000 images  I fixed and collected around the world. I think that these random works, as well as the thousands I have captured and documented so far, would really aroused the envy of Mimmo Rotella and  Jacques Villeglè… These artists worked advertising posters snatching them from the billboards. But I think that a way of artistic expression is instead to document pure reality through photography. And leave the incredible polychromy of torn posters on the walls, transforming the cities streets in public and free outdoor “galleries”… 

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Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

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NEW VIDEO: RUST AS RED FLOWERS OF UNDECIPHERABLE PLANTS (MACRO PHOTOS)

Time and rust have the fascinating power to change things without the contribution and conditioning of the human being’s hand. The work and the creative action that rust can do are truly surprising. Like in this series of images (watch the video). We can glimpse scenes that remind us of dry leaves, fronds of trees shaken by the wind, red flowers of indecipherable plants …

The images you see in the video aren’t paintings, but simply macro photographs of the rusts I saw on a billboard. Everything is created casually, without a precise intent, without a reason which is not that of the normal process accomplished by the natural decomposition of the elements.
These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested to purchase these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

 

© Roberto Alborghetti

MY ARTWORK IS THE COVER OF “LAMIAGENDA 2020” (THE MOST SOLD SCHOOL DIARY IN ITALY)

This is the video trailer of the new edition of LAMIAGENDA, available from Spring 2019 and published in Italy by I Quindici. It presents one of the artworks I created for my “Lacer/actions” project. Its title “Burn my heart…”, size 94cms x 51 cms (on wood). This work is a collage created with more than 300 small paper pieces collected along the streets as waste material from outdoor torn and decomposed publicity posters.

It will be the cover of the new edition “of the most innovative school diary” in Italy. The trailer expresses the basic editorial concepts of the new edition of the school diary: it has a square shape, it is full of colors, it is graphically animated. In short, it is an agenda to book! Reservations from the school institutions have already started. For info and contacts: sandinipaolo@gmail.com .

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Ecco il video trailer della edizione 2019/2020 de LAMIAGENDA, disponibile a partire dalla Primavera 2019, edita da I Quindici. La copertina presenta un nuovissimo artwork – un collage di carta straccia recuperata dai manifesti pubblicitari deturpati – di Roberto Alborghetti. Vuole esprimere il tema della nuova edizione del diario scolastico + innovativo che ci sia: “Di cotti & di crudi / Il mondo del cibo e della sana alimentazione”. Il video esprime anche i concetti base del nuovo diario-agenda: è quadrato, è colorato, è animato. Insomma, da prenotare. Infatti, sono già partite a pieno ritmo le prenotazioni da parte degli Istituti scolastici. Per info,  contatti e incontri : sandinipaolo@gmail.com;

“LamiAgenda 2019/2020”, the cover is a particular of a collage created by Roberto Alborghetti.

“SOON” VIDEO: VALENTINE’S DAY SPECIAL VERSION…COLORS, FLOWERS AND BEES…

A very special “Valentine’s Day” version of “Soon”, video created in collaboration with jazz singer and composer Jeanie Barton. Her wonderful voice goes with my abstract photos from “Lacer/actions” project and research. Pictures and great vocals. The macro-photos of cracks and scratches on poles were taken along the streets in Beeston-Nottingham on March 2017. The videoclip is part of “The Ghost Bus Roads” project promoted by Bartons Plc, Roberto Alborghetti Lacer/actions and ACT Group founded by Marysia Zipser. Happy Valentine’s Day!

© Roberto Alborghetti

TIME AND DECOMPOSITION: THE PHOTO-SHOW OF THE RUST

© Roberto Alborghetti

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© Roberto Alborghetti

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© Roberto Alborghetti

Time and rust have the fascinating power to change things without the contribution and conditioning of the human being’s hand. The work and the creative action that rust can do are truly surprising. They can compose and model endless scenes in which our eyes can see and perceive horizons without limits.

Like in this series of images. We can glimpse scenes that remind us of dry leaves, fronds of trees shaken by the wind, red flowers of indecipherable plants … In short, the effects of rust can be spectacular.

But the images you see above aren’t paintings, but simply macro photographs of the rusts I saw on a billboard. Everything is created casually, without a precise intent, without a reason which is not that of the normal process accomplished by the natural decomposition of the elements.
These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested to purchase these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

Il tempo e la ruggine hanno il fascinoso potere di modificare le cose senza l’apporto e il condizionamento della mano dell’essere umano. Sono davvero sorprendenti il lavoro e l’azione creativa che può compiere la ruggine. Possono comporre e modellare scene infinite nelle quali i nostri occhi possono vedere e percepire orizzonti senza limiti. O cieli nei quali le nuvole lasciano incredibili scie, come le pennellate che un pittore lascia sulla tela. Ma queste immagini non sono dipinti, ma semplicemente fotografie dal vero, ravvicinate, delle ruggini che ho visto su un vecchio cancello. Tutto è creato casualmente, senza un preciso intento, senza una ragione, che non sia quella del normale processo compiuto dalla decomposizione naturale degli elementi. Sorprendente, non è vero?

THE SPECTACULAR EFFECTS OF RUST / PICTURE #1

DSCN2891 (800x600)

© Roberto Alborghetti

Time and rust have the fascinating power to change things without the contribution and conditioning of the human being’s hand. The work and the creative action that rust can do are truly surprising. They can compose and model endless scenes in which our eyes can see and perceive horizons without limits.

Like in this series of images. We can glimpse scenes that remind us of dry leaves, fronds of trees shaken by the wind, red flowers of indecipherable plants … In short, the effects of rust can be spectacular.

But the image you see above is not a painting, but simply a macro photograph of the rusts I saw on a billboard. Everything is created casually, without a precise intent, without a reason which is not that of the normal process accomplished by the natural decomposition of the elements.
This abstract and macro photo is are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

*
Interested in purchasing these images in exclusive and original copies? Please contact: ro.alb@alice.it ; funtasyeditrice@gmail.com

Il tempo e la ruggine hanno il fascinoso potere di modificare le cose senza l’apporto e il condizionamento della mano dell’essere umano. Sono davvero sorprendenti il lavoro e l’azione creativa che può compiere la ruggine. Possono comporre e modellare scene infinite nelle quali i nostri occhi possono vedere e percepire orizzonti senza limiti. O cieli nei quali le nuvole lasciano incredibili scie, come le pennellate che un pittore lascia sulla tela. Ma queste immagini non sono dipinti, ma semplicemente fotografie dal vero, ravvicinate, delle ruggini che ho visto su un vecchio cancello. Tutto è creato casualmente, senza un preciso intento, senza una ragione, che non sia quella del normale processo compiuto dalla decomposizione naturale degli elementi. Sorprendente, non è vero?

CORROSIONS ON THE SURFACE OF AN IRON GATE: WITH A TOUCH OF YELLOW #3

© roberto alborghetti (9)

© Roberto Alborghetti

© Roberto Alborghetti

© Roberto Alborghetti

Yellow varnish on a peeling metal surface can lead to truly surprising results. Time, weather conditions, smog, dust and rusts act effectively on materials and offer scenes of singular charm at the end of their corrosion process. Just like this yellow paint that the lens of my camera has caught on the pole of a gate. And so, the grays, blacks, blues of the corroded metal, welcome yellow fragments and cracks that are randomly dispersed, without a prearranged order, on the iron surface. They compose a palette of a harmonious mixture of colors. But, as I like to say, these are not paintings made by human hands. They are macro photos of the spectacle of passing time that leaves its scars on materials and matter.

These abstract and macro photos are part of “Lacer/actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens, like these trails of rust  (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images of torn and disfigured posters and natural cracks, corrosions and scratches give new meanings and expressions to paper lacerations and matters decompositions.

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Interested in purchasing these images in exclusive and original copies? Please contact: funtasyeditrice@gmail.com

a1 - Copia - Copia

Con un tocco di giallo… La vernice su una superficie metallica scrostata può portare a risultati davvero sorprendenti. Il tempo, le condizioni atmosferiche, lo smog, le polveri e le ruggini agiscono in modo efficace sui materiali e offrono, al termine del loro processo della corrosione, scene di singolare fascino. Come appunto questa vernice gialla che l’obiettivo della mia fotocamera ha colto sul palo di un cancello. E così, i grigi ed i neri del metallo corroso, accolgono frammenti gialli che si disperdono sulla superficie ferrosa, componendo una tavolozza di colori di grande effetti. Ma, come mi piace dire, questi non sono dipinti realizzati da mano umana. E’ solo lo spettacolo del tempo passa e che lascia le sue cicatrici sui materiali e sulla materia.