1969-2019, CELEBRATING THE MOON (PHOTO OF TORN PUBLICITY POSTER ON A BILLBOARD)

Celebrating the Moon 2019

In my close-up photographs of decompositions and disfigurement of the urban environment, we often recognize figurative elements. As in the case of this image, captured on an advertisement board. It is not a painting. It is not an acrylic. It is not an oil. And not even a collage. It is a simple photographic image. It suggests thoughts and memories for Moon Day 2019, which celebrates the 50th anniversary of the historic lunar landing, which occurred on 20 th of July 1969.

The picture is part of my “LaceR/Actions” project-research, which now has reached 120.000 photos taken across the world. “LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the picture above.

For Informations and Exclusive Acquisitions:
funtasyeditrice@gmail.com

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Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

Celebrating the Moon - Postcard 2019 - r.alborghetti

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Nelle mie fotografie (a distanza ravvicinata) di decomposizioni e deturpazione dell’ambiente urbano, capita spesso di riconoscere elementi figurativi. Come nel caso di questa immagine, colta su un tabellone della pubblicità. Non è un dipinto. Non è un acrilico.Non è un olio. E nemmeno un collage. E’ una semplice immagine fotografica. Suggerisce pensieri e ricordi per il Moon Day 2019, che celebra l’arrivo degli esseri umani sulla luna, avvenuto 50 anni fa.

L’immagine fa parte del mio progetto-ricerca “LaceR/Azioni”, che ora ha raggiunto 120.000 foto scattate in tutto il mondo. “LaceR/Azioni” è un progetto multidisciplinare che documenta elementi decomposti e deturpati dell’ambiente urbano, come manifesti pubblicitari strappati, crepe e graffi naturali, materiali industriali. Impressionati dalla fotocamera e trasferiti su tele, riprodotti su stampe litografiche o tessuti, ricostruiti su collage o scansionati in videoclip, i dettagli di manifesti pubblicitari e gli elementi strappati e decomposti danno nuova vita alla carta straccia e alle cose scomposte. Come l’immagine qui sopra.

Per Info e acquisizioni in esclusiva:
funtasyeditrice@gmail.com

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La Galleria ACS Artsy :
https://www.artsy.net/artist/roberto-alborghetti

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SIGNS OF OUR TIMES / MACRO PHOTOS OF A DISFIGURED TRAFFIC SIGN #3

© Roberto Alborghetti

These are not modern art paintings or pop art works. They are just macro and abstract photos of details of a disfigured traffic sign… The pictures are part of my “LaceR/Actions” project-research, which now has reached 120.000 photos taken across the world.
“LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the pictures above.

For Informations and Exclusive Acquisitions:
funtasyeditrice@gmail.com

*
Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

© Roberto Alborghetti

SIGNS OF OUR TIMES / MACRO PHOTOS OF A DISFIGURED TRAFFIC SIGN #2

© Roberto Alborghetti - 2019 2

© Roberto Alborghetti

These are not modern art paintings or pop art works. They are just macro and abstract photos of details of a disfigured traffic sign… The pictures are part of my “LaceR/Actions” project-research, which now has reached 110.000 photos taken across the world.
“LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the pictures above.

For Informations and Exclusive Acquisitions:
funtasyeditrice@gmail.com

*
Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

THE STREET IS A FREE ART GALLERY: TORN PUBLICITY POSTERS, SLIDESHOW #3

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Are these modern art paintings? Are these pop art works? Are these acrylic pictorial paintings? No, they are just photos of details of big torn publicity posters on an outdoor advertisings billboard. For me, the street is a real free art gallery, where we can perceive wonderful pieces of art. The pictures above are part of my “LaceR/Actions” project-research, which now has reached 110.000 photos taken across the world.
“LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the picture above.

For Informations and Esclusive Acquisitions:
funtasyeditrice@gmail.com

*
Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

THE STREET IS A FREE ART GALLERY: TORN PUBLICITY POSTERS, SLIDESHOW #2

 

This slideshow requires JavaScript.

Are these modern art paintings? Are these pop art works? Are these acrylic pictorial paintings? No, they are just photos of details of big torn publicity posters on an outdoor advertisings billboard. For me, the street is a real free art gallery, where we can perceive wonderful pieces of art. The pictures above are part of my “LaceR/Actions” project-research, which now has reached 110.000 photos taken across the world.
“LaceR/Actions” is a multidisciplinary project concerning researches about decomposed and torn publicity posters, natural cracks and scratches, urban/industrial tokens. Impressed by photocamera and transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the details of torn and decomposed publicity posters give new life to waste-paper and decomposed matters. Like the picture above.

For Informations and Esclusive Acquisitions:
funtasyeditrice@gmail.com

*
Or go to ACS Artsy Gallery Page:
https://www.artsy.net/artist/roberto-alborghetti

THE GHOST BUS IS BACK IN THE LAND OF ROBIN HOOD!

GUEST WRITER: MARYSIA ZIPSER – FOUNDER OF ACT GROUP

A visual arts creation by Roberto Alborghetti developed from his “Lacer/actions” project, which concerns realistic images (macro photography not manipulated) of decomposed publicity posters, natural cracks and scratches, urban and industrial tokens and materials.

Roberto says, “While touring Bartons garage in Chilwell, Nottingham (in October 2014) I chanced upon classic vehicles including ‘The Ghost Bus’, a 1956 URR 865 Reliance, which had spent 20 years slumbering in an open field in Suffolk.”

The Ghost Bus ‘Roads’ Project consists of two 14 minute films for public performance; “The Ghost Bus” and “Land Rover Mapping”.  Each has a short film trailer which can be viewed “Can you believe that this art is from an old bus?” and “Can you believe that this art from an old Land Rover?”  In addition he has produced 4 related short videos of macro images taken around Beeston and on Nottingham’s streets: Ghost Bus Seaside Town with music by Simon, Richard, James and Tom Barton Colours of Nottingham Streets to “Can I think of Love” a song by Jeanie Barton Images of Beeston Streets ‘like blossom’ accompanied by “Soon” a song by Jeanie Barton Beeston Rylands – a short film along the Canalside

These are available to view together on a YouTube playlist   http://www.artculturetourism.co.uk/blog/land-rover-mapping-electronic-press-kit-epk

The Ghost Bus Project exhibits the power of combining visual and musical arts; the wonder of family history (the Barton family firm was for a time the largest independent bus operator in the world) and the beauty of what human beings can do through creativity and mutual cooperation.  It encourages us to take the time to look more closely at our surroundings and discover the stories our environment can tell us.

This visual arts film project is now touring! Next stop: in Beeston and Nottingham again, at the beginning of June 2019 (5-8). Let’s get on The Ghost Bus!

The Ghost Bus film premiere at Bartons Plc – Photo by Christopher FROST

ABSTRACT MAPS FROM A METAL PLATE: CLOSE UP PHOTOGRAPHY #3

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© Roberto Alborghetti

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© Roberto Alborghetti

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© Roberto Alborghetti

Even a simple metal plate, seen on a street in the city center, can reveal and hide really surprising shapes and colors, like the images published above, for my research project “Lacer / actions”. In this photo-gallery some of the photographic images that concern some scratches produced and created by time, which  gave birth, over the course of months and years, to this surprising natural palette, which seems to come from the hands of an artist. But instead everything is close-up photography. Nothing but photography.

  • Created by Roberto  Alborghetti  for his Lacer/actions project-research about torn and decomposed publicity posters, natural cracks and scratches, urban and industrial matters. © Roberto Alborghetti 
  • Are you interested in these original images? Please contact:  funtasyeditrice@gmail.com

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Anche una semplice lastra di metallo, vista su una strada del centro città, può rivelare e nascondere forme e colori davvero sorprendenti, come le immagini pubblicate qui sopra. In questa foto-galleria alcune delle immagini fotografiche che riguardano alcuni graffi prodotti e creati dalll’usura e dal tempo, che hanno dato vita, nel corso di mesi e di anni, a questa sorprendente tavolozza naturale, che sembra uscita dalle mani di un artista. Ma invece tutto è fotografia a distanza ravvicinata. Null’altro che fotografia.